More Badness

MANIAC ON THE LOOSE-2008-Stupid amateurish junk about an escaped mental patient. It's mostly talk with the nut ranting at two kidnapped victims. The twist is one of the victims is the escaped psycho while the kidnapper is just a random nut. I think it was suppose to be a comedy but the acting and dialogue is so inane it's hard to tell. Later after he kills the rando loony, the escaped patient has a party for his dead victims. 

The director of this junk Steve Hudgins seemed to think he was making some high art horror film with flashbacks and strange twists but it's just a waste of time.

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Hitch Tac Toe

 

 

 

HITCHCOCK-2012-The genesis of the movie PYSCHO and it's controversial road from book to screen is basically the plot of this film bio of the great director (Anthony Hopkins never out of his suit and tie). Despite the success of his previous film (the classic NORTH BY NORTHWEST) no studio would touch the new project. It also practically says that wife Alma (Helen Mirren) salvaged the whole picture after Hitchcock had filmed it. The director comes across as a bit of a loony, insulting everyone and imaging his wife is having an affair but Hopkins portrayal is admirable and mostly the film is a positive look at his career to that point. However the film really insults Anthony Perkins (played by James D'Arcy) and his contribution. Instead of showing him and his portrayal as the focal point of PYSCHO, his character is brushed off as being nothing but a homo mama's boy who understood nothing that was going on. But of course Janet Leigh's role was played by film darling Scarlett Johansson so the director Sacha Gervasi was probably so enamored of her he focused everything on her character (not that that Janet Leigh's role wasn't crucial to the original story; it was). I wonder if the future Sir Alfred really did talk to Ed Gein (Michael Wincott)?

Despite it's faults I like HITCHCOCK better than most Hollywood bios I've seen recently. It could be because although Hopkins and Mirren are fine Academy Award winner actors they are also both hacks who would do anything for money and there for having them both in the same film made me wary, yet it wasn't as bad I thought it could have been.
 
It also features Danny Huston as screenwriter Whitfield Cook, Ralph Macchio as Joseph Stefano and Jessica Biel as Vera Miles. It's based on a book by Stephen Rebello with a screenplay by John McLaughlin (THE BLACK SWAN). Director Gervasi's claim to fame before this was his screenplay for the Tom Hanks flop THE TERMINAL.

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Bava

HATCHET FOR THE HONEYMOON-1970-John Harrington (Canadian actor Stephen Forsyth), a bridal designer kills brides to be with a hatchet because of a repressed childhood trauma and uses their bodies for fertilizer. He thinks "My name is John Harrington. I'm 30 years old. I'm paranoiac. Paranoiac. An enchanting name word. So civilized. Full of possibilities". 

He wants a divorce from his rich wife Mildred (Laura Betti) but she refuses. In a hidden room at his dress shop he hugs, kisses and dances with some mannequins. He and Mildred go to a seance' because Mildred is trying to contact her dead former husband but instead she seems to channel John's mother. A police inspector suspects John and they have several conver-sations about a missing employee. When one of his models gives her notice (she's going to be married) he has her put on a wedding dress, dances with her then kills her while a female voice calls his name and he thinks lines like "someone is tip toeing in my brain".  Her replacement Helen (Dagmar Lassander; Fulchi's HOUSE BY THE CEMETERY) turns out to be the missing model's sister who's investigating her disappearance (John admits he killed her and buried her in his green house but she thinks he's joking). Later he puts on a bridal veil and chops up Mildred.  Occasionally John sees a young boy watching him. Later people see Mildred even though John can't. After some talk John puts Mildred's ashes in a bag and goes to a disco.

This is slick sickness from the master Mario Bava (who co-wrote the script) uses great lighting and dream like sequences marred somewhat by the cliched dubbed dialogue: "You like horror films, do ya?". "I don't find them very entertaining. I keep thinking that reality is more terrifying than fiction".  But it's still one of Bava's best, an entertaining entry into the Italian "giallo" genre with a great final ending.

Sometimes listed as HATCHET FOR A HONEYMOON. This was star Forsyth's last movie role after a brief career in Italian films.

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Killer Santa

YOU BETTER WATCH OUT-1980-A Santa obsessed psycho named Harry (Brandon Maggart) spies on his neighbors and keeps records on the local children (who's naughty, who's nice). He's mesmerized while watching a Santa Claus parade on TV and makes his own costume. He hums Christmas tunes and makes a lot of toys which he delivers to a children's hospital on Christmas Eve but when he is ridiculed by some church going assholes he kills 3 of them with some toys. He later goes to a party and dances with the women and kids there. Then he kills a jerk who bothered him at work by slashing his throat with a Christmas tree star. An emotionless TV reporter says: "Avoid anyone dressed as Santa". Harry blames his brother (Jeffery DeMunn, as of this writing a regular on THE WALKING DEAD) for most of his problems after he saw his dad (dressed as Santa) having sex with his mom (I think).

Crazy parts include a police line-up featuring Santas and a vigilante mob chasing old St. Nick. Except for Maggart (the father of singer Fiona Apple) most of the acting is bad as is the script and direction (Lewis Jackson's only movie) but I don't believe this is a set-up. It's suppose to be s serious psychological slasher movie and it's an unintentional laugh riot! Look for Father Christmas in an alley with a stiletto.

Scenes from MARCH OF THE WOODEN SOLDIERS show up on a TV. Also with Dianne Hull (Rose in ALOHA BOBBY & ROSE) as Harry's kindhearted sister in law. Pre-dates the more well known and infamous SILENT NIGHT, DEADLY NIGHT by four years. The fantasy ending kind of threw me too.

Filmed in Edgewater, NJ which may explain why the late Danny Federici (keyboard player from Springsteen's E Street Band) has a cameo playing the accordion. This is also known as CHRISTMAS EVIL.

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Wicked Stuff?

WICKED WICKED-1973-This typical slasher/stalker film was shot in "duo-vision" a split screen process showing two different scenes at one time.

Randolph Roberts (later Chuck Cunningham, Richie's older brother in TV's HAPPY DAYS) plays Jason, a handyman/custodian/electronics expert who also kills women (while wearing a scary mask) who come to stay at the hotel where he works. The split screens not only shows the goings on in the hotel but also provide flashbacks while certain characters talk about their lives.

Tiffany Bolling is a singer (and does the horrible theme song) who performs at the hotel and Jason 's next target. David Bailey (later a regular on the soap opera ANOTHER WORLD) is the house detective (and Bolling's character's ex-spouse) trying to figure it out and Scott Brady (who had a role in THE NIGHT STRANGLER the same year) is a no nonsense detective he butts heads with. Roger Bowen (Col. Blake in the movie version of MASH) is the pompous hotel manager. Madeleine Sherwood and Arthur O'Connell are also in it. Edd Brynes (formerly TV's Kookie on 77 SUNSET STRIP) is a red herring waiter who uses the phrase "honest bread" a few times. Meanwhile an old woman plays the organ as background music.

It's a little better than the usual serial killer stuff clogging up '70's cinema, uses some ironic comic touches and puts the split screen to good use. This was the last feature film directed by Richard L. Bare (who also wrote the screenplay), better known for his TV work on such comedies as GREEN ACRES. Lyrics to the insipid songs are by Irwin Levine who co-wrote "This Diamond Ring". Charles Pierce was the set decorator. Actor Bailey later died in an accidental drowning.

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Cruel Movie

CRUEL WORLD-2005-In this stupid movie a reality show reject psycho (Edward Furlong) kills the husband and wife winners and takes9monster over their house. He creates his own life and death reality show and invites a bunch of young people to participate in it. He monitors it all from a special room while talking, smoking cigarettes and laughing. He also has the big dumb Claude (Steve Franzese) who kills the contestants. Furlong is a good nut but this movie is like a hundred other direct to video slasher movies despite it’s updated trappings. The director, Kelsey T. Howard was a second unit director on many films.

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Worth It!

DON'T ANSWER THE PHONE-1980-In this psycho-slasher horror flick the underrated Nicolas Worth plays Kirk Smith a deranged Vietnam vet/photographer who strangles women then takes pictures of them. He even calls a radio psychiatrist (Flo Gerrish) and talks with a Hispanic accent. Later he later convinces a prostitute to call the station and while she's talking to the doctor he kills her. James Westmoreland and Ben Frank play two wise ass detectives trying to solve the murders. I think they were trying to imitate Starskyand Hutch but they are more like Dumb and Dumber.

Worth (who died in 2007 at age 69) gives a tour de force performance, crying, laughing and talking to himself in a mirror. In a stand-out scene he talks to his "father" about how he beat up a pimp. The rest of the acting (made up mostly of TV actors and actresses) isn't as interesting and the story is quite sick (most of the victims die topless) and drags when Worth's not around but his performance makes it worth seeing. (No pun intended)

This was the only movie made by director Robert Hammer. The worst part is that while Smith is a crazed vicious killer the two cops act like jerks and aren't very likable.

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Johnny & Ronny

FIVE MINUTES TO LIVE!-1961-Before he became "the man in black" and a country-western superstar, Johnny Cash made his film debut in this low budget melodrama. He plays psycho cop killer Johnny Cabot who is hired by a greasy hood (Vic Tayback, who narrates the tale) who hatches a plot to rob a bank by having the wife (Cay Forrester) of a bank VP (Donald Woods) held hostage in her home by Cabot. With this threat the VP is forced to hand over $70,000. The couple has martial problems (he wants to leave his wife for another woman) and their young son is played by future Academy Award winning director Ronny Howard (already a regular on TV's THE ANDY GRIFFITH SHOW). Cash is demented and sadistic while holding the wife hostage but does manager to croon the title theme once in a while.

Another country-western star Merle Travis (who co-wrote the theme with Cash) appears as Tayback's flunky. It's a weird little film with a interesting, funny climax involving Howard's character and a gabby neighbor (Pamela Mason). Director Bill Karn also made MA BARKER'S KILLER BROOD. Also called DOOR TO DOOR MANIAC.

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