Last One For 2016

THE NIGHT WALKER-1964-This starts off with a narrator talking about dreams. “Fly! Fly! There's death in your dreams”. Trent (Hayden Rourke), a blind millionaire suspects his wife Irene (Barbara Stanwyck) is having an affair because of what she says when she's asleep. He talks about this with his attorney Barry Morland (Robert Taylor) while his wife listens in. Later Irene admits to Barry that she has a reoccurring dream about an unknown lover. When Irene displays her disgust for her marriage she runs away and hubby is killed in an explosion. Irene's dreams start mixing with reality and she meets her dream lover (Lloyd Bochner). But is he real or only in her mind? After she moves into the back of her beauty salon she gets crazy when she sees a shish kabob and Barry accuses her of killing Trent. Her dream lover whisks her away for drinks then marriage in a strange church with a lot of weird looking guests (they are all dummies). Was it real? She and Barry investigate. The dream lover hangs around unseen so you know it's not in Irene's mind. There are other clues that let you know this too. A suspicious assistant Joyce (Judith Meredith) obviously doesn't want to help and she's killed by Irene's husband! A lot of smokey mumbo-jumbo leads to the fact that Barry is trying to drive her insane but a double cross spells his end.

“Gimmick” director William Castle directed this twisting turning psychological drama from a screenplay by Robert Bloch. It has it's moments, although the end I suppose is fairly guessable. Castle made this between STRAITJACKET (also written by Bloch) and I SAW WHAT YOU DID. By this time Castle had all but given up on straight horror films instead making crime dramas and murder mysteries disguised as horror films. Music is by Vic Mizzy. Unusually stars Standwyck (in her last feature film) and Taylor had been married in real life at one time. They were already divorced 12 years when they made this. 

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Bud & Lou

HOLD THAT GHOST-1941-Classic Abbott & Costello haunted house comedy has Bud & Lou (sometimes referred as “the boys”) as incompetent waiters Chuck and Ferdy who are fired from their jobs. While working at a gas station they wind up in the backseat of a mobster Moose Mattson's car just as he's “bumped off”. Since his will stated that who was ever with him when he died would inherit all he had the duo inherit his rundown inn. Another gangster Smitty (Marc Lawrence; later in the duo's HIT THE ICE) believes the mobster's fortune is hidden somewhere in the place and plans to do away with Chuck and Ferdy who are accompanied by a radio actress (Joan Davis), a nerdy doctor (Richard Carlson) and a blonde waitress (Evelyn Ankers) after their driver strands them all together. Though the team does a few routines, a highlight is a kind of violent dance between Costello and Davis.

 Director Arthur Lubin made the first five Abbott and Costello comedies and THE PHANTOM OF THE OPERA remake with Claude Rains. Later he did several in the FRANCIS THE TALKING MULE series. Shemp Howard appears as a soda jerk and the Andrews Sisters show up to sing at the end. 

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Good Day, Eh? Not!

THE THAW-2009-In the Canadian Arctic a group is studying global warming's impact on polar bears. A famous scientist David Kruipen (Val Kilmer) is planning to bring an expedition of young people there. He also bribes his reluctant daughter Evelyn (Martha MacIsaac) to come along. At the last minute the group is warned to stay away but they go anyway. The camp residents are infected with a parasite from prehistoric times that lays eggs in human skin. Arms are severed, people vomit and have gapping wounds in this talky not very original production from Canada. 

Writer-director Mark Lewis needs to get a better hobby than making gory derivative horror movies....

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Jersey Devil

THE BARRENS-A dysfunctional family goes camping in The Pine Barrens in NJ where years before dad Richard (Steven Moyer) had an encounter with the Jersey devil. Now he wants to scatter this grandfather's ashes. They are in a group with some others and a stupid guy tells them the story of a woman who gave birth to a devil. Later the family leaves the group and goes on their own. Richard seems rather paranoid and has strange delusions. When they find a mysterious abandoned camp Richard insists they stay there. Later he admits he killed the family dog. Is Richard nuts or has he got rabies from a dog bite? Despite his violent incoherent behavior it turns out there really is a Jersey devil (terrible effect). Only the children survive but no one believes their story. At the end, the sister joins a group going to hunt the monster down. 

Director/writer Darren Lynn Bousman made this disjointed horror film (shot in Canada) a few years after directing several SAW sequels.  

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It's the Pirate Life for Lee

PIRATES OF BLOOD RIVER-1962-Huguenot John Standing (Kerwin Matthews) is sent to a penal colony after being convicted of adultery. He breaks stones, is whipped and hung by his wrists. He escapes but is picked up by a band of pirates lead by LeRosch (Christopher Lee with eye patch and French accent). His crew includes Peter Arne, Michael Ripper and Oliver Reed. John takes the pirates back to his village and no sooner do they get there when they kill one of John's friends. The pirates want to take over the village (where Andrew Keir plays a town elder) and the residents put up a good fight until the pirates capture the women and children. A treasure is found and John and his friend Henry (Glenn Corbett) team up to stop the invaders. Later the pirates revolt against LeRosch and he winds up impaled. No pirate ship is ever seen. 

This color Hammer production was directed (and co-written) by John Gilling who went on to make THE REPTILE and THE PLAGUE OF THE ZOMBIES for Hammer. And despite the fact that there's no sea faring this was a big hit in England. Hammer followed this with THE DEVIL SHIP PIRATES (also with Lee, Keir nad Ripper).  

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Charlie Again!

DANGEROUS MONEY1946--Charlie Chan investigates the smuggling of counterfeit “hot” money after a treasury agent (Tris Coffin) is killed. There's many suspects plus annoying comedy bits Jimmy (Victor Sen Yung) and chauffeur Chattanooga (Willie Best in his last Chan movie). The main suspects are loud mouth cotton seller Burke (Dick Elliot), knife thrower Kirk (John Harmon), American trader Tao Erickson (Rick Vallin), Brace, the ship's purser (Joseph Allen) and his girlfriend Rona (Gloria Allen), a professor (Emmett Vogan) and The Whipples, upper class twits on an ocean liner bound for Samoa. The killer uses a knife gun. 

This low budget Monogram mystery based on the character created by Earl Derr Biggers (in 1925) was the 39^th story in a series of 47 Chan movies began back in the mid-thirties by Universal Pictures. Star Toler was instrumental in getting Monogram to produce a new Chan series when it was dropped by Fox in 1942. Though still fun, they are noticably lower budget. 

Director Terry O. Morse was also an editor and had directed Karloff in BRITISH INTELLIGENCE in 1940. Later he worked on the US shot scenes in GODZILLA-KING OF MONSTERS. 

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George Pal and The Moon

DESTINATION MOON-1950-In the near future a rocket is set to the moon but doesn't make it. Dr. Cargraves (Warner Anderson) suspects sabotage. Two years later he and the designer of the rocket's engine General Thayer (Tom Powers) convince aircraft honcho Jim Barnes (John Archer) to help gather private investors to back their new design (called “Luna”). However public outcry over radioactivity leakage seems to doom the project. Barnes decides to circumvent all the red tape and take off in 17 hours! He, Cargraves and Thayer enlisted skeptical Joe Sweeney (Dick Wesson) as the radio operator (“It'll never budge”). After some quick goodbyes and just beating a court order not allowing them to go, they take off and head to the moon. All goes well despite trouble with g-force and weightlessness until it's learned Sweeney put too much grease on an antenna and it has to be fixed. So three of them take a space walk on the side of the ship. Thayer is almost sent adrift in space but Barnes saves him with a pretty clever use of an oxygen tank. The group make a precarious moon landing and two of them go out and do some exploring. After everyone treks around Barnes is informed that they wasted too much fuel on their botched up landing and may not have enough to take off. They have to get rid of all non-essential equipment but it's not enough. One of them must stay behind! While the three scientists argue which one of them should be sacrificed. Joe takes it upon himself to be the one but Barnes' quick thinking saves Joe and they all return to Earth heroes. Woody Woodpecker is seen in a film explaining how going to the moon is possible.

Produced by George Pal, DESTINATION MOON is a serious early look into how space travel would be. Its level headed script doesn't go over the top in speculation and employs more science than fiction. This is probably due to the fact that it's based on a novel by the legendary Robert Heinlein who also co-wrote the screenplay! It should be boring but director (and former actor) Irving Pichel puts a lot of good SFX to use and doesn't let all the scientific talk bog down the story line.  

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A Turkey After Thanksgiving!

SIX HUNDRED AND SIXTY SIX-1972-Endlessly talky sci-fi bore-fest about some scientists in an underground military base after WW3. Characters play pinball, pool and chess. One guy goes crazy shoots a guard and has a heart attack and dies. The computer talks about “the beast”. It seems the leader (voice of Malachi Throne) they thought would save the world is really the anti-Christ. 

Joe Turkel and Robert Crawford are in it. Although the IMDB lists only this film for director Tim Doades it seems he may have directed a few religious films backed by church groups which may have also been the case with SIX HUNDRED AND SIXTY SIX. There's not much info about it and it may also be known as 666: MARK OF THE BEAST.

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Scary Disney

MR. BOOGEDY-1986-A man who sells gags for a living (Richard Masur) moves his wife (Mimi Kennedy) and two kids (David Faustino and Kristy Swanson) into a haunted house. He doesn't think anything is wrong but the kids get the lowdown from a weird local historian (John Astin). It seems hundreds of years before a pilgrim wanted to marry a young widow but she spurned his advances so he made a deal with the devil and sold his soul for a cloak with magical powers. But on creating his first spell he killed himself, the widow and her son. Later when Mr. Boogedy terrorizes the family they use a vacuum cleaner to destroy him. 

Lame made for TV Disney movie directed by Oz Scott, a busy TV director still active at the time of this writing.  

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Rattlers

 RATTLERS-1976-After two kids are killed by rattlesnakes in The Mojave Desert, the local sheriff calls in Dr. Parkinson (Sam Chew), a rattlesnake expert from the nearby college. He's joined by Ann (Elizabeth Chauvet), a female photographer and they argue about women's lib. The snakes attack a family farm, a repairman and then a lady taking a bath. CT-3, a nerve gas is to blame after an army colonel exposed some snakes to it. A hand grenade seems to spell the end of the serpentine killers....or does it? 

This boring typical “nature gone crazy” horror was made by co-writer/director John McCauley who years later made another horror movie DEADLY INTRUDER. 

Personal note: I had once considered calling this blog CT-3.....Thanks for reading....

Night Monster

NIGHT MONSTER-1942-Ingston Towers is full of strangeness. It's guarded by an ominous caretaker (Cyril Delevanti) and his dogs. The place is run by Mr. Ingston (Ralph Morgan; later in THE MONSTER MAKER), a rich reclusive deformed cripple with a lecherous chauffeur (Lief Erickson; in PARDON MY SARONG with Abbott & Costello the same year), a swami named Singh (Nils Ashter), a grouchy housemaid Sarah (Doris Floyd) and smarmy seemingly sinister butler Rolf (Bela Lugosi). Guests for a dinner party Kingston is throwing include psychiatrist Dr. Harper (Irene Hervey), horror author Dick Baldwin (Don Porter; also in WHO DONE IT? with Abbott & Costello the same year) and the three doctors who left Kingston in his sorry state (Lionel Atwill, Frank Reicher and Francis Pierlot). Also thrown in is Kingston's sister (Fay Helm) who every believes is insane. The swami goes into a trance and materializes a skeleton that bleeds. Later the three doctors are murdered and it turns out Ingerston is using the swami's power to give himself new limbs and seek revenge. The estate burns at the end but Rolf's fate is never determined (I assume he died in the fire).

NIGHT MONSTER isn't a bad film by any means. It's well directed by Ford Beebe who keeps it mysterious and creepy up until its strange ending. It's usually thrown aside because neither Atwill or Lugosi have primary roles in it (top billed Bela, a red herring; Atwill, a victim). It does seem a little strange though to have these two guys in it and waste them in co-starring roles (though Bela is suspiciously sinister in several scenes). 

Lugosi reprised his role as Ygor in GHOST OF FRANKENSTEIN the same year.

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Master of The World

MASTER OF THE WORLD-1961-This starts off with a kind of out of place montage of the various ill fated contraptions man has devised to conquer the air.

 In Morgantown, Pennsylvania there seems to be an earthquake followed by a disembodied voice issuing a warning. A government agent Strock (Charles Bronson) arrives at the home of Prof. Prudent (Henry Hull) just in time to hear him and his future son in law Phillip (David Frankham) locked in a heated argument as to where a propeller must go on their new balloon. Strock says the government would like to use the new balloon he and Phillip have designed to investigate the earthquake and voice that seem to emulate from a nearby mountain (too tall to climb). You know trouble is brewing when they bring along Prudent's daughter Dorothy (Mary Webster). No sooner do they get near the mountain than a rocket deflates their balloon and they crash. They are taken aboard the flying ship Albatross, the creation of Robor (Vincent Price) a genius inventor who wants to eradicate war with an ultimatum: “Disarm or perish”. Friction builds between Strock and Phillip as Phillip is kind of a pompous macho man who thinks Strock is a coward and a supporter of Robor's philosophy. 

After an escape plan fails (Strock rats them out to save them) Robor hangs Phillip and Strock in mid-air by a rope. Later Robur sees Strock as a threat but instead of killing the agent he'd rather Strock join him. Strock rejects his offer but agrees not to interfere in Robur's plans. When the British navy tries to destroy the Albatross bombs decimate the fleet. Robur flies all over the globe intend on destroying the armies of the world and put an end to war. Finally the four decide the only way to go is that they must destroy the deadly flying ship. Eventually Robur's mania leads to his own destruction. An explosion created by Strock puts the nail in the Albatross' coffin. Rather than abandon ship his crew stays by his side as the flying ship crashes into the sea. Vito Scotti's comedic scenes as the ship's cook seem out of place.

MASTER OF THE WORLD was the biggest budgeted film for AIP at the time. It was written by Richard Matheson and adapted from two novels by Jules Verne. Veteran filmmaker William Whitney was working mainly in TV at the time but also made the seldom seen low budget crime drama THE CAT BURGLAR the same year. Price is good as usual as the obsessed Robur who manages to be more sympathetic than evil. Henry Hull (nearing the end of his long career) is a hoot as the curmudgeonly Prudent. Bronson and the other leads are ok.

Personal note: Actor Gordon Jones who appeared as "Mike the cop" on The Abbott & Costello show in the early '50's is featured in an unbilled role at the begining of the picture.

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Universal Horror Classic

SON OF FRANKENSTEIN-1939-At Castle Frankenstein, several years after the events in BRIDE, broken necked Ygor (Bela Lugosi) hangs around scaring children. Frankenstein's son Wolf (Basil Rathbone) comes to town to collect his inheritance. He brings along his wife Elsa (Josephine Hutchinson) and young son Peter (Donnie Dunagan). They have no idea what they are getting into! 

It's great to see Karloff back as the monster (in Jack Pierce's legendary make-up) for the last time even if he really doesn't do much until the finale. Another highlight is the clipped banter between Wolf and the memorable Inspector Krogh (Lionel Atwill) whose wooden arm replaces the one the monster “tore out by the roots” when he was a child. And of course there's Lugosi's Ygor, the broken necked body snatcher who was once pronounced dead (“They die dead. Ygor died live!”) who now uses the revived monster to carry out his revenge on those who condemned him (including Lionel Belmore). Ward Bond has a small unbilled role and some viewers claim Dwight Frye is also in it! 

Producer-director Roland V. Lee keeps things interesting with cavernous sets and shadowy lighting plus a gigantic sulfur pit. The screenplay was written by Willis Cooper, creator the the radio show “Lights Out”. SON, two Mr. Moto entries and providing the story for the serial THE PHANTOM CREEPS with Lugosi) were about all his film credits. SON kind of “ushered out” the first wave of horror films in the sound era and they would never be the same there after...

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Life Before Gilligan

THE WARRIOR EMPRESS-1960-Around 600 BC Phaon (Kerwin Matthews) the leader of the people's revolution is wounded when the evil king's minions attack their rebel camp. He seeks sanctuary in the Temple of Aphrodite on the island of Lesbos. Shappo (pre-Gilligan's Island Ginger Tina Louise), a kind of priestess in training hides him in the basement. They fall in love despite Shappo's girlfriends' interference and the fact that she's engaged to another man (Riccardo Garrone who had a role in LA DOLCE VITA the same year). Meanwhile the girls make music and dance. There's some sword fights but it's mostly hokey talky love drama. 

Filmed in Italy, director Pietro Francisci had directed the international hits HERCULES and HERCULES UNCHAINED.  

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What Place Is This?

A COMEDY OF TERRORS-1963-AIP presents an all star comedy horror story that takes place in the late 1800's . An undertaker named Turnbull (Vincent Price) is an alcoholic who's horrible to his wife Margolis (Joyce Jameson)) and partner Mr. Gille (Peter Lorre) and is always trying to poison his deaf senile father in law (Boris Karloff). His business isn't doing so well so he goes out at night and kills an old man then conveniently shows up to take care of the funeral but then the old man's widow beats it out with paying. When his stern landlord Mr. Black (Basil Rathbone) demands payment of the rent Turnbull decides to do away with him and have him as a customer. They invade his house to find him reciting Macbeth out loud and swinging a sword. He seems to die from an attack and Turnbull steps in to get the body but Black isn't dead. He keeps popping up with a cry of “What place is this?”. Later when Turnbull rejects his wife for good she and Gille profess their love for one another. Black escapes his coffin with the help of a caretaker (Joe E. Brown in his last role) and gets an ax. While quoting Shakespeare he searches for Turnbull who winds up shooting Black who takes a long time to die! After it seems like everyone is dead they all wake up. Someone calls the police and Gilles and Margolis run away. Dad winds up giving Turnbull the poison. 

Though it has all the earmarks of a Roger Corman film, including an original screenplay by Richard Matheson, THE COMEDY OF TERRORS was the second to last film directed by Jacques Tourneur (CAT PEOPLE, I WALK WITH A ZOMBIE, CURSE OF THE DEMON). His last WAR-GODS OF THE DEEP (1965) was also for AIP and starred Vincent Price. 

Originally it was planned for Karloff to play the Mr. Black role but age and back problems forced him to switch roles with Rathbone, who's very funny.  It's great to see Price teamed with Lorre once again in another enjoyable  comedy/horror outing. 

Matheson had planned a sequel but COMEDY did not perform up to executive producers Samuel Arkoff and James Nicolson's expectations, so no sequel was produced.   

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More Corman! More Price! More Poe!

THE MASQUE OF THE RED DEATH-1964-In the village of Kitanya, a red cloaked figure gives an old woman a red carnation and says she should tell her town “your day of deliverance is at hand”. Evil Prince Prospero (Vincent Price) treats the people who harvest his fields like animals. When he is insulted by two men he condemns them to death. A innocent girl Francesca (Jane Asher) begs the prince to spare their lives but he makes her choose which should live or die. One is her father Ludovico (Nigel Greene) and the other her fiance Gino (David Weston). That's forgotten when it's discovered the old woman is carrying the plague. The prince takes the trio to his castle and orders the village burnt. He takes a shine to Francesca despite the protests of Juliana (Hazel Court), one of his guests who brands herself for Satan and has weird (drug induced?) dream/visions. After she thinks he's betrothed to Satan she's clawed to death by a bird. “I beg you do not mourn for Juliana. We should celebrate. She has just married a friend of mine”. 

 Prospero invites princes from all over the region to join him at his castle for a decadent “protection from the plague” party. He's a nasty guy who insults his guests and makes them imitate animals and worship Satan. He especially gets the goat of Alfredo (Patrick Magee) a slimy aristocrat who slaps a little ballerina girl (but maybe she is suppose to be a dwarf as she has a dubbed in “adult” voice) during her dance. This leads to a sub-plot based on another Poe story “Hop-Frog” where her dwarf partner (Skip Martin) convinces Alredo to dress like an ape then burns him alive. After Ludovico is killed, Pospero allows Gino to leave but he goes back and tries to rescue his beloved. The same red cloaked figure who spoke to the old woman tells Gino he will bring Francesca to him later. While the guests entertain themselves Prospero, all dressed in black and looking rather Dr. Phibes-ish, finally thinks he meets his master the Devil but in fact it's Death who's come to claim him. 

Director Roger Corman has said although he holds MASQUE has one of his favorite films he wasn't that pleased with the final scene where Pospero's plague infected party goers crowd in on him and thought it could have been better since he felt it was rushed (he did it in one day). His use of colors is awesome and the photography by Nicolas Roeg (in his only work with Corman) is a highlight. The screenplay was written by Charles Beaumont and R. Wright Campbell. This AIP co-production with the English Anglo-Amalgamated was filmed in England in 5 weeks (long for a Corman production!).

Although she had an un-billed cameo in 1981's THE FINAL CONFLICT, MASQUE  was the last film role for Hazel Court (also featured in THE PREMATURE BURIAL and THE RAVEN by Corman) who settled permanently in the US and only made TV appearances. She died in 2008. 

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Quoth The Raven....

THE RAVEN-1963-This comedy-horror film begins with Vincent Price reciting part of Edgar Allen Poe's “The Raven”. Then we are introduced to Dr. Craven (Price) a sorcerer who longs for his dead love Lenore. After his daughter Estelle (Olive Strugess) brings him some hot milk he is visited by a real life raven who demands some wine. Later using ingredients from his father's lab Craven turns the wise cracking raven into his true form, that of fellow sorcerer Dr. Bedlo (Peter Lorre) who was turned into a bird by the evil Dr. Scarabus, another sorcerer who dethroned Craven's father's position as grand master of the brotherhood of magicians years before. Bedlo wants revenge on Scarabus and wants Craven to help but Craven wants no part of it until Bedlo informs him that his lost love is with Scarabus. 

After fending off an attack by Craven's bewitched servant, Craven, Bedlo, Estelle and Bedlo's son Rexford (Jack Nicolson) go to confront Scarabus (Boris Karloff) who welcomes them with open arms. While dining Bedlo once again challenges Scarabus to a duel and seems to die. They are urged to stay the night and Craven sees Lenore (Hazel Court) at his bedroom window. Of course it turns out Lenore is not dead but living with Scarabus who's wealth and power made her leave Craven. While Rexford is snooping around the castle he discovers his father is not dead (it was a trick by Bedlo to deceive Scarabus). Eventually they are all held prisoner by the doctor, however in the finale Craven and Scarabus have an inventive magical duel where Craven defeats Scarabus and rejects Lenore who in turn has rejected Scarabus. 

Shot in 15 days by Roger Corman, it's been said that the inspiration for this feature was the Richard Matheson penned “The Black Cat” segment from the earlier TALES OF TERROR. Corman and Matheson liked doing the comedy scenes and thought a full length film movie was in order. Although stories abound about behind the scenes gripes and complaints (Karloff upset at Lorre's ad-libs, animosity between Lorre and Nicolson) everyone seems to be having a fine time and really throwing themselves into their roles. Samuel Z. Arkoff and James Nicolson were the executive producers on this AIP production along with many long time Corman collaborators: Les Baxter (music), Floyd Crosby (cinematographer) and Daniel Haller (production design).

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'50's Science Fiction

WAR OF THE WORLDS-1953-In this classic science fiction film based on the HG Wells novel Earth is invaded by the inhabitants of the planet Mars. An off screen narrator (Sir Cedric Hardwicke) tells us why the Martians chose our planet. When one of their ships lands on Earth residents (who think it's a meteor) of a small town investigate. Vacationing scientist Dr. Clayton Forrester (Gene Barry) investigates. He meets up with Sylvia Van Buren (Ann Robinson) and her uncle Dr. Collins (Lewis Martin), the pastor of the local church. After Forrester decides to stay for a while they all go to a square dance. Meanwhile three locals (Paul Burich, Jack Kruschen (as a Mexican) and William Phipps) check out the object when it opens it's hatch. Armed with a white flag they decide to approach the ship and be friends. They are promptly obliterated and the whole town is thrown into a blackout.

 The army is called in along with General Mann (Les Tremayne). Martian ships eventually show themselves and for some reason Collins sacrifices himself in a last ditch attempt to reason with them. He's killed and the army throws everything they have at the invaders to no avail. Forrester and Sylvia escape in a plane and spend some time evading the invaders but the doc manages to get one of the tri-color laser “eyes”. The Martians themselves are revealed to be little guys with long arms the same tri-color “eyes”. (The martians in the original novel are much more frightening) Meanwhile the Martians devastate the world and despite the US's best efforts including dropping an A-bomb they learn: “guns,tanks, bombs! They're like toys against them!”. After looters steal his truckload of scientific equipment Forrester searches the the devastated city for Sylvia who he finds in a church. Just when it looks like all hope is lost the Martian ships crash and burn and the aliens die (“We were all praying for a miracle”) due to germs in our atmosphere. 

This Sc-Fi/cold war classic was produced by George Pal, who originally planned it to be in 3-D and directed by Byron Haskin, who also worked as a special effects technician on many films which may have helped since WAR OF THE WORLDS 's SFX won an Academy Awa

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Hypnotism Gone Bad

THE HYPNOTIC EYE-1960-This weird shit begins with a woman having her hair set on fire. She also suffers facial burns (“Will I be a monster?”). She seems to have mistaken an open oven flame for a sink. It turns out she is the 12th victim in a series of bizarre mutilations. Detective Dave Kennedy (Joe Patridge) takes his girlfriend Marcia (Marcia Henderson) to see the stage show of a hypnotist much to the chagrin of Dr. Hecht (Guy Prescott). The hypnotist Desmond (Jacques Bergerac) does the usual tricks making subjects think they are in the desert, etc. He also selects three women from the audience to participate in a floating woman stunt. One woman Dodie (Merry Anders) is a friend of Dave and Marcia's and Dave remains unconvinced as to Desmond's powers. Later instead of face cream Dodie uses acid on her face. At another act Marcia volunteers. After she's hypnotized she's wined and dined by Desmond at a beatnik club where a guy reads a beat poem called “Confessions of a Movie Addict” which mentions Clara Bow and THE THING FROM OUTER SPACE. Meanwhile Dave keeps an eye on them. 

When it seems like they have gone back to his apartment for some hi-jinx Desmond's assistant Justine (Allison Hayes; ATTACK OF THE 50 FOOT WOMAN) interrupts and seems to be controlling Marcia through hypnotism. She almost makes Marcia stick her face under a red hot shower but Dave's interference saves her. It seems every woman Desmond has come in contact with has suffered some deformity of the face (but none of them can remember being hypnotized). After he performs his act several times it's revealed that Justine is actually horribly disfigured and taking her revenge out on any beautiful woman Desmond encounters. After Desmond is shot and Justine falls to her death, Dave rescues Marcia and the doctor addresses the audience about being hypnotized. 

This sleazy campy melodrama was filmed in “HypnoVision” by George Blair who also directed several episodes of TV's THE ADVENTURES OF SUPERMAN. 

 THE HYPNOTIC EYE also features the only known film role for Fred Demara who's life story was told in THE GREAT IMPOSTER. Former child star Jimmy Lydon appears as a ambulance attendent.  

Co-scripter William Read Woodfield was also a photographer who gained fame later on for taking pictures of Marilyn Monroe on the set of her last (and unfinished) film. He also co-wrote many early episodes of TV's MISSION:IMPOSSIBLE. 

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Judo a Chop Chop Chop!

CHOP SOCKY: CINEMA HONG KONG-2003-This is an excellent documentary despite it's terrible title about the history of martial arts in the Hong Kong cinema. Besides interviews with Jackie Chan, Jet Li, Sammo Hung, John Woo, Dr. Ng Ho, Pei Pei Chang, Run Run Shaw, David Chiang and others it also talks about the real legendary hero Wong Fei Hung, the first martial art film star (showing scenes from his films which I'd like to see more of), ”The Burning of Red Lotus Monastery” (sometimes called the first martial arts film), the Peking Opera House, The Shaw brothers, directors King Woo & Chang Chen and the technique for filming fight scenes called “editing in the camera” and the influence of Japanese epics like the Zatochi series. Of course Bruce Lee is spotlighted for bring realism to the films and beginning “the Kung-Fu craze”. 

Many films are highlighted but some are skipped over. They should have done a whole series. 

Director Ian Taylor made two companion documentaries: THE BEAUTIES OF THE SHAW STUDIO and WU XIA.  

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Poe and Price on TV

AN EVENING OF EDGAR ALLAN POE-1970-These four Poe tales were shot on video tape and presented like a play with Vincent Price starring in each and reciting most of the dialogue from the original stories. Act one is The Tell Tale Heart where a man becomes obsessed with an old man's glass eye, kills him and meticulously hides the body under the floorboards only to be undone when he thinks he hears the dead heart beating. Act two features the not as well known The Sphinx about a man concerned about a cholera epidemic around him who believes he sees a huge monster moving through the forest near his home. In act three The Cask of Amontillado, a nobleman seeks revenge on a rival who insulted him by walling him up in a vault (this one was my favorite). Act four is The Pit and The Pendulum about a prisoner of the inquisition who's condemned to die and finds himself waiting for the pendulum to cut him in half. 

Price is great in this one man show and director Kenneth Johnson uses some good effects to get all the stories across. Arkoff and Nicolson were 2 of the executive producers and Les Baxter did the music. It was made for TV by AIP.

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Bunuel

SIMON OF THE DESERT-1965- Penitent Simon (Claudio Brook) has stood on a high column in the desert for over six years so he can be closer to God. Priests and followers now gather as he is given a new taller tower. After refusing a blessing from a priest because he believes himself unworthy he ascends the new tower and promptly restores the hands of a man who had them cut off for stealing. The man's first act is to abuse his child. The crowd seems unimpressed by this and leaves. Later Simon is tempted several times by the devil who takes the form of a woman (Silvia Pinal) dressed like a little girl, then as a shepherdess (with a beard!) and later as a scantily clad female who arrives in a moving coffin. Satan takes him away and they wind up in a modern '60's disco where the band plays surf guitar music and young people do the newest dance crazed called “Radioactive Flesh”! When Simon says he wants to go home he's told he has to “stick it out till the end”. 

 Although only 43 minutes long SIMON somehow manages to be surrealist director Luis Bunuel's most anarchistic outing and continues his long obsession with the mocking of organized religion. It's also hilarious! The short running time owes to the fact that Bunuel simply ran out of money after less than three weeks worth of filming. He followed this two years later with BELLE de JOUR. 

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Super Dog

THE ADVENTURES OF SUPER PUP-1958-Whoa! Whitney Ellsworth really hit the bottom of the barrel with this TV pilot where dogs (little people in costumes) play all the characters. At the Daily Bugle, Bark Bent (Billy Curtis, also in SUPERMAN AND THE MOLE MEN) is really Super Pup, canine crime fighter. He works for editor in chief Terry Bite (Angelo Rossitto) and his female rival on the paper is Pamela Poodle. Sergeant Beagle is an incompetent bungler dressed like a Keystone Kop. Because of his stupidity arch villain Prof. Sheepdip escapes from jail. He has his dumb henchman Wolfingham disguise himself as a clock so he can set a bomb in the newspaper offices. Bark also has an annoying mouse friend who narrates parts of the story. Later Sheepdip kidnaps Pamela and ties her ro a rocket but of course Super Pup saves her.

The costumes are really something to see. It's hard to imagine anyone over the age of 3 enjoying this, although it does have a certain “must be seen to be believed” quality. It uses the same Daily Planet set from the original human version and I think Sheepdip's hideout was used in some episodes. 

Amazingly this was done three years before the Superboy pilot!

Director Cal Howard was an animator and script writer who's worked previously for Walter Lantz, Walt Disney and Leon Schlesinger.  

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Superboy on TV (almost)

THE ADVENTURES OF SUPERBOY-1961-This was a TV pilot produced by SUPERMAN producer Whitney Ellsworth. The simple plot involves a trio of thugs who plan to rob a movie theater in Smallville. Fred, the doorman (Ross Elliot) has a son Jimmy who's kind of ashamed of his old man's occupation. For some reason to promote their new movie the theater manager has 200,000 dollars in uncut diamonds on display. One bad guy (Richard Reeves) causes a ruckus out in Bronson canyon to distract the police from their real target. 

While Superboy talks by radio to the chief of police, the other two use knockout gas on the police guards and make off with the diamonds. Superboy arrests Reeves just as he gets the word the theater has been robbed. Fortunately Fred is also a crack artist and he draws portraits of the two robbers. Superboy uses his super pressure on some coal to create new diamonds for the display and uses his super hearing as a “lie detector” to listen to Reeves' heart rate. They use Fred as “bait” to trap the robbers but it kind of backfires and Superboy instead makes the fleeing crooks crash their car. For Fred's courageous work, Jimmy wins a scholarship and his father wins Jimmy's respect.

There are interviews with the 4 different actress auditioning for Lana and then screen tests and an interview with the lead actor John Rockwell (in his costume)

This has been available as a bootleg for years and is on Youtube.

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Late Silent, Early Karloff

TWO ARABIAN KNIGHTS-1927-Two soldiers, Phelps (William Boyd) and O'Gaffney (Louis Wolhiem) during WW1 are captured by the Germans and sent to a POW camp. Although at first enemies, they team up and try to escape but it fails and they wind up on a POW train headed for Turkey. They jump off the train and on to a wagon full of hay. On a boat headed for Arabia (that's where the hay was going) they save a woman from drowning who turns out to be Mirza, a princess (Mary Astor). The duo both try to woo her as does the lecherous pursuer (Boris Karloff) . When she returns to her father they follow her and get into trouble with her fiancee (Ian Keith). 

It's basically a comedy with serious overtones and despite no dialogue the pair have some funny lines and get into a few comic situations. There are some good gags like having to pawn an assassin's knife so they can buy a meal. When it looks like an angry mob and the army might get them they are saved when everything stops for a daily prayer! Then after almost being killed twice they ride away with Mirza. 

 This overlooked silent film was directed by Lewis Milestone who a few years later hit the big time in talkies with ALL QUIET ON THE WESTERN FRONT (also with Wolhiem). And of course it's great to see Karloff in an early role. 

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Won't Get Fong Again

BLIND RAGE-1976-5 blind men are recruited by a mobster named Duran to rob a bank. They are a diverse group: Willie Black (D'Urville Martin), Lin Wang (co-writer Leo Fung), Hector Lopez (Darnell Garcia), Amazing Anderson (Dick Adair) and Ben Guevara (Tony Ferrer). A woman named Sally (Leila Hermosa) runs a school for the blind and teaches them how to commit the robbery and act as though they can see. They steal 15 million dollars and kill several people in the process. After finding a blind man's cane at the crime scene the police suspect blind men must have pulled the robbery! They arrest Ben and he rats out everyone. When the remaining gang tries to escape hiding in a gas truck, it crashes and explodes killing them all except Duran who took a different mode of transport. He escapes to LA but when he lands (top billed) Fred Williamson as Jesse Crowder (a character he'd played in several of his movies at the time) shows up and arrests him after chasing him down and beating him up! 

This odd but ultimately far-fetched crime drama was shot badly in the Philippines by Efren C. Pinon who had previously directed ENFORCER FROM DEATH ROW (also starring Fong).

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Whatever....

NINJA NIGHTMARE-1980-During WW2 some American soldiers kill a Japanese general and rape and kill his wife. They also kill the one American officer who protests. All the while their young son Kimon watches the horrible scene in hiding. Over 30 years later the troop (Cameron Mitchell, Stack Piece, Hal Bokar and Phillip Baker Hall) gets together for a reunion and the young son now an adult ninja (Leo Fung) seeks revenge. Fong was one of the producers. It's very disjointed and badly made. 

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This is the only feature made by director Jay Wertz. 

It's walso known as THE LAST REUNION.

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Edward G. Hatchett Guy

THE HATCHET MAN-1932-Edward G. Robinson is Wong, “hatchet man”, a kind of Chinese hit man used by San Francisco Chinatown Tong to gain revenge on a murdered comrade. Unfortunately he's made to kill his best friend (J. Carroll Naish) who seems to know his is death imminent so he leaves all his assets to Wong and makes provisions that when his daughter is 21 she will marry Eddy, I mean Wong. 15 years later things have changed. The narrator says “Gone are the queues and the chopsticks”. The daughter is now the grown up Toya San (Loretta Young) and is married Wong, a successful and legitimate businessman. They seem to be happy but when a rival Tong stirs up trouble Wong starts honing his hatchet. He also winds up with a sleazy gigolo bodyguard Harry (Leslie Fenton) who for some reason Toya falls in love with. When Wong catches them together he nearly kills Harry but Loretta pleads for his life and Wong allows them to run away. Wong is kicked out of his Tong in disgrace, sells his business and works in a field. Later he gets a letter from Toya saying she has been deported to China because her beau was smuggling opium. Somehow he goes all the way to China to get her back (he also gets his hatchet out of hock). He finds Harry an addict and Loretta a waitress. He rescues her and takes care of the boyfriend in a great final scene. “Great lord Buddha will find you no matter where you are on the face of the Earth”. 

 Although nearly devoid of any actual Asians (except in very minor roles) THE HATCHET MAN does boast several Caucasian character actors in make-up including Charles Middleton, Dudley Diggs and Tully Marshall. It was directed by William Wellman a few years before the introduction of The Hays Office so the story is loaded with references to drugs, prostitution and violent acts. It's based on a play by Achmed Abdul and David Belasco. 

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Filmed in Louisiana

THE RIG-2010-Talky laughable nonsense about an underwater creature terrorizing an oil rig during a storm. The head of the rig (William Forsthye; who had the good sense to be killed 30 minutes into this) has his daughter (Serah D'Laine) and her bf (Stacey Hinnen) working there too. The rest is the slacker crew being slaughtered. Some directors just can't get out of the ALIEN/THE THING retread. Gory murders don't make a good film. 

Director Peter Atencio later made KEANU which actually played in theaters! 

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Pre-Guns John Woo

LAST HURRAH FOR CHIVALRY-1979-After his father is killed by a martial arts master Tsing Yi (Damian Lau) vows revenge. He hires two swordsmen Pray (Hark-on Fung) and Chan (Pai Wei) to help and they have several sword fights. However while the hired killers live by a code of honor that might not be so for Yi. 

 There's not that much hand to hand combat but the swordplay choreography is terrific in this early John Woo period piece (that he also co-produced and co-wrote) for Golden Harvest. Of course a few years later he traded in swords for guns with super action dramas like HARDBOILED and THE KILLER

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Japan Sci-Fi

BATTLE IN OUTER SPACE-1959-In 1965 Earth is invaded by aliens from the planet Natal with a base on the moon. They use an anti-gravity machine and some kind of mind control as their main weapons. Earth holds a world conference in Japan. The invaders make a guy in a turban do sabotage but when he's thwarted he's disintegrated by a UFO. It's decided Earth will send two manned rockets to the moon. One headed by Japanese Dr. Adachi (Koreya Senda; also in THE H-MAN) and the other by Dr. Richardson (Len Stanford in his only film role apparently), a white guy. After some hi-jinx in space like one guy who doesn't even know about weightlessness and crew member Iwamura (Yoshio Tsuchyia from many other Toho productions and Kurosawa films) almost sabotaging the mission after his mind is taken over, both ships land on the moon. The crews investigate and discover some short aliens who capture Etsuko (Kyoko Anzai), the female crew member. They also make Iwamura destroy one of the ships but he comes to his senses in time and sacrifices his own life so the second ship can go back to Earth and come up with a solution to the invasion. There are lots of toy effects. 

The Adachi character had also appeared earlier in THE MYSTERIANS. Many Godzilla "hands" were  in this, not the least being the great Ishiro Honda who directed this fun Toho production which was distributed on a double bill in the US by Columbia pictures. mind 

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Late James Whale

SINNERS IN PARADISE-1938-On a plane to China all the passengers have a story: Anne Wesson (Madge Evans), an unhappy wife trying to escape her jealous husband, Thelma Chase (Charlotte Wynters), an heiress trying to escape union troubles at her factory, a pompous senator (Gene Lockhart), two munitions rivals Brand (Morgan Conway, a future Dick Tracy) and Honeyman (Milburn Stone), an old woman (Nana Bryant), Malone (KING KONG's Bruce Cabot), a gangster known as The Torpedo, wise cracking Iris (Marion Martin) who's escaping a grand jury. Their plane crashes during a storm and only they survive along with the plane's steward Jessup (future western star Don “Red” Barry). 

They find refuge on a tropical island where the only inhabitant is Jim Taylor (John Boles), a loner who lives there with his Asian servant Ping (Willie Fung). He has a boat but won't let them use it because he has a secret of his own for being on the island and isn't exactly thrilled with his unscheduled guests. Later Taylor decides to let them go and get some peace but not all of them will fit in his boat, so some can go and some will have to wait. The munitions rivals can't wait to go and Taylor has to fight them off. Malone saves him. Taylor gets sweet on Thelma and asks her to stay. The munitions rivals hijack the boat (with Ping in it) and the old lady is shot. Taylor tries to remove the bullet but she dies before he can operate. It turns out Taylor was a doctor accused of killing a mobster: the old woman's son! Everyone goes native and some comic parts made me think of “Gilligan's Island”! 

This forgotten adventure/soap opera was directed by the great James Whale who made a few more films after this (THE MAN IN THE IRON MASK, GREEN HELL) but was basically on the downside of a once famous career. This was also one of the last film roles for the once popular top billed Madge Evans who retired from films after marrying author Sidney Kingsley (DEAD END). 

John Boles of course had worked previously with Whale on a film of his caled FRANKENSTEIN....

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Bomba

BOMBA THE JUNGLE BOY-1949-A photographer Charles Harland (Onslow Stevens) and his daughter Patricia (Peggy Ann Garner) come to “the jungle” to get some photos. After showing some footage to Andy (Charles Erwin), “a glorified game warden” and his servant Eli (Smoki Whitfield) they set off on safari and see lots of animal stock footage. Patricia is saved from a leopard attack by Bomba (Johnny Sheffield), a white curly haired jungle boy. He wants to be nice but she pulls a gun on him so he walks away. Later she asks for his help but he wants none of her (“You try hurt me”). He cools to her and she tries to explain what a family is. He tells her about an old guy who taught him English. He gets shot for his efforts but later shows her around the jungle and his cave home (and animal friends). She dons a cave dress and they even go swimming together. When danger threatens in the form of some hunters Bomba saves everyone by starting a fire. There's also some talk of Bomba being left alone after his father (?), a misanthrope named Cody died.

 It's based on a series of books by Roy Rockwood (probably not a real person)and often sighted for it's racist overtones. The prolific Ford Beebe directed it and a number of others in the series (there were 12 entries in all). DC even published a few comics based on the character in the 1960's.  

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Giant Sized Dinosaur

THE GIANT BEHEMOTH-1959-Some time after a fisherman named Tom is burned to death (his last word is “behemoth”), American scientist Doc Carr (Gene Evans) lectures some stuffy English eggheads about radiation and Bikini island. When “thousands” of dead fish are washed up on the English coast Carr and Prof. Bickford (Andre Morell) investigated the goings on in Cornwall. Naturally there's a giant radiation created dinosaur prowling around. Besides being very big it can also shoot a radioactive ray that burns its victims to cinders. It makes its way to the Thames and sinks a ferry, then rampages through London. After killing the beast, Carr and Bickford get some bad news in the final scene. Jack MacGowran is also featured a paleontologist who helps out.

THE GIANT BEHEMOTH is a fun movie but Willis O'Brien's stop motion animation isn't as good as most of his US output, probably due to budget restraints and the fact that the movie was filmed in England while the special effects were done (with his assistant Pete Peterson) in Los Angeles. 

Director Eugene Lourie (THE BEAST FROM 20,000 FATHOMS) co-wrote the screenplay with blacklisted writer Daniel James who'd go on to pen the screenplay for GORGO (which Lourie would direct) in 1961.

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Lost and Found

THE ATTICUS INSTITUTE-2015-Mockumentary about a small institute founded by Dr. West (William Mapother) to test people with paranormal powers. After several setbacks they meet a woman named Judith (Rya Kihlstedt; on several TV shows at the time including HEROES REBORN) who seems to have incredible power. When she becomes uncontrollable the institute calls in the government. They discover she has an “evil” inside her and conduct some experiments that mostly end in disaster. She even seems capable of terrorizing the families of those involved. When it appears an actual entity is to blame the government tries to control it. It's more like torture. Later they get a priest (with a gas mask) to perform an exorcism. 

This type of “found footage” horror is getting old hat. I hope writer/director Chris Sparling remembers this when he makes his next movie.  

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Robin Hood

THE SWORD OF SHERWOOD FOREST-1960-Robin Hood (Richard Greene; future Nayland Smith in the Chris Lee/Fu Manchu series) and his merry men protect a mysterious traveler wanted as a dangerous criminal by The Sheriff of Nottingham (Peter Cushing) who offers one merry man a pardon if he'll talk and when he does the sheriff has him killed anyway. The sheriff is after a silver medallion the traveler has. Maid Marian (Sarah Branch), a comical Friar Tuck (Niall McGuiness), Little John (Nigel Greene; another Nayland Smith) et.al are all there to help. 

Later Robin meets Lord Newark (Richard Pasco) and his band of un-merry men including the falcon loving Lord Melton (Oliver Reed). Newark wants Robin to assassinate The Archbishop of Canterbury (Jack Gwillam). When this fails, the lord and his men attack a nunnery where the bishop and Marian are hiding out. The sheriff won't go along with the plan so Melton knifes him. The finale sword battle takes place in the nunnery's church. Most of the sword play is bad especially when Marian is tossed a sword and she fights off an attack side saddled! 

There's several other story lines that don't even involve Robin giving it the feel of a condensed TV series. 

This Hammer production was filmed in Ireland by Terence Fisher (who made the much better BRIDES OF DRACULA with Cushing the same year) after the end of the original TV series that starred Richard Greene.  

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Who Doesn't Love a Mystery?

THE DEVIL'S MASK-1946-This murder mystery is based on the radio show I LOVE A MYSTERY (created by Carlton Morse) . Two cool investigators Jack (Jim Bannon) and Doc (Barton Yarborough) help Janet Mitchell (Anita Louise), the widow of a missing explorer who thinks she has been targeted for murder by her step-daughter (Mona Barrie) and her boyfriend. A panther, a shrunken head and a crazy taxidermist are all part of the part.

This was the second of three I LOVE A MYSTERY dramas produced, based on the popular radio show. It's short and to the point and Jack and Doc are a pretty good team. Director Henry Levin was busy in 1946 (he made 5 other movies) but later when he slowed down he made JOURNEY TO THE ENTER OF THE EARTH and THE WONDERFUL WORLD OF THE BROTHERS GRIMM.

Barton Yarborough (Doc) also played the role on radio and in addition was featured on another radio show ONE MAN'S FAMILY for almost 20 years. He's the ill fated Dr. Kettering in THE GHOST OF FRANKENSTEIN. He died suddenly of a heart attack in the early '50's after filming a few episodes of Jack Webb's DRAGNET. 

Co-star Jim Bannon (Jack) was also a radio star who made many low budget films (some with no credit) and later went into TV. He was a regular on the series CASEY JONES in 1957 and died in 1973. Topped bill Anita Louise had been in THE GORILLA with The Ritz Brosthers and THE LITTLE PRINCESS with Shirley Temple. She made a lot more movies and in the '50's was a regular on TV's MY FRIEND FLICKA.

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More Anime

CYBER CITY OEDO 808-1991-In the bleak future of 2088-three career criminals are used by the Cyber Police to fight crime in exchange for reduction in their sentences. They wear electronic collars on their necks so they can be controlled. This OVA series consists of three stories, each featuring one of the trio: Sengoku, a foul mouthed misanthrope, Gogol, a hacker with a Mohawk and the androgynous Benten. Their boss is police chief Hasagawa.

In the first story “Virtual Death”, Sengoku has to save 50 thousand people trapped in a city skyscraper after a computer has taken over. The second story “Psychic Trooper”, Gogol gets involved with his female ex-partner who hacked some information from a government computer and an experimental cyborg. In the third “Crimson Media”, Benten investigates the murder of three scientists and battles a female vampire.

This cult cyber-punk anime was directed by Yoshiaki Kawajiri soon after DEMON CITY SHINJUKU. It's often lamented by fans because no sequels were ever produced. 

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Demon Anime

DEMON CITY SHINJUKU-1988-The demon possessed Rebi Ra defeats the hero Genichirou and turns a portion of Tokyo, Shinjuku into a demon infested city. 10 years later the president of the world visits Tokyo and is attacked by a monster sent by Rebi Ra. The president's daughter Sayaka asks Genichirou's son Kyoka (a master in the art of Nempo) to accompany her to the demon city and stop Ra. At first he refuses but relents in time to save her from some would be rapists when she goes to the city alone. After tangling with two headed dog, some monsters and demons and getting help from Chibi, a street smart ass they meet Mephisto who seems to be against Ra although may have an ulterior motive. Later Kyoka takes on Rebi Ra and doesn't flare so well. Meanwhile Sayaka and Chibi search the haunted city for him and encounter demon kids. 

This weird supernatural anime was directed by Yoshiaki Kawajiri (NINJA SCROLL, VAMPIRE HUNTER D) and based on the manga by Hideyuki Kikuchi. Kawajiri had previously done WICKED CITY also from a comic by Kikuchi.

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