Finally The Third

THE JUNGLE CAPTIVE-1945-A scientist named Mr. Stendal (not Dr.) (Otto Kruger) brings a rabbit back to life through his new type of blood transfusion. Later his henchman Moloch (Rondo Hatton) kills a morgue attendant and steals the body of the now deceased Paula the ape woman. Detective Harrigan (Jerome Cowan) suspects Stendal's young assistant Dan Young (Phil Brown) who's engaged to Stendal's nurse Anne Forrester (Amelita Ward). Obviously mad, Stendal brings Paula back to life with the unwilling help of Anne who supplies her blood. “Don't be a fool. We're scientists, not sentimentalists!”. Paula escapes, kills a dog and Stendal has to control her with a whip. He turns her back into Paula DePuree (now played by Vicky Lane) but she's semi-catatonic. Despite not being a surgeon Stendal plans to put Ann's brain into Paula's head but Moloch has fallen for Ann. Stendal tells him: “No offense Moloch, but with that face you're not exactly a Casa-nova”. When Paula wanders away, Moloch tries to locate his boss and Paul becomes suspicious. He follows Moloch to their hideout where Moloch turns against Stendal and is shot and killed for his efforts. Paula reverts into an ape and kills Stendal. But before she can kill Anne, Harrigan arrives and shoots her.

Another unnecessary sequel to the “Paula, the ape woman” series started in 1943 with CAPTIVE WILD WOMAN and followed by JUNGLE WOMAN in 1944. It's not very good though not very long. It just seems like an excuse to bring Paula back to life just so she could be killed off again!

Vicky Lane was in only 6 movies in her brief career (plus one TV appearance). Her first husband was Tom Neal (DETOUR). Phil Brown was in many character and bit roles and much later on became a TV director. Director Harold Young also directed THE MUMMY'S TOMB (1942).

Of course once again I kind of screwed up and forgot all about this third installment. I reviewed the first two years ago!

https://moviemeltdown.blogspot.com/2015/08/

https://moviemeltdown.blogspot.com/2016/04/ape-sequel.html

Thanks for reading anyway!

Colossus in The Big Apple!

THE COLOSSUS OF NEW YORK-1958-Just after winning a Nobel prize a brilliant scientist Jerry Spensser (Ross Martin) is hit and killed by a truck while chasing after his son's toy plane. His slightly demented but famous brain surgeon father (Otto Kruger) takes out Jerry's brain and hooks it up to a machine in his lab so that his genius mind won't be wasted. His kind of jealous brother Henry (TV actor John Baragrey who is top billed) helps Pop built an over-sized robot to house Jerry's brain. It's big and bald and has glowing eyes, mechanical hands and feet and for some reason wears a cloak. Needless to say Jerry's not to pleased with his new bod and promptly faints. Although once conscious Jerry pleads with his stupid dad to "destroy me", Pop Spensser convinces his brain revived son to continue his experiments. He also develops  ESP, mind control and laser beam eyes and puts dad under his control. Later when he decides to visit his own grave, Jerry meets his son Billy (Charles Herbert also in THE DAY THE WORLD STOOD STILL the same year). He gets very angry because he's not made of flesh and blood. He blows a circuit when he sees Henry put the moves on Anne. She faints and Henry runs away! Mala Powers plays Jerry's widow Anne who seems to favor another doctor John Carrington (Robert Hutton) but he thinks Anne is just hallucinating when she says she's seen a giant robot. After Jerry-bot does in his younger brother, the climax takes place at The United Nations where an out of control Jerry lasers many spectators until Billy stops his wanton destruction ala THE GOLEM.

I've seen many negative reviews with this (at one time) seldom seen Science Fiction movie but around the time there was much more junkier stuff being made. The story is preposterous and kind of rushed but the metallic "colossus" is impressive. Director Eugene Lourie (THE BEST FROM 20,000 FATHOMS) provides some nice eerie night scenes which are given an extra jolt from Van Cleave's staccato piano soundtrack (although it's a little overbearing in a few scenes). The Ukrainian born Lourie  would later get back into the giant monster genre with THE GIANT BEHEMOTH and GORGO and also edited several Sam Fuller films.

Though she had given good performances as Roxanne in CYRANO de BERGERAC and a rape victim in Ida Lupino's OUTRAGE, Mala Powers was doing mostly TV at this time. Otto Kruger's long flim career (begun in 1915) was coming to a close but he would act 5 more years. As the obsessed analytical father is very unlikable but after being basically responsible for all of the robot's mayhem in the end he just admits he's wrong and walks away. Robert Hutton is all but wasted as the good guy scientist friend. And I'm at a loss to understand why TV actor John Baragrey is top billed. It would have seemed more logical to have Hutton in that role!

This was one of over two dozen films produced by former actor William Alland. He also produced the Jack Arnold directed THE SPACE CHILDREN  the same year.

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Who Was Her Mom?

DRACULA'S DAUGHTER-1936-This "sequel" to Tod Browning's DRACULA (filmed 5 years later)  begins right after Van Helsing (Edward Van Sloan) kills the count (a dummy substitutes for Bela). Two dimwit policemen arrest the doctor right near the body of Renfield (it looks like Dwight Frye). After Van Helsing explains what a vampire is to the chief of police, a mysterious veiled woman appears at the morgue and Drac's body disappears. Later the woman performs a ceremony and burns the body. She tells her servant Sandor (Irving Pichel) that now the curse of Dracula is broken and she can lead a normal life. Yet later after playing the piano, she goes out and kills a guy then comes back just before dawn to sleep in a coffin.

Enter Jeffery Garth (Otto Kruger), a vacationing psychiatrist and former student of Van Helsing's who's called back to London to defend his former teacher who's charged with murder! The mystery woman turns out to be Countess Zaleska (Gloria Holden) who wants Garth to "heal her mind" and says "I never drink...wine". She kills a young girl (Nan Gray) she brings home to pose for her. There's much mumbo-jumbo about the mind and souls but it seems if she'd just look in the mirror (which she shuns) a lot of time would be saved. Of course she is (or believes she is) the daughter of the infamous late king of vampires. She kidnaps Garth's secretary Janet (Marguerite Churchill; she was in THE WALKING DEAD with Karloff the same year) to force him to make a journey with her. Eventually everyone winds up in Transylvania. But all's well that end's well in the convoluted ending.

Lots of critics harp about the exotic lesbian overtones but I find DRACULA'S DAUGHTER a bore. Director Lambert Hillyer (THE INVISIBLE RAY) does a good job moving the story along but some of it doesn't really make much sense. It's "based" on the short story "Dracula's Guest" by Bram Stoker and James Whale was the original choice as director. Co-star Pichel was also a director. The unusual looking star Holden was later in Browning's last film MIRACLES FOR SALE.

Thanks for reading!