Von Stroheim

 

 (imdb)

THE CRIME OF DR. CRESPI-1935-Teutonic, grouchy, self-assured Dr. Crespi (Erich Von Stroheim; 2 years before GRAND ILLUSION) agrees to operate on his former lover's husband Stephen Ross (John Bohn), a highly decorated doctor who used to be Crespi's assistant. The operation is a success but Ross dies anyway. Or does he? It seems Crespi is a mad scientist who injected Ross with a drug that makes him appear dead when in fact he can see and hear everything. Crespi wants him buried alive and even gloats about it to Ross' prone body. Ross is buried but is inadvertently saved when Dr. Thomas (Dwight Frye; in BRIDE OF FRANKENSTEIN the same year) exhumes the body believing Crespi poisoned Ross. Hungarian born John H. Auer directed this creaky melodramatic sort of horror tale with the credit “suggested” by Edgar Allan Poe's “The Premature Burial”.

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Charlie Chan Again

THE BLACK CAMEL-1931-In Hawaii, movie star Shelah Fane (Dorothy Revier) has doubts about marrying actor Allen Jaynes (William Post Jr.) She sends for mystic Tarneverro (Bela Lugosi; soon after DRACULA) to help her. Her friend Julie (Sally Eilers) doesn't like him but she’s too busy being wooed by real estate agent Jimmy Bradshaw (Robert Young). Later Charlie Chan (Warner Oland) makes his first appearance at the Royal Hawaiian hotel and confronts Tarneverro about his activities in Honolulu. He mentions the 3 year old Lenny Mayo murder case and maybe the fortune teller could help. Later Shelah visits the mystic and under duress admits she was in Mayo’s house the night he was killed. Later she receives an orchid from a guy named Bob Fyfe (Victor Vaconi). Her butler Jessop (unbilled Dwight Frye) is in love with her maid (though she says she’s not in love with him) and says he would do anything for her. After frolicking on the beach Julie and Jimmy find Shelah dead. Thus begins the scenario that was typical of so many Chan films to follow. A roomful of people, nearly each one a suspect.

Warner Oland debuted as Charlie Chan earlier in the year in CHARLIE CHAN CARRIES ON which unfortunately is now a "lost" film. In fact the next three entries are also lost. The next surviving picture with Oland is CHARLIE CHAN IN LONDON.

 I liked THE BLACK CAMEL because Bela has a large pivotal role but I dislike it because of the racist characterization of Chan’s dumb overzealous Japanese assistant Kashimo (Otto Yamaoka). Much more degrading and annoying than any of his sons ever were! For some reason director Hamilton MacFadden is un-credited.

“Death is a black camel that kneels unbidden at every gate. Tonight black camel has knelt here”

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Bats and Rains

VAMPIRE BAT-1933-is a creaky low budget horror film from the early 30's but despite it's obvious restrictions and drawbacks it's fairly entertaining.

The great Lionel Atwill stars as Dr. Von Neimann, the local doctor in a village where vampire like murders are taking place. Whenever giant bats appear at night, some unfortunate local dies, the body drained of blood. Melvyn Douglas (who was in James Whale's THE OLD DARK HOUSE the year before) is the investigating police constable. Fay Wray (the same year as KING KONG) is his love interest.

The best performence though is by Dwight Frye, essaying another village idiot role (it would type-cast his career) as Herman, a bat loving red herring (who meets his demise at the famous Bronson Canyon).

Familiar '30's character actor Lionel Belmore (2 Lionels for the price of one! What a movie!) also appears. The photography is a little too dark at times and there's a lot of talk but it's short running time makes it enjoyable.

Screenwriter Edward T. Lowe had been writing movies since the '20's (including HUNCHBACK OF NOTRE DAME with Lon Chaney). He later penned HOUSE OF FRANKENSTEIN, HOUSE OF DRACULA, several Charlie Chan and Bulldog Drummond mysteries and other stuff.

Director Frank Strayer made several unusual movies in the '30's (THE MONSTER WALKS, THE GHOST WALKS and CONDEMNED TO LIVE) before devoting most of his time to the movie series based on the "Blondie" comic strip in the '40's.



I also recently saw THE CLAIRVOYANT (aka THE EVIL MIND)-1934-made one year later and also featuring Fay Wray.

The always entertaining Claude Rains (one year after his film debut in THE INVISIBLE MAN) stars as a phony mind reader named Maximus who's predictions start to come true whenever he's around a certain woman (English actress Jane Baxter). Wray is his assistant-wife who fears his new power. Rains' trance states are very eerie (especially his last!). It's ok and probably influenced a few future films.

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