Eric Roberts has one short scene as an angry father and Juliet Landau (one of the producers) has a brief role as a nurse. The director Tony Tucker did mainly SFX and make up for movies and TV before this...
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THE VOID-2016-This bloody violent tasteless horror movie is about a group of people trapped in a semi-abandoned hospital by a cult in white robes. A mad doctor (Kenneth Walsh) has "conquered death" and wants to bring back his dead daughter. He turns people into blob like tentacle monsters and the cast swears and screams a lot. This Canadian production has two directors Jeremy Gillespie and Steven Kostanski but one competent director would have been better.
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SANTA CLAUS-1959-Out in space Santa Claus (Jose Elias Moreno) sets up a nativity scene, laughs insanely and watches children from all over the world make his toys. Lucifer sends his main man Pitch (Jose' Luis Aguirre) to Earth to make children do evil. Santa has some bizarre machines to help him. One machine has lips and his telescope has a tentacle with an eye on it. Pitch tries to corrupt a cute little girl named Lupita who only wants a doll. She has a “devil influenced” dream where large dolls dance and try to convince her to steal. Besides kids, Santa also gets help from Merlin the magician, a doddering old fool who gives Santa secret sleeping powders and a flower that makes him invisible. The red bearded key maker gives him a key that opens any door. He also has mechanical reindeer that pull his sleigh. Pitch corrupts three brothers who want to kidnap Santa and steal his toys.
A side story is about a lonely rich kid who only wants to be with his neglectful parents on Christmas eve. Despite losing the sleeping powders and flower and being run up a tree by a dog Santa delivers all his presents and gives Lupita the doll she wanted. Actor/director Rene Cordona made this religious leaning craziness from Mexico.
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THE CREEPY DOLL-2011-This is another amateur talky piece of junk from Big Biting Pig (see above) about a loony pregnant woman and her doll collection that features a ghoulish “Addams Family” like doll. Her husband is a dick and her in laws are morons. Not much happens. She walks around, makes faces, acts bitchy and talks to her dolls. Eventually she kills hubby, his ugly mistress, mom in law and a guy she almost has an affair with. Dumb ass ending. Written and directed by PJ Woodside.
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Then he meets Jeanette (Greta Gynt) and after stabbing her to death, pretends to be her dead husband to get the contents of a safety deposit box. He also tries to bamboozle Mrs. Boyer (Selma Vas Diaz) about her dead husband being alive but then he catches Odette with another man. He takes her to the villa and gives her the kill, chop and burn treatment. Then Giselle discovers his identity and pays him a visit. They almost miss each other but when they meet he nearly kills her. Fortunately the police arrive and after a brief chase arrest him. In the final scene he is guillotined for his crimes.
This is not a half bad little thriller made essentially better by the presence of George Sanders in the lead role. It could be the best film made by director W. Lee Wilder (KILLERS FROM SPACE). It was written by his son Myles.
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At first it turns out to be a setup, a performance of Ames' play “The Ghost Walks” to impress Wood. But when Beatrice is murdered, it's no longer a play. Ames however can't convince Wood her death isn't part of the play. (her corpse disappears) Then a guard from a local sanitarium arrives to let everyone know a murderer has escaped. Later we learn the house they are in was once owned by a mad surgeon who committed suicide.
Hidden doors, eyes looking through a painting, a deadly bed are just some of the strange goings on in this creaky but entertaining horror melodrama from director Frank S. Strayer CONDEMNED TO LIVE, THE VAMPIRE BAT).
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When revived Ellman is the worse for wear and can't remember anything. But when he hears Nancy playing the piano he sits down and starts to play. When he sees Nolan he calls him his enemy. Beaumont calls a conference with other egghead types that Loder, Nolan and their weak willed cronies also attend. They all get guilty conscientious and want to hire the same hit man as before but Ellman scares Trigger and he shoots himself. He then scares another member who's hit by a train and causes another to have a heart attack and fall out a window.
Beaumont becomes kind of obsessed with knowing what Ellman felt when he was dead. Ellman leaves to walk around a cemetery and Mary follows him. Unbeknownst to her Loder and Nolan trail her. They shoot Ellman and get away. On his second death bed, Ellman tries to explain what death was like but dies before anything can be said. Ironically, Loder and Nolan are electrocuted when their getaway car crashes into an electric pole.
Karloff is very sympathetic in the lead but doesn't have much dialogue. Director Michael Curtiz also made THE CHARGE OF THE LIGHT BRIGADE the same year. Co-star Ricardo Cortez was in POSTAL INSPECTOR with Lugosi the same year.
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Sam Katzman was the executive producer of this low budget quickie released through Monogram but it's not bad despite some lapses in reason!
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This little low budget film noir with a kind of long finale was written and directed by Maxwell Shane who later remade it as NIGHTMARE in 1956 (with Edward G. Robinson and Kevin McCarthy in the leads). It's based on a novel by Cornell Woolrich.
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HOUSE OF THE DAMNED-1963-Architect Scott Campbell (Ron Foster) and his wife Nancy (Merry Anders) go to do a surveying job at an old castle (The Rochester House) after getting a midnight phone call from a guy named Joe (Richard Crane; THE ALLIGATOR PEOPLE) who that don't seem to like. They go to the castle but can't get in. Something weird is going on though as the door opens after they go away. Mr. Quinby (Dal McKennon), a real estate agent gives them the keys and a rundown on the castle including the former owner Priscilla Rochester.
The couple settle in but it's obvious they are not alone. Especially at night when some creature shuffles in and steals the house keys. Next day the missing keys turn up but with 2 keys gone. Later Joe's wife Loy (Erika Peters) shows up looking for her husband. She decides to sunbathe and while undressing is watched by a mysterious woman. Scott and Nancy measure the house. Joe finally shows up. He and Loy seem to be having martial problems and Loy prepares to leave but is pursued by a giant (Richard Kiel; a year after EEGAH!) and disappears. The others look for her.
Nancy finds her headless in a chair but still moving! Of course when she brings the two men Loy isn't there. Later Joe and Scott break into a locked room and find the withered corpse of Capt. Arbuckle, another former owner. When Scott has a run-in with the giant he's saved by a circus fat lady (Ayllene Gibbons; Later Mrs. Joyboy in THE LOVED ONE) because the captain was using the the castle to house circus people. It has a weird happy ending. Much like director Maury Dexter's THE DAY MARS INVADED EARTH it uses a large estate.