BLACK SUNDAY-1960-This was Italian horror master Mario Bava's directorial debut. In 1630, Asa Vajda (Barbara Steele) along with her lover Javuto (Arturo Dominici) is about to be burned as a witch, condemned by her own brother. Before this happens she lays a curse on the brother and all his descendants. Then a spiked metal mask is nailed on to her face! Two hundred years later, two doctors are travelling to a medical conference. Dr. Kurvanjan (Andrea Checchi)) and his younger assistant Andre (John Richardson, later in ONE MILLION YEARS B.C.) stop to investigate the tomb where the burned witch was buried after their wagon breaks a wheel. Kurvanjan kills an attacking bat but some of his blood drips into the tomb. Later they meet Katia (also Steele) who lives with her father Prince Vajda (Ivo Garrani) and her brother Constantine in a near by castle. Of course they are related to the ancestors of the witch and even have a haunting painting of her hanging over a fireplace. Revived by the doctor's blood Asa contacts Javuto to kill the old prince who saves himself by brandishing a cross but seems to lose his mind. A servant is dispatch to fetch Dr. Kurvanjan but instead the creepy Javuto picks him up and takes him to Asa's tomb where he becomes her slave and promptly goes to the castle and kills the prince. Andre investigates when Kurvanjan and Javuto plan to kidnap Katia and use her blood to revive Vajda! Andre teams with a local priest to try and stop Vajda's evil plan. And when the poor prince returns to life and tries to drink his daughter's blood Javuto throws him in the fireplace! Vajda pulls a switcheroo that almost causes Andre to kill Katia but torch bearing villagers led by priest prevail and once again burn the witch.
Before this Bava's only work as a director was un-credited but he was a cinematographer on many productions before and after BLACK SUNDAY (which he also photographed). Bava packs the film with lots of eerie scenes and macabre sets.
This film made England born Barbara Steele a horror icon. The next year she went to American and co-starred in Roger Corman's THE PIT AND THE PENDULUM with Vincent Price and was on an episode of TV's ALFRED HITCHCOCK PRESENTS. She returned to Italy to make THE HORRIBLE DR. HITCHCOCK and other horror films (and Fellini's 81/2...). It's based on a story by Russian author Gogol.
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