Wilder's Fright

 

 (imdb)

FRIGHT-1956-After psychiatrist Dr. Hamilton (Eric Fleming) helps police stop a murderer (Frank Marth) from jumping off a bridge, he meets Ann Summers (Nancy Malone; INTIMACY (1966)) who seems to have some problems. He regresses her through hypnotism where she speaks German. Then she disappears. Later he learns she was once Baroness Maria in 1889 Vienna. They wind up falling in love. The doc thinks it's a case of split personality but an annoying reporter prints the reincarnation story which causes a rift between the two lovers. Eventually, Maria takes Ann over completely and vanishes, leading the police to think she might have been murdered by the doc. To get her to come out of hiding, he convinces the murderer that he's the crown prince Maria might be looking for! 

Extreme boredom from director W. Lee Wilder, whose son Myles wrote the screenplay obviously inspired by the Bridey Murphy reincarnation case. The elder Wilder also made MANFISH the same year. Lead actor Fleming starred in QUEEN OF OUTER SPACE in 1958 and in 1959 began a long run as the trial boss on TV's “Rawhide”. TV actress Malone later was also a TV director.

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Hammer Scream

 

 (imdb)

SCREAM OF FEAR-1961-Wheelchair bound Penny Appleby (Susan Strasberg) comes to live on her father's estate with him and her stepmother Jane (Ann Todd) after the death of Penny's caregiver. Also there is Robert (Ronald Lewis; in MR. SARDONICUS the same year), the chauffeur. Funny thing is dad seems to be away on business and no one knows when he'll be back. Then at night she sees her father's dead body and falls into the pool! Everyone thinks she's hallucinating. Dr. Gerald (Christopher Lee; same year as TERROR OF THE TONGS) is called in to check on her. Although she talks to dad on the phone, she once again sees his dead body. Something's up but who is to blame? 

Nice suspenseful psychological thriller from Hammer Pictures directed by Seth Holt and written by Jimmy Sangster. Lee has said it was “the best film Hammer ever made”.

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Hammer Again

 

STOP ME BEFORE I KILL!-1960-Race driver Alan Colby (Ronald Lewis) has trouble adjusting after a car crash. He's very argumentative and paranoid and has the feeling he wants to kill his wife Denise (Diane Cilento). She convinces him to go see a French doctor Prade (Claude Daupin) who he doesn't like (he punched him at a dinner party!). The doc tries to help him and seems to succeed but then Denise disappears. Has he killed her? 

Interesting if a little drawn out psychological English drama from Hammer Pictures directed by Val Guest (THE ABOMINABLE SNOWMAN).

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Couch Killer

 

THE COUCH-1962-A psychopath Charles (Grant Williams; THE INCREDIBLE SHRINKING MAN) under the care of a psychiatrist Dr. Jantz (Onslow Stevens in his last role) murders random victims at 7 pm and tips off the police before hand. He's screwy because he hated his father and made his older sister his mother substitute after mom died. Despite this he somehow romances the shrink's niece Terry (Shirley Knight). He lies to her about most everything and they plan to marry! He makes a fatal mistake though when he decides to kill the doc who doesn't die as planned. Charles disguises himself as a surgeon and wants to sabotage the surgery. Fortunately he cracks up before he can kill the doc who he believes is now his father. Disappointing conclusion but funny final scene. 

Hal Smith and Harold Gould have unbilled roles. Robert Bloch penned this psychological  drama from a story by Blake Edwards. Director Owen Crump didn't make many feature films.

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Inner Sanctum

CALLING DR. DEATH-1943-First of the "Inner Sanctum" series from Universal with Lon Chaney (who starred in all of them) as Mark Steele, a successful doctor who uses hypnotism to cure patients. Unfortunately his success doesn't extend to his marriage with his bitchy philandering wife Maria (Ramsey Ames). When wifey goes away for the weekend sans hubby he goes after her. Later he wakes up in his office and can't remember where he's been. Maria winds up dead and a smug police inspector Gregg (J. Carroll Nash) suspects the doc even when they pick up Maria's boy toy Duvall (David Bruce) for the murder. Much of Chaney's dialogue is stream of consciousness over dubbing. He is sweet on his nurse Stella (Patricia Morison) and she helps him hypnotize himself but that doesn't really help. After a while he and nurse Stella declare their love but doc seems to be losing his mind. Is it guilt? However Steele uses his hypnotism to find the real killer in a surreal dream induced flashback (with some clever effects). 

CALLING DR. DEATH tries hard to be a psychological mystery and director Reginald Le Borg sort of succeeds but despite some nice dreamy touches and good acting the short running time has the story going along a little too quickly. The most memorable scene though might be the opening where “the spirit of the Inner Sanctum” introduces the story. It's an actor's head (David Hoffman) in a crystal ball talking in a weird voice. 

Screenwriter Edward Dein wrote many murder mysteries in the 1940's and later directed THE LEECH WOMAN, SHACKOUT ON 101 and CURSE OF THE UNDEAD. Director Le Borg directed the next two in the series and later worked with Chaney on the “all star” low budget horror film THE BLACK SLEEP.

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Hammer

CRESCENDO-1970-Susan Roberts (Stephanie Powers) goes to France and lives in the house of a dead composer to do research on his life. The place is overseen by the composer's strange mother Daneille (Margaretta Scott from the 1936 version of THINGS TO COME) and her wheelchair bound son Georges (James Olsen; in THE ANDROMEDA STRAIN the next year), a drug addict who has nightmares about making love to a mannequin. Their maid (Kristen Lindholm) gives him drugs and has sex with him. Meanwhile the family butler Carter (Joss Ackland) hangs around and calls the maid a slut. Later she's stab to death while taking a nude swim. Georges has another dream that he and Susan are shot while having sex. They kind of fall in love but it becomes apparent he can walk. There's another big twist in the insane mother's plan to get an heir. At the end, Susan just runs away.

Although this oddball mystery almost seems like an above average made for TV movie, it was actually made (in England) by Hammer studios and played on a double bill with DRACULA AD 1972. The original script was written years before and was a project Michael Reeves planned to make before his untimely death. Producer James Carreras tried unsuccessfully to get Joan Crawford in the role of the mother and later had Jimmy Sangster re-write it. Director Alan Gibson also made DRACULA AD 1972 and many BBC programs. It's a decent psychological thriller but the ending is a little abrupt. However the biggest surprise to me was that Powers who has a brief topless scene was in the Disney production THE BOATNIKS the same year! 

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Last One For 2016

THE NIGHT WALKER-1964-This starts off with a narrator talking about dreams. “Fly! Fly! There's death in your dreams”. Trent (Hayden Rourke), a blind millionaire suspects his wife Irene (Barbara Stanwyck) is having an affair because of what she says when she's asleep. He talks about this with his attorney Barry Morland (Robert Taylor) while his wife listens in. Later Irene admits to Barry that she has a reoccurring dream about an unknown lover. When Irene displays her disgust for her marriage she runs away and hubby is killed in an explosion. Irene's dreams start mixing with reality and she meets her dream lover (Lloyd Bochner). But is he real or only in her mind? After she moves into the back of her beauty salon she gets crazy when she sees a shish kabob and Barry accuses her of killing Trent. Her dream lover whisks her away for drinks then marriage in a strange church with a lot of weird looking guests (they are all dummies). Was it real? She and Barry investigate. The dream lover hangs around unseen so you know it's not in Irene's mind. There are other clues that let you know this too. A suspicious assistant Joyce (Judith Meredith) obviously doesn't want to help and she's killed by Irene's husband! A lot of smokey mumbo-jumbo leads to the fact that Barry is trying to drive her insane but a double cross spells his end.

“Gimmick” director William Castle directed this twisting turning psychological drama from a screenplay by Robert Bloch. It has it's moments, although the end I suppose is fairly guessable. Castle made this between STRAITJACKET (also written by Bloch) and I SAW WHAT YOU DID. By this time Castle had all but given up on straight horror films instead making crime dramas and murder mysteries disguised as horror films. Music is by Vic Mizzy. Unusually stars Standwyck (in her last feature film) and Taylor had been married in real life at one time. They were already divorced 12 years when they made this. 

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Germany

BLOODLUST-THE FEATURE-1977-This is a bizarre psychological drama, this time from Germany. It's about a traumatized office worker (Werner Pochath; also in Franco's DEVIL HUNTER) who has become deaf and mute after being beaten by his father as a little boy. He also saw dad molest his little sister. He seems to be a good worker but everyone at his job makes fun of him because he collects dolls (they even play a joke on him with an inflatable doll). He goes to prostitutes once in a while but can never perform and they mock him. The only person who seems to treat him nicely is a (slightly abnormal)  female neighbor who likes to dance around the building they live in but even her mother warns her to stay away from him (I don't think the character has a name and if he does I don't think it's mentioned in the film!). After she falls to her death (it almost seems like suicide) he becomes very unhinged and takes to mutilating and dismembering corpses. He even digs up the dancer's body and tries to revive it with his own blood (it doesn't work). He leaves the word mosquito at the scenes of his crimes and the press dub him "the vampire". Later he kills a couple having sex in a car and drinks their blood. Then the police arrest him. It's actually inspired by a real life German grave robber and necrophiliac.

Director Marijan David Vajda does a good job showing how the character's handicap alienates him from society and makes him the subject of ridicule (even though he can function normally it's people's ignorance and cruelty that are the real culprits) and some have hailed this as an unheralded masterpiece but I found it slow going. The version I saw was dark,choppy and badly dubbed but it has been remastered so you might want to check it out.

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Hell's Bell

BELL FROM HELL-1973-Weird psychological drama from Spain about a guy named Juan (Renaud Verley; also in Visconti's THE DAMNED) who returns home after being released from an insane asylum. He wants revenge on his aunt (Viveca Lindflors) and her daughters who he believes had him committed because they wanted his inheritance. Before that however he works for a short time at a slaughterhouse where it seems to hint that John is planning something horrible for his relatives (before he leaves he says "I've learned enough"). He does some strange things like after he saves a girl from being raped by some hunters he pretends to be in a body cast and makes one of the hunters (Alfredo Mayo) hold his penis while he pisses. Later he pretends to pull out his own eyes and makes the hunter's wife faint. Some of Juan's actions do seem to infer that he may not have been crazy when he was committed and only became that way after his incarceration.

The finale involves a large bell tower which director Claudio Guerin Hill fell to his death from on the last day of shooting! This was too slow going. dark and confused for me though lots of people seem to view it as a classic. Christina von Blanc who was in Franco's A VIRGIN AMONG THE LIVING DEAD is featured as one of the daughters.

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