CRUCIBLE
OF HORROR-1971-Michael Gough is Walter Eastwood, the sadistic father
of a dysfunctional family who whips his teenage daughter Jane (Sharon
Gurney), who he obviously has perverted feelings for), when she
steals some money from their country club. His son Rupert (Simon
Gough and real life son of Michael) seems to be a carbon copy of him
and his wife Edith (Yvonne Mitchell) suffers mental anguish caused by
him. One night Edith says to Jane “Let's kill him!”. When he goes
away alone for a weekend of hunting Edith and Jane decide to put
their plan into operation. They threaten him at gunpoint and drug his
booze. When he’s unconscious Edith force feeds him more drugs. Jane
is rather disgusted by this but the she remembers all the bad things
her father did to her (shown in snippets). They plan it to look like
a suicide but 2 scenes seem to say that Gough is still alive. Back
home mom and daughter wait for a call. Edith has a weird psychedelic
dream. Later when they don't hear anything from the country house
they go back there and find their victim’s body has been moved to a
large crate! They get rid of the crate and go home. Dad shows up to
terrorize them. The next day he’s alive, his usual slimy self with
Edith and Jane looking worse than ever.
Seems the screenwriter Olaf
Pooley wanted to be the Harold Pinter of horror...
I don.t pretend to
understand what the hell the ending was suppose to represent. It may
have been a prank instigated by Walter. Early in the story he has a
mask that resembles his face and a shot of him hanging near the end
is clearly a dummy. Was this intentional? Director Viktors Ritelis
did mainly TV episodes before and after this.
Thanks for reading
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