Fulci!

 

 (imdb)

NIGHTMARE CONCERT (A CAT IN THE BRAIN)-1990-A cannibal eats part of a dead body and grinds up the rest and feeds it to his hogs but it's just a film being directed by Dr. Lucio Fulci (the director playing a fictitious version of himself) who seems to be losing his mind from making too many horror films. While making his latest, he has some bizarre visions and looks like he might be a murderer. There's lots of gore, much of it from two of his previous movies (plus scenes from some other movies). 

Of course, it's all in the director's mind thanks to a crazed serial killing psychiatrist (David L. Thompson, who kind of looks like Foster Brooks) who's hypnotized Fulci and done all the real killings. Nice false ending but not one of his best. The comparisons to Fellini's 81/2 aren't really warranted.

(imdb)

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Bad Future

 

(IMDB)

THE NEW GLADIATORS-1984-In the future a global TV network creates a violent modern gladiator show to beat the rival networks (one show has a woman getting her throat cut by a pendulum). They recruit prisoners for their "contestants" plus a TV "kill star" Drake (Jared Martin) from a rival show who they frame into joining by killing his wife. The thing is put together by Cortez (Claudio Cassinelli; also in SLAVE OF THE CANNIBAL GOD). When he's told to go to hell, he says "I would if it would raise my ratings". A jerk named Raven (Howard Ross) is head of the training camp Drake is sent to. He is joined by old friend Monk (Donald O'Brien; DR. BUTCHER MD), a freaky guy with fake eyes. Other participants include Abdul (Fred William-son), Akira (Haruhiko Yamanouchi), the scourge of outer Mongolia and Kirk (Al Cliver; ZOMBIE 2), the Minnesota chainsaw murderer. A woman Sarah (Eleonora Brigliadori) tries to convince Cortez Drake is innocent. She visits Prof. Towman (Cosimo Cineieri) who invented Junior, the computer that controls everything. But before he can really help he's killed. 

This ESCAPE FROM NEW YORK/THE RUNNING MAN influenced violent nearly plot-less story was the 20^th film from director Lucio Fulci (he also co-wrote it).

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Fulci

 

ZOMBI-2-1979-A mysterious boat is discovered in the NYC harbor. It seems abandoned but 2 coast guard members discover a rotting flesh eating zombie on board which kills one of the guards. It turns out the boat belongs to a missing scientist. His daughter Anne Bowles (Tisa Farrow) teams ups with a NYC based British reporter Peter West (Ian McCulloch) to find his whereabouts. They hitch a ride with another couple (Al Cliver and Auretta Gay) on their boat to reach the island of Mantool where it turns out Dr. Menard (Richard Johnson) is trying to stave off a zombie invasion. After an underwater zombie fights a shark, the quartet meet up with Menard. Meanwhile the doc's mistreated wife (Olga Karlatos) is killed and eaten (a splinter going through her eye is an infamous scene). Eventually zombies start turning up everywhere and the four take refuge in Menard's church/hospital.

 It's very gory and fast moving but director Lucio Fulci ran into a lot of problems with the producers (their original choice for director was Enzo Casarelli) and he wasn't that happy with the results. The ending is kind of laughable. Still it was a big hit. Called ZOMBIE in the US, it's original title was ZOMBI 2 since George Romero's DAWN OF THE DEAD was called ZOMBI in Europe.

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More Fulci Zombies!

CITY OF THE LIVING DEAD-1980-In Dunwich, a priest hangs himself in a graveyard while in New York at a seance a woman named Mary (Catriona MacColl) screams “The city of the dead!” then dies. A cop believes it all has to with drugs (“What are you on? Coke? Grass? Where's the stash? Down the toilet?”). Back in Dunwich, a weirdo named Bob (John Morghen aka Giovanni Lombardo Radice) starts to fool around with an inflatable love doll and finds a rotting corpse. 

Back in NY, Peter Bell (Christopher George), a news reporter goes to visit the seance place but is turned away by a cop. Back in Dunwich, some guys at a bar see the walls crack out and smoke comes out. One of the guys blames the strange-ness on the priest who killed himself. Then Gerry (Carlo de Mejo), a psychiatrist is interrupted while asking his patient Sandra (Janet Agren) about her childhood. 

Back in NY, Jerry saves Mary (who's alive in her coffin now) from being buried alive (and almost kills her!). They meet with Theresa (Adelaide Aste), the woman who ran the seance and she tells Peter about “the book of Enoch” while Mary mentions Dunwich being the city of the dead and that the gates of hell are being opened again and if they aren't closed the dead will walk. 

Later Jerry's friend Emily (Antonella Interlenghi) meets Bob at a gas station and the dead priest shows up and rubs worms in her face. Then a man and woman making out in a car see the dead priest hanging around (literally). He makes the woman's eyes bleed and she upchucks worms and stuff that looks like intestines before someone rips the top of the guy's head off. Peter and Mary go to Dunwich while Bob is blamed for the murders. It seems for some reason that the priest's suicide is opening the gate to hell. At night a creepy coroner is attacked and Emily's little brother John John (Luca Paisner) sees a sinister apparition. Meanwhile Bob wanders around while Jerry and Sandra find the corpse of an old lady in Sandra's kitchen. Bob for some reason is hanging out in Emily's father's car and when the father sees them together he kills Bob by sticking his head into some kind of rotating drill. Peter and Mary meet Jerry and Sandra in a cemetery and they are attacked by a tornado of worms and maggots. Then Jerry gets a call from John John saying that Emily has killed their parents. The quartet hurry to find a solution before All Saints Day comes. Sandra takes John John home but is killed by a ghoul faced Emily. Bloody, gory faced zombies terrorize John John but he's saved by Jerry. It seems some of the zombies are hallucinations. 

Zombies attack the local bar and kill and eat the bartender and his two lone customers. Meantime, now a trio Peter, Mary and Jerry investigate the priest's tomb and some underground tunnels where they meet a zombified Sandra who promptly kills Peter. Rats waste no time in eating his brain. Mary almost goes the “vomiting maggots” route but Jerry kills Sandra. After further snooping Mary and Jerry are trapped by the undead and the hanging priest. Just when Mary starts to bleed from the eyes, Jerry guts the priest with a wooden cross and he burns up (?). His minions burn too. Jerry and Mary are reunited with John John. But something is wrong. Mary screams as the scene breaks up.  

Although he had already made the notorious ZOMBIE (and several other successful projects), Italian director Lucio Fulci really hit his stride with this episodic baffling gory horror story. Though incomprehensible and slow going at times, Fulci packs stomach churning SFX, eerie apparitions and some good suspense scenes so the viewer only has time to wonder once or twice as to what's going on. The abrupt cheat ending seems to have evolved from the actually end scene having been destroyed accidentally while it was being developed. The producers would not allow Fulci to re-shoot so he kind of said “screw it”. Co-star Morghen was in several other Italian horror productions (CANNIBAL APOCALYPSE, CANNIBAL FEROX) where his character also came to a bad end. Director Fulci appears un-billed as a doctor. It also features journeyman actor Robert Sampson as the local sheriff and future director Michele Soavi.   

I saw this in a theater way back in 1980 under it's US edited title THE GATES OF HELL.

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Fulci!

HOUSE BY THE CEMETERY-1981-This starts off with a woman looking for her boyfriend in empty building. She finds him but he's a bloody mess. Then she gets a knife through her head. In NYC Norman (Paolo Malco; also in THE NEW YORK RIPPER for the same director) and his wife Lucy (Catriona MacColl; also in THE BEYOND by the same director) are packing to go live in a rural Boston house (in a cemetery) where Norman's co-worker killed his mistress then committed suicide. Their young song Bob (Giovanni Frezza; also in the director's MANHATTAN BABY) looks at a picture of the house and sees a young girl in the window. Later, when his parents go to pick up the keys Bob meets the little girl, named Mae who only he can see. She warns him to stay away. While they unpack Norman discovers that the basement door has been boarded up. Soon the mysterious looking Ann (Ania Pieroni; also in TENEBRE) shows up to be their babysitter. At night Norman catches her trying to break open the door. When she is alone in the house the next day, Lucy is terrorized by weird noises. Norman decides to open the door to show Lucy there's nothing there and the two of them are attacked by a bat. They decide to move but then the real estate agent is killed in a bloody poker attack by a grunting unseen killer. Meanwhile Bob plays tag with Mae. Ann gets decapitated and Bob is chased by the killer. Lucy doesn't believe him but when he's trapped in the basement (and Norman has to break down the door with an axe) we learn that for some reason a Dr. Freudstein, a deformed one armed killer who needs human cells to survive is living in the basement! When Norman stabs him maggots ooze out of his body. Despite this the monster doctor kills both Bob's parents then terrorizes Bob until Mae (who also seems to be a Freudstein) pulls him to safety (or does she?). Her mother? /grandmother? leads them away (to heaven? or the past?) in the "makes no sense" ending.

HOUSE was directed by cult Italian gore-master Lucio Fulci and to me is one of his weakest films. It's full of plot holes and characters saying ambiguous things that are never explained. Who is the little girl Mae? How suddenly did Norman find out about Freudstein? And what the hell was actually going on? Why did Freudstein become an ugly killer living in the basement? And more importantly where did they get the kid who plays Bob? He was kinda of scary himself a few times and reminded me of Mick Jagger! The story also seems to hint that Norman and Anne could have had an affair.

It does feature some extreme gore (a Fulci specialty) and a little suspense.

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