Werewolf vs. Frankenstein

 

 (imdb)

HOW TO MAKE A MONSTER-1958-On the movie set of "Werewolf Meets Frankenstein", make-up man Pete Dumond (Robert H. Harris) is regarded as a legend. He's made up Larry the werewolf (Gary Clarke) and Tony the monster (Gary Conway) for director Martin Brace (Thomas B Henry). However the "new regime" doesn't like monsters and they fire Pete and his assistant Rivero (Paul Brinegar). To get revenge Pete uses a special compound in his make-up to make the actors do his bidding. The monster actors kill the two executives. Pete himself even puts on some scary make-up to kill a nosy studio guard. John Ashley (as himself) shows up to croon a number. Robert Shayne has one scene as Larry's angry agent. Police Captain Hancock (Morris Ankrum) investigates. Malcolm Atterbury is a security guard. After the picture is finished and Pete is ready to leave, he invites the boys to his house to meet "his children", props and masks he made for his movies (including real AIP monsters from IT CONQUERED THE WORLD, INVASION OF THE SAUCER MEN and THE SHE CREATURE). Pete really loses it at the end. It seems he wants the actual heads of the young actors! A fire starts and destroys his collection ("I must save my children") The finale is in color. 

Herman Cohen (he also wrote the screenplay and has a cameo as a projectionist) produced this through AIP with Samuel Arkoff and Jack Nicholsen as the executive producers. The same year director Herbert L. Strock worked on “The Veil” series starring Boris Karloff.

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I Was A Teenage Dracula

 

 (imdb)

BLOOD OF DRACULA-1957-Nancy (Sandra Harrison), a trouble teenager is dropped off at Sherwood, a prep school, by her stupid father (Thomas B. Henry) and his new gold digging bride (Jean Dean). With her headstrong attitude she runs afoul of Myra (Gail Ganley) and her secret society. Myra also assists a mad woman teacher scientist Mrs. Branding (Louise Lewis) who wants to save the world from itself and says "We live in a world ruled by men for men" when her thesis is rejected. She decides to use Nancy in her incomprehensible experiments. The girls have a party crashed by three boys where a dork (Jerry Blaine) sings a song called "Puppy Love". Under Branding's subliminal hypnosis Nancy turns into a scary fanged vampire. She kills several people. Lt. Dunlap (Malcohm Atterbury) doesn't believe it when one of his officers (Richard Devon) says it's a vampire. Nancy's boyfriend comes to rescue her but all she can think about is his neck. In the climax she kills the doctor and falls on a stake and dies while her boyfriend cries and Myra regrets not telling about Branding's weird experiments.

This AIP teenage drive-in horror was produced by Herman Cohen who held the same capacity on I WAS A TEENAGE WEREWOLF and I WAS A TEENAGE FRANKENSTEIN. Both those movies had been written by BLOOD's screenwriter Aben Kandel (who would work with Cohen later on when the producer relocated to England). Director Herbert Strock had also made TEENAGE FRANKENSTEIN. BLOOD OF DRACULA is ok as AIP teen oriented horror films go. The vampire is creepy but I kind of felt sorry for the Nancy character, a troubled kid no one seems to care about except her boyfriend who shows up to help her, only to see her die. Should have been called “I Was a Female Dracula”.

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Monster Muck Up

MONSTROID-1980-An American industrialist (Philip Carey) worries that his cement producing water polluting plant in Columbia SA is losing money because the locals say a giant creature is on a killing spree. A local named Vic is stirring up trouble with his anti-American, anti-big business protests which besides including the monster also concern a witch. An American lady reporter (Andrea Hartford) investigates and interviews people while villagers torment a bull during some kind of festival and a young girl gleefully takes pictures. Meanwhile Pete (Anthony Eisley), the plant manager has a bad break up with his white girlfriend Laura (Coral Kassel) who he throws off for local boo Juanita who has been branded as “la bruja”, a witch. A priest (John Carradine), sermonizes and leads a festival procession and troubleshooter Bill Travis (James Mitchum) arrives to sought things out. After Laura has one last bang with Pete, she becomes monster bait. Later they have sonar equipment set up. Horny Pete is suppose to be monitoring it but he’s too busy bedding Juanita and misses the monster attacking a fishing boat. Meanwhile Travis drills the reporter. Pete’s kids get a blurry photo of the creature’s eye and this convinces everyone the monster is real. At night while the priest leads some loco locals to burn the witch, crazy Vic causes an explosion that cripples the plant and kills him. Pete, Travis and Juanita set a trap for the monster and Travis gets waterlogged saving the day but blows up the monster. However the kids’ dog makes a startling surprise in the end.  

The monster makes Reptilicus look good. Credits say based on a true story but there’s no such village in Colombia and most of the story was shot in Mexico.

This low budget production (begun in 1971!) went through many script, cast and title changes (Carradine doesn't interact with any of the other “stars” and scenes with Philip Carey are just him talking on a phone) before being released in it's present form. Director Ken Hartford also made the past up job THE LUCIFIER COMPLEX. It's also been said (by Anthony Eisley in an interview with Tom Weaver) film “doctor” Herbert Strock directed most of the movie with credited director Hartford having very little to do with it.

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"It will reach out with it's magnetic arms...."

THE MAGNETIC MONSTER-1953-A strange magnetic force grips LA. Two scientists (Richard Carlson and King Donovan) investigate and find that a dying scientist (Leonard Mudie) was experimenting with a new kind of element ("serranium"). Somehow the element can draw energy from the air and turn it into matter. It starts to grow and could send the Earth off it's rotation! The duo go to Canada to use their cyclotron but run into some opposition. Fans of bug eyed '50's drive in monster flicks might be disappointed as no creature is seen.

Some of the SFX are taken from a 1930's German film called GOLD. Produced by Ivan Tors and directed by Curt Siodmak (creator of THE WOLFMAN) and the two collaborated on the screenplay. Herbert Strock was the editor (and may have directed some scenes). Jean Byron is Carson's wife. Byron Foulger, Michael Fox, John Zaremba, Frank Gerstle, Billy "Whitey" Bennedict, Kathleen Freeman and Strother Martin all have roles. Carlson later was in THE MAZE, IT CAME FROM OUTER SPACE and THE CREATURE FROM THE BLACK LAGOON. Donovan was in THE BEAST FROM 20,000 FATHOMS the same year.

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Sci-Fi '50's

RIDERS TO THE STARS-1954-Scientist Herbert Marshall needs a meteor from outer space. He and a group of scientists set out to find three men to fly rocket ships (with wings) into space to get one. William Lunigan (a busy TV actor at the time) is the scientist most qualified. He’s also Marshall’s son. He falls in love with Martha Hyer while being trained. Richard Carlson (who was in THE CREATURE FROM THE BLACK LAGOON the same year) co-stars and directs as well. I’ve read “film doctor” Herbert Strock directed some scenes un-credited. It’s an early serious science fiction tale (based on a story by Ivan Tors) and it’s in color! Curt Siodmak wrote the screenplay.

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Lon Is Messing With The Devil!

DEVIL’S MESSENGER-1961-Lon Chaney is the devil or the devil’s secretary who sits behind a desk in a short sleeve shirt and tie grinning fiendishly while consulting a Rolodex of damned souls. He takes a shine to Santanya (Karen Kadler; also in THE BEATNIKS and IT CONQUERED THE WORLD) a suicide victim who’s glad she’s dead.

Unfortunately evil Lon decides to send her back to the land of the living to take care of some business. What unfolds are three tales of the unknown. In the first a photographer (US actor John Crawford who was later in a lot of TV stuff produced by Irwin Allen) kills a woman and her image appears in a photograph he took after she died. The second features a scientist who becomes obsessed with a woman he sees frozen in a block of ice and third has a guy with bad dreams visiting a fortune teller who foretells his death at midnight.

THE DEVIL'S MESSENGER is actually three episodes of a Swedish TV show made several years earlier called 13 DEMON STREET. It was created and directed by Science Fiction author Curt Siodmak (“Donovan’s Brain”) but this version is credited to Herbert Strock, usually a film editor who directed a few films like HOW TO MAKE A MONSTER. Strock may have directed “the hell’s waiting room” framing sequences although I believe Chaney was the host of the series too. Some of the dialogue is dubbed and some funny out of place close-ups occur. Strangely the stories (especially the third one) are very reminiscent of US based shows like THE TWILIGHT ZONE, ONE STEP BEYOND and THRILLER all of which came later!

By the middle ‘50’s Lon Chaney’s career had taken a serious dive despite credible performances in big studio productions like HIGH NOON, I DIED A THOUSAND TIMES and THE DEFIANT ONES. He appeared on TV in the short-lived LAST OF THE MOHICANS (1957) and was great as the successful junk dealer who goes back to school in THE GOLDEN JUNKMAN (an episode of TELEPHONE TIME in 1956). He starred as the silent resurrected killer in Jack Pollenfex’s THE INDESTRUCTIBLE MAN but mainly was wasted in other low budget films like THE BLACK SLEEP, Bert I. Gordon’s THE CYCLOPS and THE ALLIGATOR PEOPLE. The last quality production he was in was probably Roger Corman’s THE HAUNTED PALACE (with Vincent Price) in 1963. After that it was mostly seldom seen junk like HOUSE OF BLACK DEATH (with John Carradine and 2 directors) and several Al Adamson movies. He was in Jack H. Harris’ deranged but fun SPIDER BABY (1968) which years after it’s release became kind of a cult film. Despite health problems Chaney (who’d dropped the “Jr.” years before) kept plugging away right up till his death, working on his autobiography, writing a horror script he hoped to produce and appearing in the obscure FIREBALL JUNGLE. His last role was that of another mute killer in Adamson’s FRANKEN-STEIN MEETS DRACULA. He died of throat cancer (the same disease killed his dad in 1930).

There was always some question as to how many episodes actually were made for Swedish TV or if in fact there were any other episodes at all but lo and behold a few years ago "Some-thing Weird Video" released a bunch of them on DVD....

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