Devil's Island

I ESCAPED FROM DEVIL'S ISLAND-1973-Le Bras (Jim Brown; also in SLAUGHTER'S BIG RIP-OFF the same year), a convict is saved from the guillotine and given a life sentence on Devil's Island instead where guards make bets on fights between prisoners. It's run by a one armed commandant (Paul Richards) and 2 sadistic guards. Another convict Davert (Christopher George) is the leader of a communist faction who Le Bras feels saved his life. Le Bras devises an escape plan with 2 other cons JoJo (Rchard Ely) and Dazzas (James Luisi) and Davert is kind of forced to go with them. On their tiny raft they are driven back to the island by sharks and flee into the jungle where they are taken in by a group of lepers. Later they are captured by local natives and Le Bras is chosen to be the new husband for the wife of a man he killed. Once again they escape by raft and somehow make it back to civilization. Dazzas is arrested for stealing but Le Bras and Davert use fireworks to make their escape.

I ESCAPED FROM DEVIL'S ISLAND is one of the last movies directed by the legendary William Whitney who's career began in the late 1930's. He did many low budget serials and westerns plus movies featuring Zorro, The Lone Ranger and Dick Tracy. Although he entered TV in the 50's he still occasionally made a feature film (like MASTER OF THE WORLD with Vincent Price in 1961). Here he does the best with what he has on the film's obviously low budget and fast paced schedule. The story by Richard L. Adams (who'd also pen THE SLAMS starring Brown the same year) is sadistic and far fetched but the two leads manage to keep it going.

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Wish The Batteries Would Die

NIGHTLIGHT-2013-Even though their friend has just committed suicide, a group of young people (idiots waiting to be killed) decide to spend the night in a forest where other suicides have occurred. They use flashlights and cameras. After a lot of running around everyone starts to die and a demonic creature of some kind seems to be the culprit. Once again there's nothing to a movie like this. It's helter skelter camera work, yelling and no resolution to the story (which there wasn't much of in the first place). And it took two guys (Bryan Woods and Scot Beck) to write and direct it....

Filmed in 2013, it “escaped” to DVD and cable in 2015.

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Mad Magic

THE MAD MAGICIAN-1954-Gallico the Great (Vincent Price) a guy who's made illusions for other magicians now wants to have his own act. Unfortunately before he can use his new buzz saw trick his pompous boss Ross (Donald Randolph) closes down his show (he also stole Gallico's wife). Ross gloats Gallico into killing him with his buzz saw. He puts Ross' head in a suitcase and his assistant Karen (Mary Murphy) who is engaged to Alan Bruce, a police lieutenant (Patrick O'Neal) takes his bag by mistake. After he gets it back he disguises himself as Ross and sneaks the real corpse into a college victory celebration bonfire. Then he creates a new identity. When his bitchy ex-wife Claire (Eva Gabor) shows up looking for Ross she guesses his secret and he kills her. He later creates a new illusion “The Crematorium” which rival magician The Great Rinaldi (John Emery) wants to steal. He too figures out Gallico's secret and so of course signs his own death warrant. Gallico impersonates Rinaldi but Alan uses fingerprints to figure it all out. Gallico almost burns Alan alive but Karen and the landlady help save him and Gallico is burned up in his own invention.

If you think THE MAD MAGICIAN was influenced by HOUSE OF WAX which Vincent Price starred in the year before you're probably right in more ways than one. It was written by HOW screenwriter Crane Wilbur, a very busy writer/director who's career went back to silent films. He and Price would work together again in 1959's THE BAT.

Although not having the budget of House of Wax, THE MAD MAGICIAN has some nice twists although Gallico's disguises aren't always that great. And once again his character really isn't a bad guy, it's mostly the people around him: a mean boss, a bitchy ex-wife, a rival performer. They insult him and try to cheat and steal and really “ask” to be killed.

German born director John Brahm had made several unusual film noirs (THE LODGER, HANGOVER SQUARE, THE UNDYING MONSTER) but soon after this went into television. Like HOUSE OF WAX, THE MAD MAGICIAN was also shot in 3-D! 

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Moto's Chances

MR. MOTO TAKES A CHANCE-1938-While the famous (phony) Japanese detective (Peter Lorre in his fourth outing as the Asian sleuth) is digging in some ruins in Ankor Wat he meets Victoria Mason (Rochelle Hudson) an aviatrix who was flying around the world until her plane crashed. After a rajah's (J. Edward Bromberg) wife dies mysteriously Moto (who acts as suspiciously as a murderer) investigates. Later he disguises himself as a high priest to save some reporters (Robert Kent and Chick Chandler) from death. Then a real local high priest causes trouble. Too much time is spent on the comic adventures of the reporters. It turns out Moto and Victoria are working for the same end: to smash an arsenal assembled for the high priest's planned revolution. 

Director Norman Foster (also an actor) made most of the entries in the Moto series as well as several Charlie Chan mysteries and is the credited director of Orson Welles' JOURNEY INTO FEAR.

 Lead actress Rochelle Hudson was a popular leading lady in films of the '30's and early '40's. After playing Natalie Woods' mother in REBEL WITHOUT A CAUSE in 1955 she left Hollywood for other endeavors. She worked sporadically in the 1960's but retired for good after her last film appearance in the low budget anthology GALLERY OF TERROR (aka RETURN FROM THE PAST) IN 1967. She died in 1972. 

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More Invisibility

INVISIBLE AGENT-1942-Nazis want the indivisibility formula created by Frank Griffin, the original “Invisible Man” in this kind of sequel to THE INVISIBLE MAN RETURNS. Two enemy agents (Sir Cedric Hardwick and Peter Lorre) visit Griffin's grandson Frank (Jon Hall) whose working as a printer under an assumed name. They try to get the formula from him but he escapes and goes to the US for help. The government wants the formula too but he refuses until he learns of the attack on Pearl Harbor. He agrees to help but only if he is allowed to become the “invisible agent”. While parachuting into Berlin he becomes invisible and contacts German double agent Maria (Ilona Massey) who dines with the head of the secret police (J. Edward Bromberg) and there's lots of invisible comedy. For a while Frank puts on cold cream, sunglasses and a robe to become almost visible. Later he's kidnapped by Lorre (who's suppose to be Japanese; his outings as Mr. Moto got him in the mood). Once again Frank escapes their clutches and Lorre kills Hardwicke then commits hari-kari. Fortunately Maria can fly a plane and she and Frank stop bombers headed to destroy NYC! Keye Luke appears as a doctor in one scene. 

Released right after Pearl Harbor bombings this is one of the many propaganda like science fiction films released at the time. The SFX are good (they were nominated for an Academy Award) and director Edwin L. Marin doesn't go overboard with the comedy bits. Screenwriter Curt Siodmak (who also penned THE INVISIBLE MAN RETURNS) had fled Germany (first to England) in 1937. His depiction of the Nazis are evil but incompetent. 

Director Marin had previously made A CHRISTMAS CAROL and A STUDY IN SCARLET (both with Reginald Owen) and later many westerns. Lead actor Jon Hall returned to invisibility two years later in THE INVISIBLE MAN'S REVENGE, though playing a different character.

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Let Sitting Bull Lie

SITTING BULL-1954- In the Black Hills of Dakota “once again the white man comes”. The great Indian chief Sitting Bull (J. Carroll Nash) leads his Sioux Nation against the invading, gold seeking white men. His second in command is Crazy Horse (Iron Eyes Cody). They attack some grubby prospectors who'd been on their land. Major Parrish (Dale Robertson) is concerned about the Indians' fate but locks horns with General Custer (Douglas Kennedy) and gets transferred to an Indian agency and is dumped by his fiancee Kathy (Mary Howell from THW WILD ONES; she was in THE MAD MAGICIAN the same year as this) for a reporter Wentworth (William Hopper). The minute he gets to the new post he locks horns with Webster (Thomas B.Henry), the head agent who calls the captive Indians “renegade dogs”. After Parrish sticks Webster's head in a pot of gruel, the Indians revolt. Parrish lets them go but Webster kills Sitting Bull's son. President Grant (John Hamilton, acting very “Perry White-ish” in a highlight role) wants to meet with Sitting Bull so with the help of an ex-slave Parrish tries to set it up. To gain the chief's trust Parrish has to fight Crazy Horse in a knife fight. They have a pow-wow but it doesn't go as planned and Gen Custer leads his men to slaughter at The Little Big Horn (conviently Wentworth goes with them). Parrish is almost shot by a firing squad but Kathy brings Sitting Bull to Grant and convinces him to spare Parrish's life. It all ends happily but as we know in real life that was not to be. 

I guess this low budget technicolor western was trying to be sympathetic to the Native American tribes but the stiff acting and cliched script undermine the whole thing though I don't think it's as bad as I've been led to believe. Director Sidney Salkow was working on TV's LASSIE at the time he made this.

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How Could I Forget This One!

THE BOWERY BOYS MEET THE MONSTERS-1954-The (over-aged) Boys (in their 34^th outing!) want to get a nice place for local kids to play baseball. Slip (Leo Gorcey) and Sach (Huntz Hall) contact a Dr. Gravesend (John Dehner) who owns the lot. Of course Gravesend is actually a mad scientist with a sister Amelia (Ellen Corby) who keeps a man eating plant, a wacky scientist brother Anton (Lloyd Corrigan) and a niece Francine (Laura mason) who's a vampire. Their butler Grissom (Paul Wexler; later the scary Indian head hunter in THE FOUR SKULLS OF JONATHAN DRAKE) sometimes becomes a hairy fanged monster. Gravesend wants Sach's pea brain for his gorilla and the brother wants Slip's brain for his robot. After terrorizing Sach, the robot has a fight with the gorilla and Sach turns into a rather scary monster who almost kills Slip.

It's pretty dumb but it's probably the one entry in this series that stands out the most because of the horror setting (at least it did when I was kid!). Yet somehow I forgot to review it when I did a whole bunch of Bowery Boys movies a few years ago!The other regular “boys” Chuck (David Gorcey) and Butch (Bennie Barlett) are there as well as Bernard Gorcey as Louie. Director Edward Bernds (who made JUNGLE GENTS with the team the same year) co-wrote it with usual BB scribe Elwood Ullman.

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