Samson aka Santo

 

SANTO IN THE WAX MUSEUM-1963-A reporter Susan Madison (Roxana Bellini) is doing a story on the wax museum run by the mysterious Dr. Karol (Claudio Brooke), an Auschwitz survivor who also bears scars on his body from a fire. Susan is attacked by a scar faced guy and disappears. Karol comes under suspicion. He asks wrestler El Santo (in this dubbed version he's called Samson) to help clear him. Susan's sister Gloria (Norma Mora) and her fiance Richard (Reuben Rojo) believe Karol is to blame. Of course it turns out Karol is the nut responsible for all the bad things. He wants to turn everyone in the world into ugly monsters. Santo has to fight a bunch of mutated humans, who eventually turn on the doctor, to save the sisters and Richard. 

This El Santo horror adventure was later edited and dubbed into English by K. Gordon Murray and played a lot on US TV. Mad doctor portrayer Claudio Brook later was the title character in Luis Bunuel's bizarre short SIMON OF THE DESERT (earlier he was in the same director's THE EXTERMINATING ANGEL). Director Alfonso Corona Blake also made SANTO VS. THE VAMPIRE WOMEN.

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Bunuel

SIMON OF THE DESERT-1965- Penitent Simon (Claudio Brook) has stood on a high column in the desert for over six years so he can be closer to God. Priests and followers now gather as he is given a new taller tower. After refusing a blessing from a priest because he believes himself unworthy he ascends the new tower and promptly restores the hands of a man who had them cut off for stealing. The man's first act is to abuse his child. The crowd seems unimpressed by this and leaves. Later Simon is tempted several times by the devil who takes the form of a woman (Silvia Pinal) dressed like a little girl, then as a shepherdess (with a beard!) and later as a scantily clad female who arrives in a moving coffin. Satan takes him away and they wind up in a modern '60's disco where the band plays surf guitar music and young people do the newest dance crazed called “Radioactive Flesh”! When Simon says he wants to go home he's told he has to “stick it out till the end”. 

 Although only 43 minutes long SIMON somehow manages to be surrealist director Luis Bunuel's most anarchistic outing and continues his long obsession with the mocking of organized religion. It's also hilarious! The short running time owes to the fact that Bunuel simply ran out of money after less than three weeks worth of filming. He followed this two years later with BELLE de JOUR. 

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