The Bat

 

 (imdb)

THE BAT-1959-Mystery writer Cornelia von Gorder (Anges Moorehead) stays in a house called “The Oaks” where evasive murderer “The Bat” committed homicide several months before. Cornelia's maid Lizzy (Lenita Lane) talks about vampire bats. Meanwhile, a bank VP, uncovers a million-dollar bank theft. The prime suspect seems to be Victor Bailey (Mike Steele), an innocent clerk. Then in the Northwest, bank president John Fleming (Harvey Stephens) and his doctor, Malcohm Welles (Vincent Price) are on vacation. John reveals that he took the million and now wants the doc to help him fake his own death. When a forest fire breaks out, the doc shoots and kills John. 

Back at The Oaks, Lizzy talks about The Bat ripping out women's throats and sees a clawed hand at the door. It's apparent a sinister figure is prowling around so the two women barricade themselves in a bedroom and call the police. The figure gets in but is scared away by the cops. Later local police Lt. Anderson (Gavin Gordon) spies Welles experimenting with bats. Cornelia deduces that the embezzled money is hidden somewhere in the house and tries to figure out where. John's nephew Mark (John Bryant) gets involved trying to find the floor plans. A secretary named Judy (former female “Our Gang” member Darla Hood) turns up with testimony that could clear Victor. When it seems like Mark is the culprit, he's found dead in a secret room. The weird lieutenant tries to pin the murder on Warner, the butler (John Sutton), then Judy is killed. The Bat and Welles fight in his lab and the doctor is killed. In the secret room (where Cornelia nearly suffocates) they find a safe. Warner saves the day and the Bat's identity is revealed (it's easy to figure out; there's hardly anyone left). 

This was the third remake of the story which is based on a 1920 stage play based on a 1908 book. Director/co-writer Crane Wilbur (screenwriter of HOUSE OF WAX (1953)) doesn't do much to update the plot so it's rather dated but still entertaining in its way.

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Monster Rule Ok!

 

 (imdb)

THE MONSTER CLUB-1981-Aramis (Vincent Price), a vampire bites R. Chetwynd Hayes (John Carradine), the horror writer. Aramis then takes the writer to “The Monster Club” so he can get some ideas and The Viewers do “Monsters Rule OK”. After Aramis explains the genealogy of vampires and werewolves we get our first story in this anthology. A con artist couple have a scheme to swindle a lonely unusual looking guy Raven (James Laurenson) when the girl Angela (Barbara Kellerman) helps him catalog his collections. He creeps her out but she also feels sorry for him. Her boyfriend George (Simon Ward) wants to make a big score and when the guy proposes George wants her to marry him. Raven says he is a “shadmock” and can never whistle. He throws a costume party with his relatives. Angela is caught robbing his safe and he whistles turning her into a monstrosity much to the surprise of George when she visits him. 

BA Robertson performs. Then, vampire/film producer Limton Busotsky (Anthony Steel) shows a scene from his upcoming movie. This is the second story, a young, bullied boy wonders about the night work his father (Richard Johnson) does. His mother (Britt Ekland) says he was a nobleman in Europe. A priest (Donald Pleasence) urges the boy to discover why dad sleeps all day. The boy discovers dad is a vampire and the priest is a vampire hunter. The vampire turns the tables on his hunters in the comical finale. 

Then the band Night performs “Stripper”. The 3rd story is about a “Humgoo”. A grouchy American director (Stuart Whitman) goes to scout a shooting sight in a remote village. An old man (Patrick Magee) tells him the village is run by The Elders. The decrepit townspeople force him to stay. He meets a young girl Luna (Lesley Dunlop) who informs him that the whole village is made up of ghouls. From a diary he learns how some evil ghouls took over the village. The only place they won't go is a church, so he hides out there with Luna, who is half human. They escape but Luna is killed. He's picked up by some ghoul policemen and taken back for “the great eating”. In the end, Aramis makes a great case for allowing a “hume” in the club. Everyone dances to The Pretty Things doing the title song. 

This was the last film produced by Milton Subotsky, who in the 1970's, along with his partner Max J. Rosenberg produced many horror films under the Amicus banner. This was an independent production, however. 

The stories are based on ones written by real horror & ghost story writer R. Chetwynd Hayes who didn't like the movie or Carradine's portrayal of him (he thought the actor too old). The filmmakers had wanted Sir Christopher Lee but he turned it down. It's also the last film directed by the great Roy Ward Baker. Most folks seem to run this movie down and admittedly it's no classic, it's just a fun combo of horror, comedy and music.

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Poe One

 

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THE HOUSE OF USHER-1960-Philip Winthrop (Mark Damon who died in May 2024) comes to the Usher home to visit his fiancée' Madeline (Myrna Fahey). Brother Roderick (Vincent Price) says he must leave because Madeline is confined to her bed. Rod says that Philip can never marry her because both siblings suffer from an inherited disease that he calls a curse. Philip is told by Bristol, the butler (Harry Ellerbe) that Madeline walks in her sleep. Philip is determined to take his future wife away but Roderick forbids it. He shows Philip portraits of his ancestors who all came to bad ends. After a fight with her brother, Madeline dies. When she is put in the family tomb, Roderick admits he buried sis alive! After Philip has a nightmarish dream, Roderick seems to lose his mind believing Madeline is coming for revenge. However, it appears he's right! 

A great fiery climax caps this the first Edgar Allan Poe adaptation by Roger Corman and Richard Matheson (and Vincent Price). It may just be me but at times Damon's voice sounds like Derek (David Love) from TEENAGERS FROM OUTER SPACE!

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Shhhh....

 

 (imdb)

FROM A WHISPER TO A SCREAM-1987-A reporter Beth Chandler (Susan Tyrell) covers the execution of Katherine White (Martine Bestwick) in the town of Oldfield. After her execution Beth visits White's brother Julian (Vincent Price) and 4 tales are related. 

In story one: A nutty psychotic wimp Stanley (Clu Gulager) has a weird relationship with his sister. He's sweet on co-worker Grace. Some-how, they go on a date and he kills her. Later he has sex with her corpse. 9 months later he kills his sister. He seems happy until an undead demon baby (the result of his unholy intercourse) comes to kill him. 

In the second story an idiot (Terry Kiser) escaping from a gangland hit meets the swamp dwelling Felder (Harry Ceaser) who knows the secret of eternal life. 

In the third a glass eater at a carnival has problems when he wants to marry a non-carny woman. They escape but the owner (Rosalind Cash) vows revenge. 

In the last, set during the Civil War, some children take revenge on Northern soldiers (led by Cameron Mitchell) in defense of the insurrectionists who fought to keep slavery legal. 

This is a mixed bag anthology from director Jeff Burr who was later known for his sequels to horror movies (THE STEPFATHER 2, LEATHERFACE: TEXAS CHAINSAW MASSACRE 3, PUMPKINHEAD 2: BLOOD WINGS, ETC.).

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More Price Magic

 

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THE LONG NIGHT-1947-A mysterious stranger is shot at a rooming house. The police investigate and when they go to the room of Joe Adams (Henry Fonda) he shoots at them through the door. When he won't cooperate, they shoot at him from a building across the street but that doesn't work. A flashback relates what has happened Joe, a factory worker who meets Jo Ann (Barbara Bel Geddes), who works in a flower shop. They fall in love and he wants to marry her. She seems hesitant (of course she's hiding a secret). Joe follows her to a smoky nightclub where magician Maximillan the Great (the one and only Vincent Price) performs. Jo meets with Max for some unknown reason. Max's assistant Charlene (Ann Dvorak) gives Joe the lowdown on her boss. He and Charlene begin a friendship. Max says he's Jo's father despite her being an orphan. He thinks Jo is no good for Joe. Then Jo has a flashback where we find out Max is not her father but a guy who tried to put the moves on her. He wants to break the couple up and says “Do I have to apologize for superior imagination?”. When Max goes to see Joe, he won't shut up and Joe shoots him. Back in the present Jo talks Joe out of the apartment amid a teargas attack. 

A bevy of characters appear: Elisha Cook Jr., Queenie Smith, Charles McGraw, Bobby Barber, Ellen Corby, Byron Foulger, Mary Gordon, Richard Reeves, Ray Teal, Dick Wessel and Will Wright. This kind of crime drama/love story/film noir was directed by Anatole Litvak (THE SNAKE PIT) after spending most of the WW2 years making a short film documentary series “Why We Fight” with Frank Capra. 

The movie succeeds if you are not looking for a huge payoff in the finale, otherwise it's a slight disappointment. It also depends on your point of view with Joe's predicament. He doesn't really evoke that much sympathy. This was lead actress Bel Geddes' movie debut. Among other things, she's remembered as the lead on TV's “Alfred Hitchcock Presents” episode “Lamb To The Slaughter”.

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Confessions

 

 (imdb)

CONFESSIONS OF AN OPIUM EATER-1962-In San Francisco's Chinatown in 1802, a Tong war rages. Soldier of fortune Gilbert de Quincey (the one and only Vincent Price) is hired by newspaper publisher George Wah (Richard Loo) to help stop the auctioning of illegally obtained Chinese women for Chinese men living in the US. Ruby Low (Linda Ho) and Ching Foon (Phillip Ahn) are the leaders. The story features de Quincey in and out of trouble while trying to save the women. He's almost like a secret agent! Visiting an opium den, de Quincey has a pipe and has a wild dream where he fights, run, watches a butcher behead a pig and falls off a roof, all in slow motion! Angelo Rossito appears selling newspapers. 

Rather bizarre drama directed by Albert Zugsmith (SEX KITTENS GO TO COLLEGE). It's based on the novel of the same name by Thomas De Quincey.

 (amazon.com)

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Price's Dracula

 

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VINCENT PRICE'S DRACULA-1986-The incomparable Vincent Price narrates this documentary on the Dracula legacy. The first part tells the true story of Vlad Dracul aka Vlad the Impaler and uses scenes from the sweeping Russian made VLAD TESPES (a film I'd like to see). It also makes an illusion to Count Chocula and compares Vlad's impaling as a peculiarity that all heads of state have. Like Ronald Reagan liking jelly beans! (Tongue in cheek). 

The second part focuses on Bram Stoker and Price reads from the novel. Then the climax to the silent classic NOSFERATU (1922) is shown. Price then presents a "vampire emergency kit". Then comes an overview of the vampire film. Scenes from VAMPYR (1932), MARK OF THE VAMPIRE (1935) (called a sequel to DRACULA here) and RETURN OF THE VAMPIRE (1943) are used. Also mentioned are Francis Lederer in RETURN OF DRACULA (1958) and John Beal in THE VAMPIRE (1957). It ends with an exorcism being performed in modern day Transylvania. 

Price as the on screen narrator and his witty and urbane dialogue are the real reason to see this. It's director John Muller's only credit.

 (letterboxd.com)

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The Last Poe

 

THE TOMB OF LIGEIA-1965-Local strange guy Verdon Fell (Vincent Price) mourns the passing of his young wife Ligeia (Elizabeth Sheppard). He develops an affliction toward sunlight and wears sunglasses a lot. After a fox hunt near Ligeia's tomb he meets Rowena (also Sheppard) who he eventually marries. The cloud of Ligeia's death hangs over their strange marriage. When Fell regresses Rowena to a child by hypnotism she begins to talk in Ligeia's voice. Then she has a weird dream where she's attacked by a cat and embraced by a dark figure. Fell acts weirder and weirder. Apparently though dead Ligeia (whose body was not buried but resides under the castle) still has a kind of necrophiliac spell on Fell. After Rowena seems to die from a cat attack, Fell burns Ligeia's body but she returns.... or does she?

This was the last of the Corman/Price Poe adaptations (written by Robert Towne). It was filmed in England and features more outdoors scenes than other projects. It's not bad but for me it's the weakest.

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The Tingler

 

THE TINGLER-1959-After a pre-credit warning from director William Castle, Dr. Warren Chapin (Vincent Price), a doctor who does autopsies for the state, meets Ollie Higgins (Phillip Coolidge), a theater owner who's brother in law has just been executed. Ollie invites Chapin home for some coffee where the doc meets Ollie's mute wife Martha (Judith Evelyn)) who faints at the sight of blood. When Chapin goes home we learn that he's married to a rich floozy named Isabel (Patrica Cutts) who's sister Lucy (Pamela Lincoln) gets a long very well with her brother in law and is also in love the the doc's young assistant David (Darryl Hickman). After frightening Isabel and taking X-rays of her spine he discovers a creature he dubs “the tingler” that lives on fear and resides in every human! 

To try and understand the power of the tingler, Chapin takes a powerful drug (seems like LSD) and becomes terrified but is saved when he screams which is the only way to immobilize the creature. When Martha dies after seeing some horrifying hallucinations (it seems like Chapin might have given her the drug) Ollie brings her corpse to Chapin who removes her tingler (since she couldn't scream it's still active) and puts it in a cage. It looks kind of like a giant centipede. Isabel tries to use it to kill her husband but Lucy spoils her plans. Chapin decides he's broken the laws of nature and the only way to destroy the tingler is to put it back in Martha's body. It turns out Ollie's not the kindhearted timid henpecked husband he pretends to be....

This classic '50's "gimmick" film directed by the one and only William Castle features one scene in bright color and is still as entertaining as it was when first release (despite a few lapses in reason). Price is great as the very analytical scientist who comes to regret his discovery. On it's initial release certain seats in theaters were wired to give unsuspecting moviegoers a slight "tingle" when the monster appears! 

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Good Things Come In Threes

 

TALES OF TERROR-1962-This trilogy from AIP is based on stories by who else but Edgar Allen Poe. All three star Vincent Price (He also made THE RAVEN with Corman (and Lorre) the same year).

Morella-Daughter Lenora (Maggie Pierce) gets a disturbing unwelcome from her estranged dad Locke (Vincent Price), a recluse in a gloomy cobwebbed mansion where he mourns the death of his wife Morella (Leona Gage). He seems to blame Lenora for her death since she died in child birth. When Lenora finds the mummified body of her mom in bed Dad confesses that excessive partying actually killed her. After it seems Lenora dies, Morella possesses her body and kills Locke but Lenora really did the deed. Morella smiles...

The Black Cat-Drunken Montresor (Peter Lorre) mistreats his wife Annabel (Joyce Jameson) and her black cat. At a wine tasting he meets pompous wine expert Luchresi (Vincent Price). When Montresor gets very drunk, Luchresi takes him home and meets Annabel. They fall in love. Montresor finds out about their affair and walls them up in the basement. After a drunken dream where the clandestine lovers play catch with Montresor's head, the police arrive looking for his wife. Of course the hated cat was walled up with the couple. Uses parts from “The Tell Tale Heart” and “The Cask of Amontillado”.

The Facts in The Case of M. Valdemar-Carmichael (Basil Rathbone), a hypnotist helps relieve the pain of the dying Ernest Valdemar (Vincent again). His young assistant James (David Frankham) smells treachery. Valdemar agrees to be hypnotized on his death bed as part of Carmichael's weird experiment. James was right of course. The hypnotist will not let Valdemar die unless his wife Helene (Debra Paget), agrees to marry him. When Carmichael tries to molest her, Valdemar rises from his un-dead death bed and kills his tormentor.

Roger Corman (director) and Richard Matheson (screenplay) score again with this great anthology. The acting, direction and SFX are top notch and the middle story inspired Corman and Matheson to make A COMEDY OF TERRORS.

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Not A Poe Film

WAR GODS OF THE DEEP-1965-After Ben Harris (Tab Hunter) finds the body of Mr. Penrose washed ashore, he's attacked by a scaly creature. Later a sailor talks about an undersea city called Lyonese. Ben meets Penrose's daughter Jill (Susan Hart) and her eccentric friend Harold (David Tomlinson who complains about a sketch he made of Jill having disappeared. Ben thinks it's all connected somehow. At night Jill is captured by the same creature that attacked Ben. Following, Ben and Harold find a secret passage that leads to some caves and they see a man chained to a pole who drowns when the cave fills with water. Later they meet The Captain (Vincent Price) who rules over an underground city threatened by a volcano. He and the rest of the populace are all over 100 years old! They live near the legendary lost city where the sea creatures are the last inhabitants. To top it off The Captain thinks Jill is his late wife. The trio want to leave but aren't allowed. They plan their escape which leads to an unusual and long underwater chase/fight in clunky diving suits. They make it back to the surface but The Captain and his gang follow them. The volcano makes some statues break up and fall trapping them and The Captain. After another encounter with “the gill men”, they get to the surface. So does The Captain who quickly ages and dies. The volcano erupts and destroys both cities. 

These days WAR GODS OF THE DEEP is known CITY IN THE SEA. British writer Charles Bennett, who wrote several films for Alfred Hitchcock, wrote the original screenplay which was heavily rewritten by producer Louis Heyward in England where this was filmed. It seems to try and capitalize on the AIP-Poe films Vincent Price was starring in at the time and uses lines from the poem “City In The Sea” by Poe at the beginning and end. 

This was the last film directed by Jacques Tourneur (CAT PEOPLE, I WALK WITH A ZOMBIE) who had worked previously with Price on THE COMEDY OF TERRORS in 1963.

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Poe In Name Only

THE OBLONG BOX-1969-In Africa, Edward Markin (Alister Williamson) is cursed and his face disfigured. Later back in England he's held prisoner in his room by his brother Julian (Vincent Price). Through some voodoo Edward appears to die but plans a comeback. However Julian buries him alive and marries his younger fiancee' Elizabeth (Hilary Dwyer). Edward's rotten attorney Trench (Peter Arne) who was suppose to help, can't/won't. Edward is “rescued” by some grave robbers who deliver his body to Dr. Neuhartt (Christopher Lee). Edward blackmails the doc into harboring him. He plots revenge and kills wearing a velvet mask. He was cursed by an African tribe because he trampled a boy to death. But in actuality he's innocent. The big hype for this film was the first pairing of “horror masters” Price and Lee. The only time they meet is during Lee's death scene! Rupert Davies and Sally Geeson are also in it.

Price (and Rupert Davies & Hilary Dwyer) had been in Michael Reeves' WITCHFINDER GENERAL in 1968. Reeves was scheduled to do THE OBLONG BOX but he died (from a mixture of booze and pills) while working on the script. AIP hired Gordon Hessler to direct and he made many changes to the original script. The story isn't bad but considering this was the first time meeting between Lee and Price it doesn't have much of an impact especially considering Williamson has the most screen time! Hessler, Price and Lee “reunited” in 1970 for the bizarre SCREAM AND SCREAM AGAIN. 

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The Final Four

THE HOUSE OF LONG SHADOWS-An American writer Kenneth McGee (Desi Arnaz Jr.) in England makes a bet with his agent (Richard Todd) that he can write a novel in 24 hrs. while staying at an old Welsh manor. The place is suppose to be deserted but almost immediately he meets the caretakers (John Carradine and Sheila Keith). Then Mary (Julie Peasgood) a blond girl he met earlier at a restaurant shows up. He believes she's a plant by his agent to distract him. Later the mysterious Mr. Rand (Peter Cushing) shows up seeking shelter. Enter Lionel Grisbane (Vincent Price) who announces “I have returned” and says he once lived in the manor. Then Corrigan (Christopher Lee) shows up claiming he's going to buy the property. It turns out the male caretaker is Lord Grisbane, the head of a fallen clan and Grisbane and Corrigan are actually his sons! And the thought to be dead son Roderick has been held prisoner in a locked room on the manor for 40 years! A bickering couple who also show up just seem to be there to get killed. Of course it turns out Corrigan is the insane Roderick and wants revenge on Lionel who committed a murder Roderick got the blame for. He hacks his brother to death (the best scene). If this all sounds familiar it's based on the famous Gothic story “Seven Keys To Baldpate” by Earl Derr Biggers which has been filmed many times over the years (including THE OLD DARK HOUSE by James Whale in 1932). 

It's great to finally have these 4 horror icons in a movie together but it could have been better. Too much time is focused on Lucy and Ricky's son. 

Director Pete Walker started out making porno movies and later made unconventional horror stuff likeTHE CONFESSIONAL and HOUSE OF WHIPCORD. He retired from making films after LONG SHADOWS. Screenwriter Michael Armstrong wrote and directed the infamous MARK OF THE DEVIL and the not so infamous HORROR HOUSE with Frankie Avalon. 

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“And Then They'll Come For You!”

HOUSE ON HAUNTED HILL-1959-William Castle's "classic gimmick" ghost story stars Vincent Price as millionaire Frederick Loren who at the request of his cold hateful wife Annabelle (Carol Omart) challenges 6 strangers to stay all night in a supposedly haunted house where several murders have occurred. If they can do it they'll each receive 10 thousand dollars. The "guests" include a pilot (Richard Long), a secretary (Carolyn Craig), a psychiatrist (Alan Marshall), a newspaper columnist (Julie Mitchum) and  Watson Pritchard (Elisha Cook) the last person to have stayed in the house and survived. He talks a lot about ghosts and murders committed in the place but if you watched this as a little kid in the '60's like I did you'll never forget the scene where the Mrs. Slydes, the caretaker's wife (Leona Anderson) meets the secretary in a dark room. Her grimace popping out of the darkness probably sent some kids screaming from the room! A chandelier falls, there's a vat of acid in the basement, guns in mini-coffins and a twist ending with a skeleton that when shown in theaters in the '50's came out of the screen and passed over the audience. 

Director William Castle and star Vincent Price (screenwriter Robb White) also made the THE TINGLER the same year. 

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Scream And Scream Again (but not for a sequel)

SCREAM AND SCREAM AGAIN-1970-A guy jogging during the credits collapses after the director's name is shown. In a hospital bed he seems very confused. He's even more shocked to discover one of his legs is missing. Then a spy named Konradz (Marshall Jones) kills his boss with what resembles the Vulcan nerve pinch. Another scene change and Bellaver (Alfred Marks), a snotty uptight police superintendent visits Dr. Browning (Vincent Price) about the murder of his female assistant. Back at the hospital (?), the jogger finds his other leg is now missing. At a disco, Keith (Michael Gothard) meets a young woman (Judy Huxtable,credited as guest star) who he winds up beating, then killing. Meanwhile in some military dictatorship Konradz kills his superior (Peter Cushing) after being reprimanded for torturing a girl.

Back to the jogger who is now missing both his arms. Then we are introduced to Fremont (Christopher Lee), head of some British intelligence department who seems to know what's going on. The police catch Keith sucking blood from a woman's wrist and he knocks them all around and escapes. The police follow and trap him on a mountain which he falls off of but isn't killed. They handcuff him to a car fender but he cuts off his own hand to escape. He goes to Dr. Browning's practice and jumps into a vat of acid. Upon examining the left behind severed hand the coroner Dr. Sorel (Christopher Matthews) comes to the conclusion that it's artificial. At night a nurse steals the hand. While this is going on Fremont seems to be trying to negotiate a plan to get back a captured spy plane pilot. Bellaver is killed by a phony police psychologist. When Sorel's girlfriend (Judy Bloom) is kidnapped, he investigates Browning's complex and finds his lab packed with lots of frozen severed limbs. Browning is making artificial humans (called “composites”). Sorel seems to accept it all until he sees his girlfriend on the operating table. Browning (who it's revealed is also a composite) and Konradz have a showdown. Somehow Browning escapes Konradz's death grip and throws him in the vat of acid. Fremont shows up and makes Browning take an acid bath too then speaks ominously “It's only the beginning”. Apparently Fremont knew everything that was going on and perhaps was setting up a sequel? Maybe not. 

SCREAM AND SCREAM AGAIN is so disjointed with lack of any coherent plot or even a central character it almost seems like two (or three) separate story lines spun together. Also this was touted as the first screen teaming of Price, Lee and Cushing when in fact except for a few minutes in the finale where Lee and Price finally meet none of them have any scenes together! This meeting was similar to they confrontation in THE OBLONG BOX which was made the year before by SASA's director, the German born Gordon Hessler, a kind of journeyman filmmaker going through a "making Hammer like horror films for AIP" phase, although SCREAM  was produced by Hammer's chief rival at the time Amicus. Hessler would make THE CRY OF THE BANSHEE (also with Price) and a remake of THE MURDERS IN THE RUE MORGUE. Later he would do a lot of American TV. The Amen Corner (with Andy Fairweather-Low) do a song. 

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Master of The World

MASTER OF THE WORLD-1961-This starts off with a kind of out of place montage of the various ill fated contraptions man has devised to conquer the air.

 In Morgantown, Pennsylvania there seems to be an earthquake followed by a disembodied voice issuing a warning. A government agent Strock (Charles Bronson) arrives at the home of Prof. Prudent (Henry Hull) just in time to hear him and his future son in law Phillip (David Frankham) locked in a heated argument as to where a propeller must go on their new balloon. Strock says the government would like to use the new balloon he and Phillip have designed to investigate the earthquake and voice that seem to emulate from a nearby mountain (too tall to climb). You know trouble is brewing when they bring along Prudent's daughter Dorothy (Mary Webster). No sooner do they get near the mountain than a rocket deflates their balloon and they crash. They are taken aboard the flying ship Albatross, the creation of Robor (Vincent Price) a genius inventor who wants to eradicate war with an ultimatum: “Disarm or perish”. Friction builds between Strock and Phillip as Phillip is kind of a pompous macho man who thinks Strock is a coward and a supporter of Robor's philosophy. 

After an escape plan fails (Strock rats them out to save them) Robor hangs Phillip and Strock in mid-air by a rope. Later Robur sees Strock as a threat but instead of killing the agent he'd rather Strock join him. Strock rejects his offer but agrees not to interfere in Robur's plans. When the British navy tries to destroy the Albatross bombs decimate the fleet. Robur flies all over the globe intend on destroying the armies of the world and put an end to war. Finally the four decide the only way to go is that they must destroy the deadly flying ship. Eventually Robur's mania leads to his own destruction. An explosion created by Strock puts the nail in the Albatross' coffin. Rather than abandon ship his crew stays by his side as the flying ship crashes into the sea. Vito Scotti's comedic scenes as the ship's cook seem out of place.

MASTER OF THE WORLD was the biggest budgeted film for AIP at the time. It was written by Richard Matheson and adapted from two novels by Jules Verne. Veteran filmmaker William Whitney was working mainly in TV at the time but also made the seldom seen low budget crime drama THE CAT BURGLAR the same year. Price is good as usual as the obsessed Robur who manages to be more sympathetic than evil. Henry Hull (nearing the end of his long career) is a hoot as the curmudgeonly Prudent. Bronson and the other leads are ok.

Personal note: Actor Gordon Jones who appeared as "Mike the cop" on The Abbott & Costello show in the early '50's is featured in an unbilled role at the begining of the picture.

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What Place Is This?

A COMEDY OF TERRORS-1963-AIP presents an all star comedy horror story that takes place in the late 1800's . An undertaker named Turnbull (Vincent Price) is an alcoholic who's horrible to his wife Margolis (Joyce Jameson)) and partner Mr. Gille (Peter Lorre) and is always trying to poison his deaf senile father in law (Boris Karloff). His business isn't doing so well so he goes out at night and kills an old man then conveniently shows up to take care of the funeral but then the old man's widow beats it out with paying. When his stern landlord Mr. Black (Basil Rathbone) demands payment of the rent Turnbull decides to do away with him and have him as a customer. They invade his house to find him reciting Macbeth out loud and swinging a sword. He seems to die from an attack and Turnbull steps in to get the body but Black isn't dead. He keeps popping up with a cry of “What place is this?”. Later when Turnbull rejects his wife for good she and Gille profess their love for one another. Black escapes his coffin with the help of a caretaker (Joe E. Brown in his last role) and gets an ax. While quoting Shakespeare he searches for Turnbull who winds up shooting Black who takes a long time to die! After it seems like everyone is dead they all wake up. Someone calls the police and Gilles and Margolis run away. Dad winds up giving Turnbull the poison. 

Though it has all the earmarks of a Roger Corman film, including an original screenplay by Richard Matheson, THE COMEDY OF TERRORS was the second to last film directed by Jacques Tourneur (CAT PEOPLE, I WALK WITH A ZOMBIE, CURSE OF THE DEMON). His last WAR-GODS OF THE DEEP (1965) was also for AIP and starred Vincent Price. 

Originally it was planned for Karloff to play the Mr. Black role but age and back problems forced him to switch roles with Rathbone, who's very funny.  It's great to see Price teamed with Lorre once again in another enjoyable  comedy/horror outing. 

Matheson had planned a sequel but COMEDY did not perform up to executive producers Samuel Arkoff and James Nicolson's expectations, so no sequel was produced.   

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More Corman! More Price! More Poe!

THE MASQUE OF THE RED DEATH-1964-In the village of Kitanya, a red cloaked figure gives an old woman a red carnation and says she should tell her town “your day of deliverance is at hand”. Evil Prince Prospero (Vincent Price) treats the people who harvest his fields like animals. When he is insulted by two men he condemns them to death. A innocent girl Francesca (Jane Asher) begs the prince to spare their lives but he makes her choose which should live or die. One is her father Ludovico (Nigel Greene) and the other her fiance Gino (David Weston). That's forgotten when it's discovered the old woman is carrying the plague. The prince takes the trio to his castle and orders the village burnt. He takes a shine to Francesca despite the protests of Juliana (Hazel Court), one of his guests who brands herself for Satan and has weird (drug induced?) dream-visions. After she thinks he's betrothed to Satan she's clawed to death by a bird. “I beg you do not mourn for Juliana. We should celebrate. She has just married a friend of mine”. 

Prospero invites princes from all over the region to join him at his castle for a decadent “protection from the plague” party. He's a nasty guy who insults his guests and makes them imitate animals and worship Satan. He especially gets the goat of Alfredo (Patrick Magee), a slimy aristocrat who slaps a little ballerina girl (but maybe she is suppose to be a dwarf as she has a dubbed in “adult” voice) during her dance. This leads to a sub-plot based on another Poe story “Hop-Frog” where her dwarf partner (Skip Martin) convinces Alfredo to dress like an ape then burns him alive. 

After Ludovico is killed, Pospero allows Gino to leave but he goes back and tries to rescue his beloved. The same red cloaked figure who spoke to the old woman tells Gino he will bring Francesca to him later. While the guests entertain themselves Prospero, all dressed in black and looking rather Dr. Phibes-ish, finally thinks he meets his master the Devil but in fact it's Death who's come to claim him. 

Director Roger Corman has said although he holds MASQUE has one of his favorite films he wasn't that pleased with the final scene where Pospero's plague infected party goers crowd in on him and thought it could have been better since he felt it was rushed (he did it in one day). His use of colors is awesome and the photography by Nicolas Roeg (in his only work with Corman) is a highlight. The screenplay was written by Charles Beaumont and R. Wright Campbell. This AIP co-production with the English Anglo-Amalgamated was filmed in England in 5 weeks (long for a Corman production!).

Although she had an un-billed cameo in 1981's THE FINAL CONFLICT, MASQUE  was the last film role for Hazel Court (also featured in THE PREMATURE BURIAL and THE RAVEN by Corman) who settled permanently in the US and only made TV appearances. She died in 2008. 

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Quoth The Raven....

THE RAVEN-1963-This comedy-horror film begins with Vincent Price reciting part of Edgar Allen Poe's “The Raven”. Then we are introduced to Dr. Craven (Price) a sorcerer who longs for his dead love Lenore. After his daughter Estelle (Olive Strugess) brings him some hot milk he is visited by a real life raven who demands some wine. Later using ingredients from his father's lab Craven turns the wise cracking raven into his true form, that of fellow sorcerer Dr. Bedlo (Peter Lorre) who was turned into a bird by the evil Dr. Scarabus, another sorcerer who dethroned Craven's father's position as grand master of the brotherhood of magicians years before. Bedlo wants revenge on Scarabus and wants Craven to help but Craven wants no part of it until Bedlo informs him that his lost love is with Scarabus. 

After fending off an attack by Craven's bewitched servant, Craven, Bedlo, Estelle and Bedlo's son Rexford (Jack Nicholson) go to confront Scarabus (Boris Karloff) who welcomes them with open arms. While dining Bedlo once again challenges Scarabus to a duel and seems to die. They are urged to stay the night and Craven sees Lenore (Hazel Court) at his bedroom window. Of course, it turns out Lenore is not dead but living with Scarabus who's wealth and power made her leave Craven. While Rexford is snooping around the castle, he discovers his father is not dead (it was a trick by Bedlo to deceive Scarabus). Eventually they are all held prisoner by the doctor, however in the finale Craven and Scarabus have an inventive magical duel where Craven defeats Scarabus and rejects Lenore who in turn has rejected Scarabus. 

Shot in 15 days by Roger Corman, it's been said that the inspiration for this feature was the Richard Matheson penned “The Black Cat” segment from the earlier TALES OF TERROR. Corman and Matheson liked doing the comedy scenes and thought a full-length film movie was in order. Although stories abound about behind the scenes gripes and complaints (Karloff upset at Lorre's ad-libs, animosity between Lorre and Nicolson) everyone seems to be having a fine time and really throwing themselves into their roles. Samuel Z. Arkoff and James Nicolson were the executive producers on this AIP production along with many long time Corman collaborators: Les Baxter (music), Floyd Crosby (cinematographer) and Daniel Haller (production design).

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Poe and Price on TV

AN EVENING OF EDGAR ALLAN POE-1970-These four Poe tales were shot on video tape and presented like a play with Vincent Price starring in each and reciting most of the dialogue from the original stories. Act one is The Tell Tale Heart where a man becomes obsessed with an old man's glass eye, kills him and meticulously hides the body under the floorboards only to be undone when he thinks he hears the dead heart beating. Act two features the not as well known The Sphinx about a man concerned about a cholera epidemic around him who believes he sees a huge monster moving through the forest near his home. In act three The Cask of Amontillado, a nobleman seeks revenge on a rival who insulted him by walling him up in a vault (this one was my favorite). Act four is The Pit and The Pendulum about a prisoner of the inquisition who's condemned to die and finds himself waiting for the pendulum to cut him in half. 

Price is great in this one man show and director Kenneth Johnson uses some good effects to get all the stories across. Arkoff and Nicolson were 2 of the executive producers and Les Baxter did the music. It was made for TV by AIP.

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