The Bat

 

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THE BAT-1959-Mystery writer Cornelia von Gorder (Anges Moorehead) stays in a house called “The Oaks” where evasive murderer “The Bat” committed homicide several months before. Cornelia's maid Lizzy (Lenita Lane) talks about vampire bats. Meanwhile, a bank VP, uncovers a million-dollar bank theft. The prime suspect seems to be Victor Bailey (Mike Steele), an innocent clerk. Then in the Northwest, bank president John Fleming (Harvey Stephens) and his doctor, Malcohm Welles (Vincent Price) are on vacation. John reveals that he took the million and now wants the doc to help him fake his own death. When a forest fire breaks out, the doc shoots and kills John. 

Back at The Oaks, Lizzy talks about The Bat ripping out women's throats and sees a clawed hand at the door. It's apparent a sinister figure is prowling around so the two women barricade themselves in a bedroom and call the police. The figure gets in but is scared away by the cops. Later local police Lt. Anderson (Gavin Gordon) spies Welles experimenting with bats. Cornelia deduces that the embezzled money is hidden somewhere in the house and tries to figure out where. John's nephew Mark (John Bryant) gets involved trying to find the floor plans. A secretary named Judy (former female “Our Gang” member Darla Hood) turns up with testimony that could clear Victor. When it seems like Mark is the culprit, he's found dead in a secret room. The weird lieutenant tries to pin the murder on Warner, the butler (John Sutton), then Judy is killed. The Bat and Welles fight in his lab and the doctor is killed. In the secret room (where Cornelia nearly suffocates) they find a safe. Warner saves the day and the Bat's identity is revealed (it's easy to figure out; there's hardly anyone left). 

This was the third remake of the story which is based on a 1920 stage play based on a 1908 book. Director/co-writer Crane Wilbur (screenwriter of HOUSE OF WAX (1953)) doesn't do much to update the plot so it's rather dated but still entertaining in its way.

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The Last Whistle

 

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THE RETURN OF THE WHISTLER-1948-A man (Michael Duane) and woman (Lenore Aubert) want to get married but the minister is away. Meanwhile someone sabotages their car. Since this is the 1940's they can't stay together in one room. The next day he goes to her room and she's disappeared. A private eye (Richard Lane)) tries to help him and flashbacks reveal how the two lovers met. Double crosses, evil in-laws and an inheritance all figure in the wild plot. Uncredited roles go to Trevor Bardette, Ann Doran, Wilton Graf and Olin Howland. 

This last installment into the series was directed by D. Ross Lederman. 

Lead actress Lenore Aubert was in ABBOTT AND COSTELLO MEET FRANKENSTEIN the same year.

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Still Whistling

 

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THE POWER OF THE WHISTLER-1945-In this strange drama, Richard Dix is a man who suffers a blow to the head and can't remember his name or the purpose of an important mission he knows he has to perform. Jean Lang (Janis Carter)) reads his fortune in a Greenwich village cafe and deduces he's in danger. She and her sister (Jeff Donnell) decide to help him from clues he has on him. (a lighter, a Canadian dollar, a bakery slip and a doctor's prescription). It all comes together when it's discovered he's an escaped lunatic out for revenge. John Abbott is a book shop owner and I. Stanford Jolley, Kenneth MacDonald, Nina Mae McKinney, Eddie Parker and Frank Scannell have small roles. 

Screenwriter Aubrey Wisberg later wrote and produced THE MAN FROM PLANET X (1951) and wrote THE NEANDERTHAL MAN in 1953. Prolific low-budget film director Lew Landers made this sometimes eerie film noir mystery. It's the third in the series.

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The First Whistler

 

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THE WHISTLER-(1944)-In the first of the series, Earl Conrad (Richard Dix) is a businessman who blames himself for the death of his wife and decides to have a hit man knock him off. Later, when it appears his wife is still alive, Conrad changes his mind and doesn't want to die. His journey takes many twists. A psychotic hit man (J.Carroll Nash in standout performance) tries to scare him to death. Conrad almost winds up as a stowaway on a ship bound for Japan. 

Nice little film noir directed by William Castle. Also with Gloria Stuart, Byron Foulger as a flophouse attendant, William Bennidict as a mute delivery boy, Trevor Bardette, Ralph Dunn and George Lloyd. It's based on a CBS radio show created by J. Donald Wilson. This was the first of 8 Whistler films produced by Columbia Pictures. Richard Dix was the star of the first 7. The titular character is the narrator (Otto Forrest). 

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Whatever

 

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WHATEVER HAPPENED TO AUNT ALICE?-1969-Already loony Claire Marrable (Geraldine Page) goes off the deep end when she finds out her recently dead husband left her nothing in his will so she decides to kill her female servants. Relocating to Arizona, she gets rid of Mrs. Tinsley (Mildred Dunnock) and hires Mrs. Dimmock (Ruth Gordon). Her new next-door neighbor is Helen Vaughan (Rosemary Forsyth) and her young nephew Jim (Michael Barbera). She has an affair with Mike Darrah (Robert Fuller), a mechanic who is working with Dimmock to find out what happened to Miss Tinsley. 

It has a little twisting end and it's really not much but the score by Gerald Fried and photography by Joseph Biroc are a plus. It's based on a novel by Ursula Curtiss who also wrote “I Saw What You Did” which William Castle had made into a movie in 1965. Director Lee Katzin, besides his TV work, went to make the bizarre THE PHYNX (1970) and the pretty good LE MANS (1971). He also made the failed Sci-Fi TV movie THE STRANGER (1973). He replaced original director Bernard Girard on this after a week of filming. Right before the movie's release Ruth Gordon won a best supporting actress Academy Award for ROSEMARY'S BABY.

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Bava In Black and White (for the last time)

 

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THE EVIL EYE aka THE GIRL WHO KNEW TOO MUCH-1963-Nora Drozon (Leticia Roman) comes from America to visit her sickly aunt and meets her doctor, Marcello Bassi (John Saxon). At night the aunt dies. Nora goes to seek help and is attacked by a purse snatcher and knocked unconscious. When she wakes up, she sees the stabbing death of a woman. She faints and someone makes it seem like she'd been drinking. In a hospital, no one believes her story and she's labeled an alcoholic. Fortunately, Marcello arrives and gets her out. He doesn't really believe her either. Nora meets Laura (Valentina Cortese) whose husband is away in Switzerland (his picture looks like the killer Nora saw). When Laura goes to visit her hubby, she lets Nora stay in her house where Laura’s sister was stabbed to death 10 years before (according to the cleaning lady). 

Later, it seems there is a serial killer murdering people in alphabetical order and Nora may be next! They meet Landini (Dante DiPaolo), the reporter who worked on the case years before but he commits suicide. When Laura returns, we learn who the murderer is and the reasons behind the killings. 

This was the great Mario Bava's last black and white film. He was also the cinematographer. It's an interesting and stylish Giallo but the ending was changed in the US version, eliminating a sub-plot. The same year as this, Bava also made BLACK SABBATH and THE WHIP AND THE BODY. Lead actress Roman starred in RUSS MEYER'S FANNY HILL the next year.

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Truffaut

 

THE BRIDE WORE BLACK-1968-A mysterious, alluring woman (Jeanne Moreau) kills several men seemingly at random. As the story progresses we learn her reasons why. Thanks to one guy's lying kid, the police arrest the wrong person but she clears her. Unusual suspense revenge tale with an interesting ending, co-written and directed by Francois Truffaut and based on a story by Cornell Woolrich (Hitchcock's REAR WINDOW was also based on one of his stories).

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Into The Unknown

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THE UNKNOWN-THE FORMS OF THINGS UNKNOWN-1964-Two women (Vera Miles & Barbara Rush) kill a blackmailing gigolo (Scott Marlowe). After they wreck their car during a storm, the two seek refuge at a remote mansion where Tone Hobart (David McCallum) and his blind butler Kolos (Sir Cedric Hardwick in his last acting role) live. Hobart is experimenting with a "time tilt" machine which he says can bring back the dead.

There's a lot of talk and weird camera angles and it kind of reminded me of a Harold Pinter play! This was originally devised by THE OUTER LIMITS writer Joseph Stefano and director Gerd Oswald as the pilot for a new series to be called THE UNKNOWN. ABC rejected the idea and it became (with a different ending and credits) the finale episode of THE OUTER LIMITS' first season.

McCallum was in another episode the same season, the memorable THE SIXTH FINGER.

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Wise Thriller

 

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HOUSE ON TELEGRAPH HILL-1951-A woman (Valentina Cortese) in a Nazi prison takes on the identity of her friend Karen who died there. She comes to America looking for her “son” Chris who is heir to a fortune. In NY, she meets Chris’ guardian Allen (Richard Basehart) who she eventually marries. They go to San Francisco and meet Chris (Gordon Gebert) and then go live in the title house where she has a problem with housekeeper Margaret (Fay Baker) who seems as though she might have a secret agenda with Allen. Especially when the brakes fail on Karen's car. She tells Allen's sort of friend, Marc (William Lundigan), she thinks Allen is trying to kill her and Chris. Or is it just in Karen's mind? 

An ironic twist ending reveals everything. Nice little thriller directed by Robert Wise who made THE DAY THE EARTH STOOD STILL the same year.

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In Like Flynn

 

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CRY WOLF-1947-After the death of Jim Demarest, his widow Sandra (Barbara Stanwyck) shows up to claim his estate. His brother Mark (Errol Flynn) doesn't seem to know anything about the marriage or so he says. He keeps a tight rein on his niece Julie (Geraldine Brooks) who hears strange noises and screaming that seem to come from Mark's mysterious and forbidden lab.

Interesting film noir with a twist ending directed by Peter Godfrey who made THE TWO MRS. CARROLLS with Humprey Bogart the same year. Also with Richard Basehart & Jerome Cowan. It's based on a novel by mystery writer Marjorie Carleton.

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I Run To Death…

 

 

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THE SEVENTH VICTIM-1943-Mary Gibson (Kim Hunter in her film debut) leaves a girls school to look for her elusive sister Jacqueline (Jean Brooks; THE LEOPARD MAN) in NYC. In a Greenwich Village restaurant, the owners tell her Jacqueline rented a room but never used it. She convinces them to unlock the room. Inside she finds a noose and chair. She goes to the police and then a lawyer, Gregory Ward (Hugh Beaumont) who just happens to be in love with Jacqueline. August (Lou Lubin), a shady PI says he knows where Jacqueline is but when they investigate, he's killed. 

Later Mary sees 2 guys toting August's corpse on the subway. Ward has secret dealings with Dr. Judd (Tom Conway), under whose care Jacqueline seems to be. Things get very mysterious after this. Judd acts strange, Jacqueline shows up then disappears and it turns out Ward is her husband. Then local Poet Hoag (Erford Gage) says he'll find Jacqueline. Mrs. Redi (Mary Newton), the new owner of Jacqueline's cosmetic shop, tells Mary her sister is the one who killed August and warns her to leave town. Later sis reappears to explain things. This leads to a cult of devil worshipers, betrayal, forced suicide and an enigmatic ending. Isabel Jewel and Dewey Robertson are also in it. 

This dark and mysterious Val Lewton production was the directorial debut of Mark Robson (BEDLAM, ISLE OF THE DEAD) who'd make THE GHOST SHIP for Lewton the same year. Tom Conway (the real-life brother of George Saunders) played the character of “Dr. Judd” a year earlier in CAT PEOPLE. Some have theorized he's reprising the same role here although Judd was killed in CAT PEOPLE. Actor Erford Gage was unfortunately killed in WW 2 in 1945. In the middle 1950's Hugh Beaumont played the father (his first name was Ward) on TV's long running “Leave It To Beaver”.

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Early Boris

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THE PUBLIC DEFENDER-1931-Rich playboy Pike Winslow (Richard Dix) is actually the mysterious crime fighter The Reckoner who investigates a group of corrupt businessmen who framed their partner, the father of Pike's childhood sweetheart Barbara (Shirley Grey; later in THE MYSTERY OF THE MARY CELESTE). He's assisted by the erudite Professor (Boris Karloff) and big lug Doc (Paul Hurst). They meticulously plan each attack they make on the bad guys looking for evidence to clear the wronged man. 

THE PUBLIC DEFENDER seems similar to "The Shadow", also created in 1931 and may have been an influence on the creation of Batman (although that was 8 years away). 

Star Dix was an Academy Award nominated best actor in 1931 (for the western CIMARRON, the first movie to win the best picture Oscar). Karloff was just a few months away from playing the monster in FRANKENSTEIN. Interesting ahead of its time crime drama directed by J. Walter Ruben. 

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More Price Magic

 

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THE LONG NIGHT-1947-A mysterious stranger is shot at a rooming house. The police investigate and when they go to the room of Joe Adams (Henry Fonda) he shoots at them through the door. When he won't cooperate, they shoot at him from a building across the street but that doesn't work. A flashback relates what has happened Joe, a factory worker who meets Jo Ann (Barbara Bel Geddes), who works in a flower shop. They fall in love and he wants to marry her. She seems hesitant (of course she's hiding a secret). Joe follows her to a smoky nightclub where magician Maximillan the Great (the one and only Vincent Price) performs. Jo meets with Max for some unknown reason. Max's assistant Charlene (Ann Dvorak) gives Joe the lowdown on her boss. He and Charlene begin a friendship. Max says he's Jo's father despite her being an orphan. He thinks Jo is no good for Joe. Then Jo has a flashback where we find out Max is not her father but a guy who tried to put the moves on her. He wants to break the couple up and says “Do I have to apologize for superior imagination?”. When Max goes to see Joe, he won't shut up and Joe shoots him. Back in the present Jo talks Joe out of the apartment amid a teargas attack. 

A bevy of characters appear: Elisha Cook Jr., Queenie Smith, Charles McGraw, Bobby Barber, Ellen Corby, Byron Foulger, Mary Gordon, Richard Reeves, Ray Teal, Dick Wessel and Will Wright. This kind of crime drama/love story/film noir was directed by Anatole Litvak (THE SNAKE PIT) after spending most of the WW2 years making a short film documentary series “Why We Fight” with Frank Capra. 

The movie succeeds if you are not looking for a huge payoff in the finale, otherwise it's a slight disappointment. It also depends on your point of view with Joe's predicament. He doesn't really evoke that much sympathy. This was lead actress Bel Geddes' movie debut. Among other things, she's remembered as the lead on TV's “Alfred Hitchcock Presents” episode “Lamb To The Slaughter”.

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Karloffnaut

 

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JUGGERNAUT-1936-Dr. Satorius (Boris Karloff) is in Morocco researching a cure for fractured paralysis, but his funding is terminated. Relocating to the French Riviera, he has a strange manservant named Jacques (Gibb McLaughlin). He hires a nurse and is visited by Lady Clifford (Mona Goya), the wife of a cotton millionaire (Morton Seltin)), who's having an affair with Halliday (Anthony Ireland), a guy who lost all his money gambling. Lady Clifford promises Satorius a fortune if he becomes her hubby's live-in doctor but with an ulterior motive of course. Son Roger (Arthur Margetson) arrives and Dad tells him he is to be sole heir to his money. Suddenly he falls ill. 

This convoluted little murder mystery seems like casting Karloff was an afterthought. Director Henry Edwards made SCROOGE (with Seymour Hicks in the title role) the year before.

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Borecast

 

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BROADCAST SIGNAL INTRUSION-2011-A video archivist (Harry Shum Jr.) becomes obsessed with a mysterious video that may be connected with the disappearance of several women. He hooks up with a woman named Alice (Kelley Mack) and they go all over trying to find the answer. This pretty much tries to say something but the story (especially the ending) is confused. 

The director Jacob Gentry had previously done MY SUPER PSYCHO SWEET16 series of films for MTV.

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Jolly Old England

 

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MIDNIGHT AT MADAME TASSUAD'S-1936-Sir Clive Cheyne (James Carew) makes a bet with his friend that he will stay overnight alone at “The Chamber of Horrors” section of Madame Tassaud's wax museum. Meanwhile Cheyne has a problem with Nicholas (Kim Peacock; also one of the screenwriters) the philandering, neer do well fiancé of his niece Carol (Lucille Lisle). Nick is in cahoots with Newton (Charles Oliver), an associate of Cheyne's, who owns Cheyne money. Jerry Melville (Patrick Barr), a snooping reporter tries to get the low down on the engagement. He has a comical assistant named Stubbs (future first Dr. Who star William Hartnell). After Melville exposes Nicholas' illicit affair, he goes to the museum to save Cheyne who's going to be killed by Newton's gang. Wax figures of Mae West, Marie Antoinette and Lawrence of Arabia also appear. 

This British production was the second to last film directed by George Pearson who way back in 1914 made the first movie adaptation of a Sherlock Holmes story (A Study in Scarlet).

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Devil?

 

BLACK TORMENT-1964-Sir Richard Fordyke (John Turner) and his new bride Elizabeth (Heather Sears) return to his ancestral home where his first wife committed suicide. He's given a rather cold greeting as a young girl has been raped and murdered and her dying words were Richard's name. His father is wheelchair bound by a stroke and can only communicate in sign language which Richard doesn't know. Fortunately his caregiver Diane (Ann Lynn) knows it. She also happens to be Richard's dead wife's sister. Other suspicious acting friends are his accountant Seymour (Peter Arne) and his footman Harris (Norman Bird). After another girl is killed Col. Wentworth (Raymond Huntley; also in Hammer's THE MUMMY) explains to Richard that although he was 100 miles away villagers swear they saw him riding through the village being chased by his deceased wife who was yelling "murderer". A dead girl's fiancee calls Richard the devil and things happen to Richard, leading many to believe he is some kind of demon. After it seems Elizabeth has killed her husband, the culprits are revealed. Patrick Troughton is a stable master. 

Director Robert Hartford-Davis later made CORRUPTION and INCENSE FOR THE DAMMED. After that he came to the US and made BLACK GUNN and THE TAKE. Heather Sears had co-starred with Herbert Lom in the unsuccessful remake of THE PHANTOM OF THE OPERA, produced by Hammer in 1962.

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Darro & Moreland

CHASING TROUBLE-1940-Jimmy (Frankie Darro) and Jefferson (Mantan Moreland) deliver flowers for an obviously shady florist. When Jimmy finds out his friend Susie (Marjorie Reynolds; later in THE TIME OF THEIR LIVES with Abbott and Costello) has lost her boyfriend (and job) he decides to find her a new one. He thinks someone named Bill Jones would be perfect. Among other things, Jimmy considers himself a handwriting expert. Saboteur Morgan (Alex Callam) convinces Jimmy he's a G-man and makes Jimmy one too so Jimmy can keep an eye on reporter Pat Callahan (Milburn Stone) who's investigating a murder which Morgan committed. Morgan's assistant is Phillips (Tristram Coffin). Naively Jimmy tries to set Susie up with Morgan. Later Jimmy figures out he's a spy and he and his gang have set a bomb at an airplane factory. Callahan winds up in the hospital but a traffic cop (Joe Devlin) helps him get out. Despite the racial subservient role Jeff is a lot wiser than Jimmy, suspecting trouble and questioning his partner's misguided motives. Director Howard Bretherton made UP IN THE AIR with the Darro-Moreland team (they made 8 together for Monogram Pictures).

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Stray

 

STRAY-2019-Murphy (Christine Woods), a female police officer coming back to her job after the death of her child, investigates the mysterious burning death of a woman who later appears to be 1000 years old. Murphy meets the woman's daughter Nori (Karen Fukuhara) who seems to have some special power. A guy (Japanese guitarist-singer Miyavi) who might be Nori's brother hangs around. This weird supernatural tale has very good acting and direction but might be a little too dark.

 This is the only feature film (so far) by director Joe Sill who before and after made video shorts, commercials and music videos.

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Made In England

 

THE WOMAN THAT WOULDN'T DIE-1965-In England American Raymond Garth (Gary Merrill) is married to rich old bag Ellen Taylor (Jane Merrow) (it seems simply so she can have sex with him). He seems resigned to his fate until Ellen's young niece Alice (Georgina Cookson) comes to town. They begin an affair. Although Raymond makes plans with their chauffeur to do away with Ellen he gets a little over zealous and drowns her prematurely. He buries her in the garden shed. The chauffeur hires an actress to impersonate Ellen so it looks like she leaves town. Then he kills her and makes it look like a car crash. Now Ray and Alice are free to be together except after several strange occurrences, it seems like Ellen isn't dead. 

The result is guessable but the twist ending is good. 

WOMAN was known in England (where this was filmed) as CATACOMBS. It's kind of like a longer version of an “Alfred Hitchcock Presents” episode and was the directorial debut of German born Gordon Hessler who made THE OBLONG BOX in 1969.

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