Tuesday, April 14, 2020

The Lone Star State of Horror



PSYCHO FROM TEXAS-1975-A nutty redneck named Wheeler (John King lll) has flashbacks of his mom having sex. Meanwhile a local rich retired businessman  named Phillips (Herschal Mays), who fishes with an African American kid, plans the wedding of his daughter Connie (Candy Dee). Turns out Wheeler was hired to kidnap and rob Phillips. He and a local fool kidnap Phillips and after tying him up at a remote cabin, Wheeler goes to score some weed. Now he may be psycho but he's not very smart leaving the shit for brains local to watch over their captive. Sure enough while Wheeler is out making a pest of himself Phillips escapes. The local gives chase. They keep referring to Phillips as an “old man" but he takes off and their chase scene seems to go on forever!  Meanwhile Wheeler visits Connie and a neighbor informs her that her daddy is missing. (The kid he goes fishing with found his abandoned car) It seems Connie's fiance Steve (Reed Johnson) is behind the plot. The long long chase finally ends with Phillips stabbing the local ass in the neck. He eventually makes it to police headquarters.  After Wheeler kills Connie's friend, he gets some KFC and visits a bar. Steve is arrested but when he sees Phillips is alive he grabs a cop’s gun and bolts. Yes! Another chase scene! The chase is inter-cut with Wheeler's antics at the very darkly lit bar where he kills the only other customer and makes the bartender (Linnea Quigley) dance naked and pours beer on her (she looks like she's laughing on one point). A cop shoots Steve in the head, father and daughter are reunited and the sheriff (who’s daughter Wheeler killed) shoots Wheeler whose last words are “Don't hurt me, mama!”.  

This fairly boring slasher film began life as the never released WHEELER. It went through several changes and titles before it became PSYCHO FROM TEXAS. The bar scenes with  Linnea Quigley (this could be her first film role depending on when the scenes were shot) were added to this version providing the only actual highlight of the whole film. Seems like they put it toward the end to give at least some kind of payoff. Two directors are credited: Jack Collins (who plays the sheriff) and Jim Feazell.

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