This Is A Thriller....

THRILLER-1961-Episode 23-”The Well of Doom”-The wealthy soon to be married Robert Penrose (Ronald Howard, in one of three roles for the TV series) is on his way to a bachelor party accompanied by his family butler Teal (Thorin Thatcher) when they are waylaid by a spooky looking old man named Squire Moloch (Henry Daniell, made up to resemble Lon Chaney in LONDON AFTER MIDNIGHT) who claims to be the devil. He's assisted by a giant named Styx (Richard Kiel). Moloch does seem to have supernatural powers. When the butler tries to run away Moloch kills him just by pointing a finger at him. Later Penrose is held prisoner in a dungeon where his fiance' (Fintan Meyler) is also being kept (a flashback shows Styx kidnapping her). Moloch claims to be the former owner of the Penrose estate who Robert's father killed and dumped in a well. The same well Moloch plans to throw Penrose in if he doesn't give up his inheritance. Thinking ahead he rigs the well so if he is thrown in he can climb back up. Since Thriller has hit the airwaves again I won't give away the surprise (though rather pat) twist ending.

The Well of Doom is an effectively eerie piece directed by German born John Brahm who made other fog bound thrillers like THE UNDYING MONSTER, THE LODGER and HANGOVER SQUARE. This was one of 12 THRILLERS he directed as well as 10 episodes of ALFRED HITCHCOCK PRESENTS. His last film was the crazy HOT RODS TO HELL. Prolific TV writer Donald Sanford adapted the John Clemons story. Sanford would later write the screenplay to the WW2 epic MIDWAY. Earlier he shared an Emmy for writing the TV special “The Golden Junkman” in which Lon Chaney Jr. gave perhaps his finest performance.

Richard Kiel (who died in 2014) would play a much more memorable TV role as the Kanamit alien in the TWILIGHT ZONE episode “To Serve Man”. As the sinister Moloch, Henry Daniell was coming to the end of his long career (he died in '63) but still found time to be in 4 other THRILLERs. His last role was an un-billed bit in MY FAIR LADY.

Of course THRILLER was hosted by the great Boris Karloff (who occasionally starred in a few). His intro here isn't as good as some others but he still ends with the often used tagline “as sure as my name is Boris Karloff”.

THRILLER was a neglected anthology for years but thanks to a DVD release and it showing up on cable it's been given a second look and should be checked out by everyone!!!

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Mad Magic

THE MAD MAGICIAN-1954-Gallico the Great (Vincent Price) a guy who's made illusions for other magicians now wants to have his own act. Unfortunately before he can use his new buzz saw trick his pompous boss Ross (Donald Randolph) closes down his show (he also stole Gallico's wife). Ross gloats Gallico into killing him with his buzz saw. He puts Ross' head in a suitcase and his assistant Karen (Mary Murphy) who is engaged to Alan Bruce, a police lieutenant (Patrick O'Neal) takes his bag by mistake. After he gets it back he disguises himself as Ross and sneaks the real corpse into a college victory celebration bonfire. Then he creates a new identity. When his bitchy ex-wife Claire (Eva Gabor) shows up looking for Ross she guesses his secret and he kills her. He later creates a new illusion “The Crematorium” which rival magician The Great Rinaldi (John Emery) wants to steal. He too figures out Gallico's secret and so of course signs his own death warrant. Gallico impersonates Rinaldi but Alan uses fingerprints to figure it all out. Gallico almost burns Alan alive but Karen and the landlady help save him and Gallico is burned up in his own invention.

If you think THE MAD MAGICIAN was influenced by HOUSE OF WAX which Vincent Price starred in the year before you're probably right in more ways than one. It was written by HOW screenwriter Crane Wilbur, a very busy writer/director who's career went back to silent films. He and Price would work together again in 1959's THE BAT.

Although not having the budget of House of Wax, THE MAD MAGICIAN has some nice twists although Gallico's disguises aren't always that great. And once again his character really isn't a bad guy, it's mostly the people around him: a mean boss, a bitchy ex-wife, a rival performer. They insult him and try to cheat and steal and really “ask” to be killed.

German born director John Brahm had made several unusual film noirs (THE LODGER, HANGOVER SQUARE, THE UNDYING MONSTER) but soon after this went into television. Like HOUSE OF WAX, THE MAD MAGICIAN was also shot in 3-D! 

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Not Frankenstein

THE UNDYING MONSTER-1942-An ancient curse (The Hammond Monster) plagues a family in Wales. The last of the Hammonds are a brother and sister, Oliver (John Howard) and Helga (Heather Angel). After Oliver is attacked the local inspector (Audrey Mather) calls in the Sherlock Holmes like Robert Curtis (James Ellison; I WALK WITH A ZOMBIE) from Scotland Yard who uses science to solve crimes and doesn't believe in the supernatural. He has a female assistant named Christy (Heather Thatcher) who talks a lot ("This place is colder than a tax collector's heart!") and is kind of psychic. Bramwell Fletcher (THE MUMMY) is the suspicious family friend Dr. Colbert. The family butler Walton (Halliwell Hobbs) hangs around mysteriously. A werewolf seems to be responsible.

THE UNDYING MONSTER is in a way an underrated masterpiece. It's certainly one of the best "you never really get to see the monster until the end"  horror tales. Star James Ellison is very good in the lead and his character could have easily starred in a sequel (along with his assistant Christy). The resolution may be a little too pat but hey it's only 63 minutes!

Germany born director John (nee Hans) Brahm does an excellent job creating a eerie atmosphere using shadowy effects and interesting close-ups. After this Brahm made 2 more famous film noirs THE LODGER and HANGOVER SQUARE (both starring the ill-fated Laird Cregar) and THE MAD MAGICIAN with Vincent Price. He ventured into TV in the 1950's and was a busy director in the '60's (ALFRED HITCHCOCK PRESENTS, THRILLER, THE MAN FROM UNCLE).

Future tough guy Charles McGraw makes his film debut as a poacher.

It's based on the novel "The Undying Monster: A Tale of the Fifth Dimension" written in 1922 by Jesse Douglas Kerruish.

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