7 For One

 

RAGE WAR-(aka THE DUNGEON-MASTER)-1984-In this low budget anthology from Empire Pictures, a running guy Paul (Jeffery Byron) is obsessed with his talking computer Cal. His fiance Gwen (Leslie Wing) doesn't like it. After a weird dream, Paul is transported to some kind of cave where Gwen is chained to a rock with fire all around. A strange wizard/sorcerer Mestema (Richard Moll) likes Paul's "magic" (his computer is on his watch) and says he will make a worthy opponent. 

Later Paul and Gwen find a cave full of frozen people from the past including Einstein and Bloody Mary. They are attacked by Jack the Ripper, a mummy, a wolf man & some other creatures but an ice crystal destroys the bad guys. After Gwen disappears Paul meets the troll Ratspit (John Carl Buechler) then some cartoon dragons fight. When Mestema plays some of his music Paul counters with his own (the movie's theme). Paul is then transported to a heavy metal concert where a comical Ozzy clone sings. Gwen is a victim of their S & M show but Cal destroys them.

 In another land some dwarfs steal his computer watch. Then a giant stone statue comes to life and shoots a laser from its head. Paul destroys it and winds up in an alley with a dead woman, victim of a serial killer. Gwen is his next victim and Paul has to save her. Two dumb cops arrest him but he escapes. They elude the killer and are then menaced by a flaming devil head. Next in another cave a monster throws exploding rocks at Paul. Before it dies it turns into an angel like woman. In a graveyard of airplanes the pair are threatened by some hooded soldiers and a little guy who talks like Cousin Itt. At the end Paul and Mestema fight it out and somehow Paul wins. They are freed. 

Like most Empire junk it's imaginative but makes no sense, the acting (especially by Byron as Paul) is bad, the sfx so so and the script is dumb. It's in seven parts with each directed by a different person (including Buechler, David Allen, Charles Band, Peter Manoogian, Ted Nicolaou).

Thanks for reading!

Quoth The Raven....

THE RAVEN-1963-This comedy-horror film begins with Vincent Price reciting part of Edgar Allen Poe's “The Raven”. Then we are introduced to Dr. Craven (Price) a sorcerer who longs for his dead love Lenore. After his daughter Estelle (Olive Strugess) brings him some hot milk he is visited by a real life raven who demands some wine. Later using ingredients from his father's lab Craven turns the wise cracking raven into his true form, that of fellow sorcerer Dr. Bedlo (Peter Lorre) who was turned into a bird by the evil Dr. Scarabus, another sorcerer who dethroned Craven's father's position as grand master of the brotherhood of magicians years before. Bedlo wants revenge on Scarabus and wants Craven to help but Craven wants no part of it until Bedlo informs him that his lost love is with Scarabus. 

After fending off an attack by Craven's bewitched servant, Craven, Bedlo, Estelle and Bedlo's son Rexford (Jack Nicholson) go to confront Scarabus (Boris Karloff) who welcomes them with open arms. While dining Bedlo once again challenges Scarabus to a duel and seems to die. They are urged to stay the night and Craven sees Lenore (Hazel Court) at his bedroom window. Of course, it turns out Lenore is not dead but living with Scarabus who's wealth and power made her leave Craven. While Rexford is snooping around the castle, he discovers his father is not dead (it was a trick by Bedlo to deceive Scarabus). Eventually they are all held prisoner by the doctor, however in the finale Craven and Scarabus have an inventive magical duel where Craven defeats Scarabus and rejects Lenore who in turn has rejected Scarabus. 

Shot in 15 days by Roger Corman, it's been said that the inspiration for this feature was the Richard Matheson penned “The Black Cat” segment from the earlier TALES OF TERROR. Corman and Matheson liked doing the comedy scenes and thought a full-length film movie was in order. Although stories abound about behind the scenes gripes and complaints (Karloff upset at Lorre's ad-libs, animosity between Lorre and Nicolson) everyone seems to be having a fine time and really throwing themselves into their roles. Samuel Z. Arkoff and James Nicolson were the executive producers on this AIP production along with many long time Corman collaborators: Les Baxter (music), Floyd Crosby (cinematographer) and Daniel Haller (production design).

Thanks for reading!