Marx Brothers Circus

 

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AT THE CIRCUS-1939-Jeff Wilson (Kenny Baker),owns a circus where his girlfriend Julie (Florence Rice) does a musical number with a horse. He owes a guy named Carter (James Burke) 10 thousand dollars but he plans on paying off. His assistant/buddy Tony (Chico Marx) thinks Jeff's in trouble, so he sends for lawyer J. Cheever Loophole (Guess Who?). Carter conspires with trapeze artist Peerless Pauline (Eve Arden) to ruin Jeff. Carter sends strongman Goliath (Nat Pendelton; also in HORSE FEATHERS) and midget, the professor (Jerry Maren) to steal Jeff's money. Tony and the strongman's former assistant Punchy (Harpo Marx) investigate. Groucho sings “Lydia,The Tattooed Lady”. Loophole goes to Newport to romance the wealthy Mrs. Dukesbury (Margaret Dumont), Jeff's aunt. Later, Loophole plots to have Jeff's circus replace an orchestra lead by famous French conductor Jardinet (Fritz Feld).

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The wild finale includes an escaped gorilla (Charles Gemora), Dukesbury shot from a cannon and half the cast on a trapeze! Director Edward Buzzell does a fairly good job and would direct the brothers' next feature GO WEST.

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Lon Clowns Around Again

 

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HE WHO GETS SLAPPED-1924-In Paris, scientist Paul Beaumont (Lon Chaney) proves his theories thanks in part to his wife Marie (Ruth King) and his rich benefactor The Baron (Marc McDermott) but the Baron steals not only Beaumont's discoveries but also his wife. Beaumont is disgraced and laughed at by an academy of old farts after The Baron calls him insane and slaps him. His wife insults and slaps him too. They are really an evil pair. 

Since his wife calls him a clown, he becomes one and 5 years later he's working at a circus as "He", a clown who makes the audience laugh by being slapped. Also there are daredevil rider Benzano (John Gilbert) who falls madly in love with Consuelo (Norma Shearer), the daughter of the shabby Count Mancini (Tully Marshall), who's to be his bareback rider. One night during his act, which despite having the audience in stitches, is rather cruel and morbid to me, “He” spies The Baron in the crowd. He also sees him talking to Consuelo, who He of course has now taken a shine to. Later, Benzano and Consuelo meet secretly. They are in love but Mancini convinces The Baron to marry her. When He declares his love for Consuelo she laughs thinking it a joke. He overhears the secret marriage proposal and sets up some deadly revenge. A scary clown with a globe shows up occasionally. 

This is another silent tragic revenge tale with Chaney once again giving his all in the sympathetic but vengeful lead role. Lead actress Shearer was married to MGM co-owner Irving Thalberg who co-produced the film with Swedish born director Victor Sjorstrom (THE PHANTOM CARRIAGE (1921)) who also co-adapted it from a Russian play. Co-star John Gilbert was on the verge of becoming one of the biggest stars of the silent era.

 (imdb)

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Joan Runs A Circus

 

BERSERK!-1967-Something's up at the circus owned by Monica Rivers (Joan Crawford). A trapeze artist is hanged during his act. Monica seems fairly cold blooded and sees the accident/murder as a box office boost. Her business partner/boy toy Dorado (Michael Gough) wants her to buy out his share. She hires Frank Hawkins (Ty Hardin) as a new tight wire artist. He wants to have an affair with her but she rejects him (it's a switcheroo!). Then Dorado gets a spike through his head. 

The circus people (including Diana Dors & Milton Reid) get together and some of them accuse Monica. A police commissioner (Geoffrey Kean) sends Det. Brooks (Robert Hardy) to investigate. Matilda (Diana Dors) unsuccessfully tries to put the moves on Jack. Little person Bruno (George Claydon) hangs around. Later Monica's troublesome daughter Angela (Judy Geeson) shows up after being kicked out of finishing school. Then Gustavo (Peter Burton) really saws Matilda in half. Angela becomes part of a knife throwing act. When Frank is killed the murderer is revealed and electrocuted. 

This not half bad little murder mystery horror film was co-produced (and shot) in jolly old England by Herman Cohen who in the 1950's had produced several films for AIP including I WAS A TEENAGE FRANKENSTEIN, I WAS A TEENAGE WEREWOLF and BLOOD OF DRACULA. Prior to that he was associate producer of BELA LUGOSI MEETS A BROOKLYN GORILLA and producer on Abbott & Costello's last feature DANCE WITH ME,HENRY. He later worked with Crawford again on TROG. One story goes that Cohen wanted to cast Joan's real life daughter Christina Crawford in the role that eventually went to Judy Geeson but Mommie Dearest 86'd it. 

Co-producer and co-writer (with Cohen) Aben Kanel had worked with Cohen at AIP and on Cohen's previous England lensed features (KONGA, HORRORS OF THE WAX MUSCEUM and THE BLACK ZOO). Director Jim O'Connolly later made THE VALLEY OF THE GWANGI and THE TOWER OF EVIL.

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House of The Damned

 

HOUSE OF THE DAMNED-1963-Architect Scott Campbell (Ron Foster) and his wife Nancy (Merry Anders) go to do a sur-veying job at an old castle (The Rochester House) after getting a midnight phone call from a guy named Joe (Richard Crane; THE ALLIGATOR PEOPLE) who they don't seem to like. They go to the castle but can't get in. Something weird is going on though as the door opens after they go away. Mr. Quinby (Dal McKennon), a real estate agent gives them the keys and a rundown on the castle including the former owner Priscilla Rochester. 

The couple settle in but it's obvious they are not alone. Especially at night when some creature shuffles in and steals the house keys. Next day the missing keys turn up but with 2 keys gone. Later Joe's wife Loy (Erika Peters) shows up looking for her husband. She decides to sunbathe and while undressing is watched by a mys-terious woman. Scott and Nancy measure the house. Joe finally shows up. He and Loy seem to be having martial problems and Loy prepares to leave but is pursued by a giant (Richard Kiel; a year after EEGAH!) and disappears. The others look for her. 

Nancy finds her headless in a chair but still moving! Of course when she brings the two men Loy isn't there. Later Joe and Scott break into a locked room and find the withered corpse of Capt. Arbuckle, another former owner. When Scott has a run-in with the giant he's saved by a circus fat lady (Ayllene Gibbons; later Mrs. Joyboy in THE LOVED ONE) because the captain was using the the castle to house circus people. It has a weird happy ending. 

Director Maury Dexter uses a large estate as the back drop similar to his THE DAY MARS INVADED EARTH.

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Big Top Chan

CHARLIE CHAN AT THE CIRCUS-1936-This entry begins with Charlie (Warner Oland) and his wife (Annie Mar) and 12 children visiting the circus and talking to 2 little people, Col. Tim (George Brasno) and Lady Tiny (Olive Brasno) both dancers. One of the owners Kinney (Paul Stanton) approaches Chan and says he’s received some threatening letters. Chan agrees to meet him later during the show. We also learn Kinney's partner John Gaines (Francis Ford) owes him a lot of money and if he can't pay he’ll lose his half of the circus. He also has a problem with Cesar the gorilla (Charles Gemora) who he whips and then fires its trainer. Later with the help of Col. Tim and a giant (John Aasen) Chan discovers Kinney dead in a locked room inside his wagon. Then it’s found that the abused ape has escaped its cage! A phony mystic John Holt (J.Carrol Naish) helps subdue Cesar when he attacks Chan. No.1 son Lee (Keye Luke) and police chief Macy (Wade Boteler) try to figure things out (Lee also pursues a Asian contortionist). Lady Tiny visits the Chan Clan at their hotel to try and convince Charlie to help find Kinney's killer but he declines as he’s on vacation with his family. However Mrs. Chan and their kids convince him to help. Charlie and Jimmy join the circus to investigate. The first night a cobra slithers into the elder Chan's bed but Jimmy shoots it, It seems Kinney was engaged to the star trapeze artist Marie Norman but was married to Nellie (Drue Layton),who works in the costume dept. To trail her Lee  dresses as a woman with Tim as his cigar smoking baby! Later when Nellie proclaims that she will inherit half the circus trapeze artist Norman claims she can prove that Kinney and Nellie we're not legally married but first she has to perform. Bad decision. Someone fires a rifle cutting one of the ropes. She falls but doesn't die. Charlie sets a trap and discovers the real culprit. They can't make a monkey out of Charlie Chan!

 Director Harry Lachman made OUR RELATIONS with Laurel & Hardy the same year. He later made more in the Chan series. George and Olive Brasno were a real life brother/sister singing act who were very popular and successful in their day. 

Followed by CHARLIE CHAN AT THE RACE TRACK.

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Back To Silents

SOULS FOR SALE-1923-"Moving picture" about a young woman Mem (Eleanor Boardman) who escapes her unhappy marriage to a murderous con-man by jumping off a train. She wanders around aimlessly but is rescued by an actor named Kolby (Frank Mayo) dressed as a sheikh when she passes out on a movie shoot. He takes a shine to her but a famous director Frank Claymore (Richard Dix) takes Mem under his wing and uses her in his epic circus tale when his famous star is injured. Mem is plagued by uncertainty about her talent to replace a big star but succeeds despite religiously bent parents who hate Hollywood and the return of her no good husband. The climax features hubby trying to kill the director with a giant wind machine while a fire rages on the circus set. 

SOULS FOR SALE is a kind of standard poor girl makes good love story drama with a guessable twist and good acting and production but what makes it a standout is the 'film within a film" setting where many silent screen stars and directors appear as themselves including Erich Von Stroheim directing a scene from GREED! Mae Busch, Snitz Edwards and William Haines are also in it. Star Boardman was very popular at the time (she made her last film in 1935) and starred in King Vidor's THE CROWD and TELL IT TO THE MARINES with Lon Chaney. 

Director/screen adapter Rupert Hughes was the uncle of Howard Hughes...

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Early Lom

THE DARK TOWER-1943-A failing English circus owned by American Phil Danton (Phil Lyon; a huge silent screen star also known as the co-star of Howard Hughes' early talkie HELL'S ANGELS) hires Torg (Herbert Lom in his first major starring role) a timid hypnotist to increase revenue. Torg can control lions and later helps trapeze artist Mary (Anne Crawford,, a popular screen and early English TV star who died in 1956 of leukemia) with her act. Almost immediately Torg changes into a over demanding egoist who wants to be a partner in the circus. Mary's boyfriend Tom (David Farrar) gets jealous but when Torg expresses his love for Mary she rebukes him and says Tom is her only love. So Torg hypnotizes Mary into sabotaging the act by having Tom fall to his death. It partially works but Tom doesn't die. Later Phil fires Torg but he threatens to take the hypnotized Mary with him. When Torg is killed, Phil seems to be the culprit but in the twist ending a different killer is revealed. 

Future Dr. Who William Hartnell plays Jim, the publicity agent. It's based on a play by George Kaufman and Alexander Woolcott which had been produced as a US feature in 1934 called THE MAN WITH TWO FACES featuring Edward G. Robinson, Louis Calhern and Mary Astor. This film noir-ish psychological thriller was directed by John Harlow. Future director Terence Fisher was the editor.

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The Unholy 3

THE UNHOLY 3-1925-This was the first collaboration between actor Lon Chaney and director Tod Browning for MGM. (Their previous films had been for Universal). It's the story of three circus performers who decide to turn to crime. 

Their leader is Echo (Chaney), a ventriloquist who disguises himself as an old woman. Harry Earles (Hans in 1932's FREAKS, also directed by Browning) is Tweedledee, a sadistic little person who pretends to be a baby! Future Oscar winner Victor McLaglen is Hercules the strongman who's more subservient to Tweedle than Echo. They set up shop in a store that sells birds (where Echo's skills make the parrots talk a lot!). Mae Busch is Rosie, the con woman in on their act. 

It's unusual but cool the way Browning gets across the ventriloquism scam considering this is silent film!

By coincidence every time the store sells a bird, the residence they sell to is robbed. Unfortunately, things don't turn out so good. Tweedledee and Hercules don't like being "bossed" by Echo and Hector, the store manager falls for Rosie, making Echo jealous. When Echo is delayed in going out on a job the duo goes out on their own and a man is killed. They decide to pin the murder/robbery on Hector but Rosie doesn't like it. They tie her up and decide to lam it with a bound Rosie in tow and a mean looking ape that they just have to happen in the store (Echo wants to take it because it's stronger than Hercules). The gang hides out in a cabin while Hector is left to fend for himself against the trumped-up charges. Animosity grows in the hideout. 

Meanwhile Rosie tells Echo if he helps vindicate Hector, she will stay with him forever (in spite of the fact she's in love with Hector). He goes to the courtroom and after some ventriloquism tricks fail, he admits his guilt in front of the judge. While this is going on, back in the cabin Tweedledee overhears Hercules tell Rosie they could split the stolen loot 2 ways. The little guy releases the angry ape. It goes after the strongman who kills Tweedledee right before he's done in by the ape! Echo's confession exonerates both him and Hector and Echo releases Rosie from their bargain so she can be the one she loves. 

THE UNHOLY 3 once again proves Lon Chaney's prominence as the greatest silent screen actor of all time. Without the use of make-up, he conveys the tone of the story with facial expressions alone. It's an incredible sight to witness which once again makes the usual love triangle (a mainstay of so many Chaney films) plausible and heartfelt. The screenplay is by Waldemar Young (who wrote several other Chaney/Browning vehicles like THE BLACKBIRD, LONDON AFTER MIDNIGHT and WEST OF ZANZIBAR). It's based on a story by Tod Robbins, who also wrote the story that became the infamous FREAKS.

So popular and successful MGM chose to remake this in 1930 as Chaney's first talkie (and ultimately his last film) although Browning did not direct it. 

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The Way!

THE WARRIOR'S WAY-2010-In this surreal Martial Arts Western fable, Yang (Dong-gun Jang), a sword wielding assassin from Korea (with a baby) comes to the US and settles in a western town populated by circus performers including a clown, a bearded lady, a little person (Tony Cox) and a drunk (Geoffrey Rush who also narrates). He gets a job doing laundry and helps knife thrower Kate Bosworth hone her craft. They both have unhappy flashbacks. When the town is visited by The Colonel (Danny Huston), a ruthless killer with a mask, Yang is forced to reveal himself and help the townsfolk battle him and his army.

Yang gets help from Rush's character who it turns out is actually a famous bank robbing gunslinger who gave up killing...until now. The all out climax is great with several excellent fight scenes.

The assassins who are after Yang kind of remind me of the ring wraiths in THE LORD OF THE RINGS series but then one of TWW's producers Barrie Osborne also produced the LORD OF THE RINGS series!

Lung Ti (also in John Woo's A BETTER TOMORROW) is Yang's former mentor. It was written and directed in Auckland New Zealand by first time director Sngmoo Lee, a Korean who studied at NYU. It did poorly at the box office but don't let that stop you from enjoying it!

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A Silent Film That Was Never Remade..

THE UNKNOWN-MGM-1927- Here’s a neglected Lon Chaney-Tod Browning collaboration set in a circus (a familiar setting for the duo) co-starring a very young Joan Crawford. Yes! Mommie Dearest herself in a movie with The Man Of A Thousand Faces!

Chaney plays Alonzo, the armless wonder, who performs daring stunts using only his feet. Crawford is Nanon, the circus owner's daughter who can’t stand having a man touch her. Naturally, she feels quite comfortable around Alonzo because he has no hands. Secretly Alonzo is in love with her and keeps believing that someday she will be his. But strong man Malador (Norman Kerry) also has set his sights on Nanon. To make sure Nanon will reject Malador’s advances Alonzo encourages his buddy to embrace the girl every chance he gets. Needless to say this sends Nanon into a rage. Meanwhile it is revealed that Alonzo is not exactly the arm-less wonder he appears to be. As a matter of fact, he has two very good arms, although one of his hands supports two thumbs! He keeps his limbs strapped to his sides when performing. One night the circus owner discovers his secret and Alonzo kills him. His daughter sees the murder committed by a man with double thumbs but does not see the murderer’s face. Alonzo doesn’t come under suspicion for obvious reasons. While Alonzo feels that Nanon would understand were he to reveal his secret to her, she might not be so forgiving to learn that he is the twin thumb killer who choked her old man to death. So, with some fiendish encouragement from his little assistant Cojo, he decides to make the supreme sacrifice. He blackmails a doctor into amputating both his arms! However, while Alonzo is recuperating from the surgery, Nanon and Malador are falling in love. By the time the now real armless wonder returns to the circus the two lovebirds are ready to get married. This sends him into an insane fervor and during one of his strong man stunts Alonzo tries to have Malador torn in half by two horses! Nanon risks her own life to save the one she loves and Alonzo realizing the woman he loves is in danger pushes her away and is stomped to death by one of the wild horses.

While THE UNKNOWN might be tossed away as just another love triangle melodrama, Chaney proves once again why he is probably the century’s most unique actor. Here as Alonzo he uses his feet to manipulate rifles, knives, cigarettes and even a guitar. His portrayal as the love torn performer is conveyed almost entirely by facial expressions. The standout scene being Alonzo’s laughing fit break down on learning of Nanon’s impending marriage.

Joan Crawford of course went on to stardom in the thirties and infamy in the seventies when her adopted daughter Christina wrote a tell all book about her. Norman Kerry was a popular leading man (and villain) in silents and played the romantic hero to Chaney’s unforgettable Erik in THE PHANTOM OF THE OPERA (1925).

THE UNKNOWN was one of a dozen collaborations Chaney had with director Tod Browning (the lost film LONDON AFTER MIDNIGHT was made the same year) beginning in 1919. Browning is credited with THE UNKNOWN’S story while the screen writing is by Waldemar Young who wrote some of the greatest Browning-Chaney collaborations including LONDON, THE UNHOLY THREE and the incredible WEST OF ZANZIBAR (1928).

THE UNKNOWN is an excellent starting point for those familiar only with Chaney as The Phantom or The Hunchback. Dialogue? We don’t need no stinkin’ dialogue! For more on Chaney, the man, his life and films check out Jon C. Mirsalis’ excellent LON CHANEY HOMEPAGE.

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