Transmissions From Planet Haas

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BAIT-1954-The devil disguised as Sir Cedric Hardwick introduces this tale of two gold prospectors Marko (director Hugo Haas) and Ray (John Agar) looking for a lost goldmine. Peggy (Cleo Moore) an unwed mother who works at a grocery comes between them. The religiously bent Marko thinks Peggy was sent by the devil. The duo find the mine and both get gold fever. While Ray stays behind, Marko romances Peggy and winds up marrying her. Dumbly, he takes her to the mine to live with him and Ray but he has his reasons. 

Pretty low grade even for Hugo Haas, king of the senseless low budget morality tale. Bruno Ve Sota is also in it.

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Hugo Haas Far To Go

  (imdb)

HIT AND RUN-1957-Rich gas station magnate Gus Hilmer (do it all director Hugo Haas) takes a liking to showgirl Julia (Cleo Moore) but Gus's mechanic/watchdog Frankie (Vince Edwards) doesn't like it. While trying to find Julia a car he mentions he was married once and will never marry again. Whammo! The next scene he and Julia are married. They seem relatively happy at first but Frankie doesn't like her, believing Julia married Gus for his money and gives his notice to Gus. Later, while Gus is at a party, Frankie puts the moves on Julia but she resists. Later Frankie confesses his love for Julia but she's not all that fired up to leave her husband and go away with a grease monkey . Eventually Julia gives in to his persistence. To show his love Frankie refurbishes an old car and takes Julia for a ride where he runs down Gus! After the funeral Julia says she sees Gus hanging around the house at night. 

Surprise! At the reading of Gus' will, his twin brother Dave (also Haas) shows up fresh from a stretch in San Quentin. This really gets on Julia 's nerves especially since he got half of his bro's estate and now lives in the same house. One night he tells Julia he knows about her and Frankie. He also knows Gus was killed but doesn't care. He hated his bro but it's obvious he has an ulterior motive. 

This triple threat little morality take from director/writer/producer Haas isn't the greatest but it kind of keeps you guessing till the conclusion. This was the seventh and last film the largely ignored Cleo Moore made with director Haas and also the last movie of her career. Despite looks and decent acting skills real fame seemed to eluded her so she quit show biz. In 1961 she married a millionaire land developer. She “died in her sleep” in 1973. She was 43. 

Czechoslovakian born Hugo Haas bummed around pictures beginning in 1925, even directing a few movies in his native land. In 1951 he caught the director's bug and began making his own movies. Most of his films are low budget moralistic dramas usually involving an older man with a younger woman and a story featuring a big plot twist. Almost completely forgotten today, his movies should be re-examined. HIT AND RUN also features Moore's sister Maria Lea and John Zaremba.

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Haas is Back

STRANGE FASCINATION-1952-A German pianist Paul Warren (Hugo Haas) is brought to America by wealthy Diana Fowler (Mona Barrie; in THE DEVIL'S MASK). One of his concerts is an unbelievable 3 dollars a ticket! He gets involved with Margo (Cleo Moore), a female dancer and although their relationship is platonic she moves in with him. After he professes his love for her they go on tour together and get married. A flood wrecks the tour and he's reduced to playing in polka halls and then hits the bottle when he sees Margo flirting with her former dance partner Carlo (Rick Vallin). Later Warren is blackballed and plays gin joints while Margo comes on to drunks. He smashes his hand in a printing press for insurance money and winds up losing his arm. Margo kind of destroys him and his career but she gets away with it, declaring her love for her Carlo and leaving Paul. He plays one armed for a bunch of bums while his patron Fowler and her daughter (Karen Sharpe) watch (?). 

Typical moralistic Haas drama with older man getting regrettably involved with younger woman and paying the price with Hugo once again not only co-starring but directing, writing and co-producing. 

“Blonde Bombshell” Moore was in her first of seven movies for Haas! Although once considered for the role that went to Marilyn Monroe in ALL ABOUT EVE her career never really took off and she retired from acting in 1961. Sadly, in 1973 she passed away from a heart attacked at age 48. 

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Hugo Haas

ONE GIRL'S CONFESSION-1953-Mary Adams (Cleo Moore), curvy, platinum blonde waitress at a greasy spoon gets revenge on her boss (because he cheated her father) by stealing 25 thousand dollars from him. She confesses to the crime (but won't tell where she hid the money) and goes to jail. After she's paroled she gets a job working for cheerful gambling saloon owner Dragomie Damitrof (director Hugo Haas). She meets fisherman Johnny (pre-Amazing Colossal Man Glen Langan) and they fall in love. She debates using the the hidden money to help finance Johnny's fishing business (so they can live happily ever after). Although he's a lucky gambler somehow Damitrof loses his whole business in one night. Mary decides to help her boss by having him dig up the money and giving him 5 thou to save his hide. Unfortunately he doesn't find it. He throws her out. Later it turns out Damitrof still owns his saloon and has lots of cash. Hmmmm? Could this be a double cross? Did Damitrof actually find Mary's money and have the audacity to lie to her and keep it? With the door to his apartment left conveniently open Mary confronts her double crossing boss (in a drunken stupor) and winds up bopping him on the head and killing him! Bad move! Seems Damitrof wasn't using Mary's money. He got lucky in a card game and won everything back! She finds her money, gives it to an orphanage and turns herself in. The End....Well, not really. In the twist ending (like many Haas dramas), Damitrof didn't die, Mary gave her ill gained booty away but she probably lives happily ever after with Johnny.

Czech born actor/director Hugo Haas began his Hollywood acting career in the middle '40's and in 1951 directed his first of 20 B-movies. Many of them are moralistic melodramas sometimes using the premise of an older man (usually Haas) involved with a younger woman.

ONE GIRL'S CONFESSION's female lead Cleo Moore starred in seven Haas directed dramas. She was once groomed as Columbia Pictures' "new Marilyn Monroe" but despite her looks and decent acting skills her career never panned out and she retired in 1957, the same year co-star Glenn Langan would go down in B-movie history starring in Bert I. Gordon's THE AMAZING COLOSSAL MAN!

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