JET ATTACK-AIP-1958 -So in my continuing effort to drum up support for the under appreciated director Edward L. Cahn I present this obscure Korean War melodrama. It was his second war drama for the year (see SUICIDE BATTALION).
John Agar stars as Capt. Tom Arnett. He and his partner (Gregory Walcott who starred in PLAN 9 around this time ) and comic relief guy (James Dobson) drop behind enemy lines to rescue an army scientist who may still be alive. They are helped by local guerrillas led by Victor Sen Yung (also in SHE DEMONS the same year and soon to be cook Hop Sing on TV’s Bonanza). Audrey Totter plays a Russian doctor who helps the Communist hating Americans. She also provides Agar with a love interest.
As in SUICIDE BATTALION (and ROCKETSHIP X-M) everybody but Agar and the guy he came to rescue die. Leonard Strong leads the North Korean force of bad guys....
JA isn’t anything special.. In fact it’s a pretty standard “Communism must be crushed” war drama but director Cahn also made IT! THE TERROR FROM BEYOND SPACE and CURSE OF THE FACELESS MAN (both written by sci-fi author Jerome Bixby) the very same year!
Screenwriter Orville Hampton penned tons of movies including RIOT ON SUNSET STRIP (1967) and FRIDAY FOSTER (1975) and worked with Cahn again. Most notably on the next year’s incredible THE FOUR SKULLS OF JONATHAN DRAKE. His last work was for The Scooby Doo/Dynomutt Hour in 1976. He died in 1997.
The story credit goes to Mark Hanna who wrote ATTACK OF THE 5O FT. WOMAN the same year.
Star John Agar was never the world’s worst actor as he was often portrayed and gave some of his best performances in low budget craziness (see THE BRAIN FROM PLANET AROUS!). Here he is the likable but tough All American soldier fighting to keep the world free. His other horror movie in 1958 was Bert I. Gordon’s ATTACK OF THE PUPPET PEOPLE.
Writing some of the best low budget scores Ronald Stein’s soundtrack here is quite loud and governmental. It almost gives the movie a kind of documentary feel. When not helping out his friend Ed Wood on various productions producer Alex Gordon managed to produce some great stuff for AIP (including THE DAY THE WORLD ENDED). He produced THE ATOMIC SUBMARINE the next year. Co-AIP head James H. Nicholson was the executive producer.
SHAKE, RATTLE AND ROCK-AIP-1956-Dig this early peon to rock and roll, cats. It’s like crazy. The great low budget master of the ‘50’s Edward L. Cahn shows he’s no square and not only is rock and roll here to stay but it can reform kids and make them productive!
Mike “Touch” Connors stars as a local deejay who believes this new, primitive music is not only an art form but it can set teens on the path to the straight and narrow. He’s assisted by jive taking Axe (Sterling Holloway in a real gone performance, dad). They get Fats Domino and Joe Turner to perform at a party so the reforming wayward youths can raise $12,000 to start their own “Teen Town”. Unfortunately they run into opposition by group of local oldsters led by Douglas Dumbrille and Margaret Dumont who’s niece (Lisa Gaye) Touch is in love with. Another old timer Raymond Hatton appears as Dumont’s husband. Hatton (who really hams it up) played the doomed prospector in Corman’s DAY THE WORLD ENDED in which Connors played the villain. Another DTWE vet Paul Dubov (the radiation victim who always wants to eat raw meat) plays a gangster who tries to break up the teen club. The always recognizable Percy Helton plays a comic undertaker/reformer. It ends in a televised court room where Connors and Dumbrille have their showdown and subtitles are used to translate Axe’s hip talk!
Domino and Turner do two songs a piece and some guy named Tommy Charles (“The one you’ve all been waiting for”) does a song that doesn’t fit in at all. This is a fun time capsule of “the way it wasn’t but it’s nice to think it might have been”. It was written by AIP vet Lou Rusoff (see CAT GIRL entry). James Nicolson and Alex Gordon were the producers. Original music by Alexander Courage!
"Sacred cows make the best hamburger"-Mark Twain
Thanks for reading!
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