Pre-Frank Karloff

THE CRIMINAL CODE-1930-A guy named Robert Graham (Philips Holmes) accidentally kills a drunk who got fresh with his date Gertrude (Mary Doran). He's sentenced to 10 years in prison. 6 years later, his cellmates are the aging Jim (Otto Hoffman) and the vengeful Galloway (Boris Karloff) who plans on killing "a squealer". The prison gets a new warden Mike Brady (Walter Huston), the DA who sent Graham (and many of the other prisoners) to jail. When the prison doctor tells the warden Graham needs a change of environment, Brady makes him chauffeur for his daughter Mary (Constance Cummings) (and Galloway becomes their butler) which seems to rehabilitate him. Meanwhile Jim plans prison break and is killed. The prisoners plan a diversion so Galloway can kill Runch (Clark Marshall), the inmate who squealed. Graham was an eyewitness but refuses to talk and is put in solitary. Then Mary admits she in love with Graham. In the end Galloway exonerates Graham and gets his revenge on prison guard Gleason (Dewitt Jennings). 

Howard Hawks directed this gritty violent crime drama that was based on a successful play. It also features an early standout role by pre-Frankenstein monster Boris Karloff (he was also in the West Coast stage version) but despite good reviews fame eluded him...until the next year....

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Propaganda

THE HOAXTERS-1952-In this post-WW2 cold war propaganda short film Adolf Hitler, Tojo and Mussolini are compared to snake oil salesmen. It uses footage of war torn Germany, Italy and Japan and blames everything on Karl Marx, the “fourth pitchman of the apocalypse” and says communism is the new snake oil. Stalin (a WW2 ally) is shown watching troops march in Red Square. FDR, Truman, Adlai Stevenson and Dwight David Eisenhower all agree that Communism is the new Nazism. Howard Keel, George Murphy, Walter Pigeon, Robert Taylor, Barry Sullivan and James Whitmore are credited as narrators and Sid Tomack appears as a salesman. No director is credited for this MGM production but the screenwriter Herman Hoffman later directed TV shows and soap operas so it might be him.

DECEMBER 7TH-1943-This film commissioned by the US Navy was directed by John Ford and Greg Toland. Uncle Sam (Walter Huston) explains what's going on in Hawaii (before Pearl Harbor). It kind of ignores how the US came to the islands but talks about all the Japanese who worked and settled there (many of them American citizens). It tries to say that most of the Japanese who live there were loyal to America except those that were part of the Shinto religion (actor Philip Ahn, of Korean descent plays a Shinto priest). Yet then it implies that most of the Japanese were spies who helped bring about the bombings and collaborated with The Nazis. After Sam has a debate with Mr. C (Harry Davenport) he falls asleep. Everyone then goes about their business on that fateful Sunday morning. Many actual and detailed and tragic scenes are shown. It then goes on to show how the attacks negatively affected the Japanese-Hawaiians. Dana Andrews appears as the spirit of a dead sailor while Ralph Byrd and Robert Lowery have un-billed roles as does the narrator Irving Pichel.

 It won a 1943 Academy Award for best documentary short subject.

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Happy New Year!

ABRAHAM LINCOLN-1930-This was the first sound film made by the legendary DW Griffith but for years inferior copies missing some scenes had been the only ones in circulation. A few years ago Kino put out a version with the missing scenes restored but the soundtrack for these parts seems to be lost and are shown with subtitles.

Walter Huston plays Honest Abe. The prologue shows a horrifying slave ship (though the African slaves seem mostly to be made up white actors) where some slaves are thrown overboard. The episodic biography begins with his log cabin birth, rail splitting, courting of Ann Rutledge (Una Merkel) and his subsequent pining after her death, meeting and marrying Mary Todd (Kay Hammond), his debates with Stephen Douglas and his election to the presidency and of course The Civil War. It all happens at a fairly brisk clip with each period dealt with just a couple of scenes (although the War is more detailed). It ends with his assassination by fanatical John Wilkes Booth (Ian Keith). Jason Robards Sr. plays his friend Billy.

Like many early "talkies" however it suffers from a mediocre script, stilted acting and stage play like direction. In an earlier scene Huston is wearing a ridiculous amount of make-up but his performance when Lincoln becomes president is heartfelt. Stephan Vincent Benet is credited with the adaptation. Griffith made only one more film after this.

Thanks again to my pal Tony for finding this and thanks for reading!

Kongo and Cats

KONGO-MGM-1932-Don’t miss this whacked, pre-code remake of the Chaney/Browning silent film WEST OF ZANZIBAR! Walter Huston is Deadlegs Flint, the ruthless crippled white “god” who uses superstition and violence to rule over his jungle domain. Flint lives for only one thing. The day he can have his revenge on the man (C. Henry Gordon) who stole his wife and maimed him.



As part of his plan he degrades the girl (Virginia Gregg in a great performance) he believes is his enemy’s daughter. Her savior turns out to be a doctor turned drug addict (Conrad Nagel)! You can probably guess what happens.



KONGO is full of racist dialogue, manic acting and strange situations that are alluded to more than shown. Lupe Velez, Forrester Harvey and Mitchell Lewis play the lost souls under Flint’s thrall. Look for Ming The Merciless himself Charles Middleton in a small un-billed role.



Director William Cowen creates some wild scenes involving jungle ritual burning. He directed a Hollywood version of Oliver Twist the next year!



And believe it or not Huston is even more twisted than Chaney was!



Screenwriter Leon Gordon worked on FREAKS for Tod Browning the same year!


















CAT GIRL-Anglo Amalgamated-1957 -This is a pretty neglected CAT PEOPLE inspired English production featuring the underrated Barbara Shelley as a newly married woman who goes back to her childhood home to inherit her weird uncle’s estate. Unk has a pet leopard and a roomful of stuffed felines. However, he warns her that part of his inheritance is his curse.

It’s never actually explained how the curse came about or why exactly her family is cursed but it seems that she kinda does a mind meld with the pet leopard and she can make it kill people. She starts with her philandering husband. A psychiatrist (who she’s in love with) tries to convince her it’s all in her mind. In one scene while she’s confined to a rubber room she imagines herself to be a cat that looks like a human size mouse from "Zoobilee Zoo" or something! She then goes after the shrink’s wife. Shelley is great in the title role but the rest of the cast is pretty bland.

Director Alfred Shaughnessy later wrote THE FLESH AND BLOOD SHOW. American screenwriter Lou Rusoff wrote THE SHE CREATURE, DAY THE WORLD ENDED, IT CONQUERED THE WORLD and other AIP movies. Thanks for reading!